Sleepwalkers

Sleepwalkers (1992)

* 1/2 (out of 4)

When this film was released there was a lot of hype because it was the first time Stephen King had written something directly for the screen. The hype quickly faded when everyone realized that it was a dud. A son and mom (Brian Krause, Alice Krige) move to a small town where they need a virgin (Madchen Amick) to keep alive. It turns out the duo are "sleepwalkers," which is a form of cat people. The entire story to SLEEPWALKERS is rather stupid and silly and I often wonder if King or director Mick Garris were taking it overly serious. I've heard that there was a lot of trouble with the production so perhaps this is the best that they could turn out but there are so many questionable and rather silly moments here that you can't help but call this a dud. The horror elements are extremely silly, never make too much sense and I wonder what King was even trying to do with this. I mean, were these creatures supposed to be something between werewolves and vampires? Did the son and mom have to have so many sex scenes together? Was this meant to be dark humor? For some strange reason when the son does start to attack the virgin girl, instead of any drama or suspense we're given really bad one-liners and attempts at humor and it just doesn't make any sense. I say no one took it serious because this is followed by a long line of horror cameos including King, Tobe Hooper, Joe Dante, John Landis, Clive Barker and Friday THE 13TH PART 2 fans will notice Stuart Charno. Both Krause and Krige are good in their parts but Amick easily steals the film as the victim. SLEEPWALKERS is a real mess of a movie and it's a shame that King's first direct screenplay was such a bust.

Brian Krause ('Charmed') and Alice Krige ("Star Trek: First Contact") play a son-and-mother pair, the title creatures who are vaguely feline in origin. They live a nomadic existence, moving from town to town and obtaining sustenance from the life force of teenage virgins. Their one weakness? Cats. Apparently any substantial scratch from a cat is enough to kill a Sleepwalker. Trouble arises for Krause and Krige when their current intended victim (Madchen Amick, 'Twin Peaks') turns out to be a real fighter.

Don't take this screen original from Stephen King seriously - at all - and it's possible to have a generous amount of fun, as I did. It's positively goofy stuff, with some incredibly groan-inducing moments, but since most of the laughs do seem to be intentional, I was able to forgive this sort of thing. It's pretty predictable, to be sure, with most of the adult characters or authority figures proving to be completely useless. The visual effects by Apogee are pretty good, and Tony Gardners' Alterian Studios supplies some decent-looking monsters. Another bonus: "Sparks", the cat who plays Clovis, is every bit as appealing as human protagonist Amick.

A solid assortment of familiar faces helps matters: real-life former couple Cindy Pickett and Lyman Ward, who'd played Matthew Brodericks' parents in "Ferris Bueller's Day Off", as Tanyas' folks, Ron "Hellboy" Perlman as a moronic state trooper, Jim Haynie ("The Bridges of Madison County") as the sheriff, Rusty Schwimmer ("Jason Goes to Hell: The Final Friday") as a housewife, Stuart Charno ("Friday the 13th Part 2") as a crime scene photographer, and the late Tim Burton favorite Glenn Shadix ("Beetlejuice") as a creepy teacher. There's also a handful of quick cameos from genre icons, and Mark Hamill appears unbilled in the opening pre-credits sequence.

I would tend to agree that BY NO MEANS would this ever be considered a "great" film, but it provides ample entertainment for horror fans. It does make great use of Enyas' haunting song "Boadicea".

Seven out of 10.

