Full Cast & Crew
Directed by
| Stephan Elliott | ||
Writing Credits
| Stephan Elliott | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Al Clark | ... | producer |
| Michael Hamlyn | ... | producer |
| Grant Lee | ... | tyro producer |
| Rebel Penfold-Russell | ... | executive producer |
| Stuart Quin | ... | executive producer (uncredited) |
| Sue Seeary | ... | associate producer |
Music by
| Guy Gross | ||
Cinematography by
| Brian J. Breheny | ... | director of photography |
Editing by
| Sue Blainey | ||
Production Design by
| Owen Paterson | ||
Art Direction by
| Colin Gibson | ||
Costume Design by
| Tim Chappel | ||
| Lizzy Gardiner | ||
Makeup Department
| Angela Conte | ... | hair / makeup |
| Cassie Hanlon | ... | hair / key makeup artist |
| Strykermeyer | ... | hair / makeup |
Production Management
| Tekin Cetinkaya | ... | assistant unit manager |
| Rick Kornaat | ... | unit manager |
| Sue Seeary | ... | post-production supervisor / production manager |
Second Unit Director or Assistant Director
| Stuart Freeman | ... | first assistant director |
| Colin Gibson | ... | additional direction |
| Maria Phillips | ... | second assistant director |
| Jamie Platt | ... | third assistant director |
| Emma Schofield | ... | second assistant director |
Art Department
| Graham Beatty | ... | art department electrician |
| Lyall Beckmann | ... | welder |
| Kerrie Brown | ... | props buyer |
| Simon Clayton | ... | scenic artist |
| Jonathan Desprez | ... | carpenter |
| Roz Hinde | ... | soft furnishings |
| John Murch | ... | prop maker |
| Philipa Playford | ... | prop maker (as Philippa Playford) |
| Dougal Thompson | ... | carpenter |
| Yann Vignes | ... | art department runner |
Sound Department
| Steve Burgess | ... | foley editor |
| Tim Colvin | ... | assistant sound effects editor (as Tim 'Lobes' Colvin) |
| Steve Erskine | ... | sound coordinator / sound effects editor (as Stephen 'The Gherkin' Erskine) |
| Simon Hewitt | ... | adr recordist (as Simon 'Dionne' Hewitt) |
| Phil Judd | ... | sound mixer / sound supervisor |
| Gerry Long | ... | foley editor |
| Fiona McBain | ... | boom swinger |
| Angus Robertson | ... | dialogue editor (as Angus 'Goose' Robertson) |
| Grant Shepherd | ... | additional recording |
| Guntis Sics | ... | additional sound designer / sound recordist |
| Danielle Wiessner | ... | additional adr editor |
Visual Effects by
| Roger Cowland | ... | visual effects |
Stunts
| Robert Simper | ... | stunt coordinator |
Camera and Electrical Department
| Paul Booth | ... | gaffer |
| Richard Bradshaw | ... | first assistant camera: second unit / second unit assistant |
| Michael Gaffney | ... | grip assistant |
| Peter Holland | ... | third electric |
| Matt Inglis | ... | best boy (as Best Naughty Boy) |
| Elise Lockwood | ... | stills photographer |
| Ian McAlpine | ... | grip |
| Pat Nash | ... | key grip |
| Bill Ross | ... | camera liaison |
| Adrien Seffrin | ... | focus puller |
| Martin Turner | ... | second unit camera |
| Anna Wareham | ... | clapper/loader (as Anna Townsend) |
Casting Department
| Faith Martin | ... | additional casting |
| Bobbie Pick-up | ... | casting: Broken Hill (as Bobbie Pickup) |
Costume and Wardrobe Department
| Brett Cooper | ... | wardrobe coordinator |
| Adam Dalli | ... | costume designers' assistant |
| Glenn Lewis | ... | gowns: Mr Breheny (as Miss 3D) |
| Tim Parry | ... | wardrobe: modelling |
| Emily Seresin | ... | wardrobe supervisor |
Editorial Department
| Tony Lynch | ... | post-production liaison |
| Karen Psaltis | ... | negative matcher |
| Michael Robertson | ... | telecine operator |
| Ian Russell | ... | laboratory liaison: Atlab Australia |
| Andrew Yuncken | ... | assistant editor (as Andy 'Foofy' Yuncken) |
Location Management
| Rick Kornaat | ... | location manager |
Music Department
| Robyne Dunn | ... | soprano soloist (as Robyn Dunn) |
