Directed by
| Ronald Wilson | ||
Writing Credits (in alphabetical order)
| Alice Munro | ... | (novel) |
| Charles K. Pitts | ... | (as Charles Kristian Pitts) |
| Charles K. Pitts | ||
| Kelly Rebar | ||
Cast (in credits order) verified as complete
Produced by
| Richard Borchiver | ... | producer |
| Raymond Massey | ... | executive producer |
| Charles K. Pitts | ... | supervising producer (as Charles Kristian Pitts) / supervising producer |
| Jon Slan | ... | executive producer |
Music by
| Lawrence Shragge | ||
Cinematography by
| Harry Makin | ||
Editing by
| Susan Shipton | ||
Production Design by
| Jeff Ginn | ||
Art Direction by
| Karen M. Clark | ||
| Julie Lee | ||
Costume Design by
| Delphine White | ||
Makeup Department
| Jenny Arbour | ... | key hair stylist: period hairstyling 1950's |
| Kathleen Graham | ... | makeup artist |
Production Management
| Suzanne Colvin | ... | production manager |
| Lori A. Waters | ... | post-production supervisor |
Second Unit Director or Assistant Director
| David McAree | ... | assistant director |
Art Department
| Mark Hunter | ... | props |
| Lesley Myers | ... | art department coordinator |
| Stephen Paisley | ... | scenic artist |
Sound Department
| Richard Calistan | ... | adr mixer |
| Kevin Howard | ... | supervising sound editor |
| Dan Latour | ... | sound |
| Paul Shubat | ... | re-recording mixer |
Visual Effects by
| Chris Wallace | ... | colourist |
Camera and Electrical Department
| Suzanne Batinovic | ... | camera trainee |
| Ciaran Copelin | ... | first assistant camera |
| David Erlichman | ... | dolly grip (as Dave Erlichman) |
| Ben Mark Holzberg | ... | still photographer |
Script and Continuity Department
| Joanne T. Harwood | ... | script supervisor |