There's something about the b-grade sleeper "Sleepwalkers" that keeps me from liking it, but not enough to entirely hate it either. It kept me entertained, but I wasn't all that satisfied. Director Mick Garris' handling might come off stagy (which took any sense of atmosphere) with an almost TV-like feel, but remains crisp and well paced in its actions. Some imagery shows moments of creativity with the illustrative camera-work with its scopes and tilts. I just wished it had been much more darker in its visual styling. Stephen King would adapt his own book, where the premise creates a wickedly novel concept that would turn upon its sly tone with nonsensical and over-the-top dramatic lashings. This goes for its outrageous, if clumsy climax. While the jolts are grisly, they do come off quite risible with it being punctuated by sadistic heavy-handedness. The eccentric make-up FX is decently pulled off, even with some cheesy and blotchy trimmings. The script is rather ill-defined, but still has a neat touch of morbid humour and a sexual charge thanks to the seductively deranged performances by Alice Krige and Brian Krause in their mother and son relationship. Mädchen Amick is suitably appealing in the victim role. Ron Perlman makes a short, but commanding turn. Also keep a look out for some amusingly interesting cameos by Stephen King, Tobe Hooper, John Dante, John Landis, Clive Baker and Mark Hamill.

Stephen King's Sleepwalkers has a reputation as one of the lesser quality adaptations of his work, which led me to put off watching it for years. Well I don't know what film the critics saw, cause the one I watched was wicked good. Nestled in that perfect area of 80's horror where the blood was corn syrup, the flesh was latex, there wasn't a pixel or rendering in sight and atmospherics mattered more than excessive violence, this is one serious piece of horrific eye candy with the backbone of King's wicked imagination to hold it steady. The story tells of a small Midwestern town (is there any other kind in the man's work?) That falls prey to a pair of vampire werewolf hybrid creatures who subside off the blood of virgins and morph into slimy behemoths that conveniently show off the impressive prosthetics. Brian Krause is one of said creatures, drifting into town with his creepy mother (the wonderful Alice Krige) and setting his sights on severely virginal schoolgirl Madchen Amick, by dialing up the charm past eleven. People and animals start to die all over town and the suspicions arise, but the pair are cunning and have most likely been doing this for centuries almost unnoticed. It's nothing too unique as far as the concept goes, but the fun of it lies in the gooey special effects and one demon of a performance from Krige, a veteran stage actress. She is one part beautiful seductress (even to her son, in one unsettling scene) and one part volatile banshee, setting your nerves on edge time and time again throughout the film. Krause does the demonic James Dean thing nicely and Amick shows blossoming reilience beneath the required mantle of terrified scream queen. The three of them run amok in a beautifully realized fever dream of psycho sexualized terror, small town atmospherics and a classic old school horror climate. This film loves it's cameos, so watch for Clive Barker, Ron Perlman as a grouchy state trooper and King himself as the world's dumbest graveyard caretaker. Baffles me why this was panned upon release. It's actually one of the best films I've seen based on King's horror work, and there's a lot to compete with.

The first of several Stephen King adaptations to be directed by Mick Garris, Sleepwalkers is dated somewhat by its (then cutting-edge) CG morphing effects of the kind seen in Michael Jackson's music video for Black and White, and later in the Buffy the Vampire Slayer TV series. Creaky CGI trickery aside, the film is actually a whole lot of silly fun, with a daft story about a shapeshifting mother and son, Mary and Charles Brady (Alice Krige and Brian Krause), the sleepwalkers of the title, who must feed on the lifeforce of female virgins to survive.

Moving to a new town, Charles quickly sets his sights on schoolgirl Tanya (the gorgeous Mädchen Amick), but his nefarious plans are thwarted by the local cat population, who gather forces, their scratches deadly to the sleepwalkers.

Things get off to a wonderfully sordid start with a spot of incest between Charles and his mother, and the bonkers fun continues with hilarious attack by Charles on Tanya at a local graveyard make-out spot, some very silly gore (a pervy teacher loses his hand, a cop is stabbed in the ear with a pencil, Charles has his face seriously messed up, Ron Perlman gets his fingers chewed off, a guy is stabbed in the back with a corn cob, and a sheriff is impaled on a picket fence), several pointless cameos from horror luminaries (Stephen King, Joe Dante, John Landis, Tobe Hooper and Clive Barker), and a completely nutzoid finalé that sees the cats launch an all-out attack on Mary Brady, who has assumed her true reptilian/feline form.

To summarise: Sleepwalkers is by no means a classic King adaptation, but it's never a boring one.

6.5 out of 10, rounded up to 7 for IMDb.