Billy and Sydney think they're the best basketball hustlers in town, so when they join forces, nothing can stop them, except each other. To add to their problems, Billy owes money and is being chased by a pair of gangster types.Written by
In the movie, Billy drives a 1967 Oldsmobile Cutlass convertible. See more »
Sydney's definition of "hearing" Jimi Hendrix, is not the standard textbook definition of "hearing," The definition of "hearing" he is referring to is the African American male slang terminology that is used in southern California. See more »
[playing in tournament prelims-overdub]
Don't let him pull that move, don't let him pull that move! That's the move! Oh that's the move!
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In the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style. See more »
Some U.S. video versions are three minutes longer. See more »
After Billy Hoyle hustles Sidney Deane on the basketball court, Deane offers Billy a proposition about teaming up to hustle the courts of Los Angeles. They are a great team, they are in fact wonderful players, but egos and greed are sure to become a problem, oh and Billy has some rather unsavoury characters after him to return a debt he owes. Can the boys resolve their differences? Can they keep their devoted women happy? All will be revealed in White Men Can't Jump.
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
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