Directed by
| Rafal Zielinski | ||
Writing Credits (in alphabetical order)
| Patrick Labyorteaux | ... | (screenplay) |
| Patrick Labyorteaux | ... | (story) |
| Damian Lee | ||
Cast (in credits order)
Produced by
| Ashok Amritraj | ... | executive producer |
| Helder Goncalves | ... | associate producer |
| James Holt | ... | line producer (as James A. Holt) |
| Diana H. Laskaris | ... | executive producer |
| Damian Lee | ... | producer |
| Jeff Sackman | ... | producer |
| Tony Schwartz | ... | line producer |
| Bradley J. Sherman | ... | associate producer |
| Donald A. Starr | ... | associate producer |
| Robert E. Waters | ... | line producer |
Music by
| Corey Feldman | ||
| Ronald J. Weiss | ||
Cinematography by
| Peter Benison | ||
Editing by
| Tony Mark | ... | (edited by) |
| David Mitchell | ||
Casting By
| Kathy A. Smith | ||
Production Design by
| Peter Kanter | ||
Art Direction by
| Jacques Hébert | ||
Set Decoration by
| Kevin Davis | ||
Costume Design by
| Matt Jacobson | ||
Makeup Department
| Becky Cotton | ... | makeup artist |
Production Management
| David Garrett | ... | executive in charge of production |
| Patti Jackson | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Scott K. Harris | ... | second second assistant director |
| Peggy Hughes | ... | second assistant director |
| Tony Schwartz | ... | first assistant director |
Art Department
| Kathleen Coates | ... | property master |
| Skip Cullen | ... | construction coordinator |
Sound Department
| Arnold Braun | ... | production sound mixer |
| Warren Croyle | ... | boom operator |
| Phil Flad | ... | sound effects mixer |
| Harry Harris | ... | dialogue recording editor |
| John Hazen | ... | supervising mixer |
| Lee Howell | ... | boom operator |
| Robert Perkins | ... | boom operator |
| Mikael Sandgren | ... | dialogue recording editor |
| Garry Ulmer | ... | sound designer / supervising mixer |
Special Effects by
| Beverley Hartigan | ... | special effects |
| John C. Hartigan | ... | special effects |
Stunts
| Reed Anthony | ... | stunt performer |
| Mark Caso | ... | stunts |
| Kurt D. Lott | ... | stunt coordinator |
Camera and Electrical Department
| Ed Bernstein | ... | best boy electric (as Edward B. Benstein) |
| Greg Brooks | ... | grip |
| Marco Cappetta | ... | second assistant camera |
| Jeffrey Douglas | ... | key grip |
| Suzanne England | ... | still photographer |
| Derek Paulin | ... | electrician |
| Amy Schulenberg | ... | second assistant camera |
| Laurent Soriano | ... | first assistant camera |
| Tim Soronen | ... | best boy grip |
| Michael Weaver | ... | gaffer (as Mike Weaver) |
Casting Department
| Randy Callahan | ... | casting assistant |
Costume and Wardrobe Department
| Naomi Yoshida Rodriguez | ... | associate costume designer |
Editorial Department
| Terry J. Chiappe | ... | additional editor |
| Tony Mark | ... | assistant editor |
| Garry Ulmer | ... | supervising editor |
Location Management
| Tanya Lemani | ... | location manager |
Music Department
| Matthew Claener | ... | composer: additional music |
Script and Continuity Department
| Joan Cho | ... | script supervisor |
Transportation Department
| Milo Brown | ... | transportation coordinator |
| Roger Greer | ... | driver |
Additional Crew
| Jean Costello | ... | production coordinator |
| Tanya Lemani | ... | choreographer: dance sequence |
| Robin Picone | ... | dream sequence designer |
| Mark Saunders | ... | dialog and additional dialog recording editor |
| Garry Ulmer | ... | background effects editing |
| Robert E. Waters | ... | production coordinator |