| Coralie Hartl | ... | orchestra contractor |
| Phillip Hartl | ... | concert master |
| Simon Leadley | ... | music engineer |
| Sydney Philharmonia Choir | ... | music performers |
| Sydney Symphony Orchestra | ... | orchestra |
| Antony Walker | ... | choir director |
| Diana Williams | ... | music clearances: songs |
| Tim Ryan | ... | music editor (uncredited) |
| Derek Williams | ... | orchestrator (uncredited) |
Transportation Department
| Peter Cogar | ... | driver / set mechanic |
| Mark McKinley | ... | driver / set mechanic |
| Tim Parry | ... | vehicle coordinator |
Additional Crew
| Antonia Barnard | ... | completion guarantor: Film Finances Inc. |
| Libby Blainey | ... | title design |
| Dave Burge | ... | liaison: Coober Pedy |
| Lorraine Calway | ... | insurance broker: Jardine Tolley |
| Martin Cooper | ... | legal representation: Martin Cooper + Co |
| Kate Dennis | ... | continuity: woman |
| Mark Devereux | ... | legal representation: Simon Olswang + Co |
| Tim Duggan | ... | unit assistant |
| Russell Fewtrell | ... | unit assistant |
| Colin Gibson | ... | catering: Sunday |
| Peter D. Graves | ... | executive marketing consultant |
| Deb Gwilliam | ... | catering assistant |
| Julia Gwilliam | ... | unit nurse |
| Michael Kuhn | ... | big cheese |
| Catherine Lavelle | ... | unit publicist |
| Grant Lee | ... | second unit coordinator (as Grant D. Lee) |
| Robyn Lee | ... | trainer: tranny |
| Terry Lee | ... | aerial pilot |
| Paul Malane | ... | unit assistant |
| Frank Mangano | ... | unit assistant |
| John May | ... | production accountant |
| Mark Nancarrow | ... | catering assistant |
| Jo O'Keefe | ... | liaison: London office |
| Jenny Lee Robinson | ... | tutor (as Jenny-Lee Robinson) |
| Esther Rodewald | ... | production coordinator |
| Stephen Rutter | ... | travel manager |
| Trudy Salven | ... | travel coordinator: Travel International |
| Robert Simper | ... | safety supervisor |
| Kim Steblina | ... | liaison: base office |
| Strykermeyer | ... | executive consultant: drag |
| Mark White | ... | choreographer |
| Clare Wise | ... | assistant to the producers |
Thanks
| Martin Armiger | ... | quite special thanks: hold the sweetener |
| Maureen Barron | ... | quite special thanks: hold the sweetener |
| Graham Bradstreet | ... | special thanks: no cream - cherries optional |
| Caroline Burton | ... | quite special thanks: hold the sweetener |
| David Cipriano | ... | quite special thanks: hold the sweetener |
| Sue Cohen | ... | quite special thanks: hold the sweetener |
| Kim Dalton | ... | quite special thanks: hold the sweetener |
| Ann Darrouzet | ... | quite special thanks: hold the sweetener |
| Andrena Finlay | ... | extra special thanks: with cream on top |
| Kim Green | ... | special thanks: no cream - cherries optional |
| Billy Hinshelwood | ... | quite special thanks: hold the sweetener |
| Merlyne Jamieson | ... | quite special thanks: hold the sweetener |
| Sheridan Jobbins | ... | thanks |
| Tom Knapp | ... | quite special thanks: hold the sweetener |
| Keith Lupton | ... | quite special thanks: hold the sweetener |
| Xavier Marchand | ... | quite special thanks: hold the sweetener |
| Graeme Mason | ... | quite special thanks: hold the sweetener |
| Jane Moore | ... | quite special thanks: hold the sweetener |
| Tracey Mulligan | ... | quite special thanks: hold the sweetener |
| Owen Paterson | ... | acknowledgment: Gloria's Puncture Kit provided by |
| Aline Perry | ... | quite special thanks: hold the sweetener |
| Sarah Radclyffe | ... | quite special thanks: hold the sweetener |
| Brian Ross | ... | quite special thanks: hold the sweetener |
| Peter Skillman | ... | extra special thanks: with cream on top |
| Kathryn Smith | ... | quite special thanks: hold the sweetener |
| Stewart Till | ... | quite special thanks: hold the sweetener |
