An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story.Written by
Tim Horrigan <firstname.lastname@example.org>
The call letters on the TV cameras are WNBT. New York's NBC affiliate changed its call letters from WNBT to WRCA in 1954, 3 years before the Van Doren streak. See more »
Television is gonna go on. The quiz shows are gonna go on. Makes me wonder what you hope to accomplish with all this.
Don't worry, I'm just getting started.
You're a bright young kid with a bright future. Watch yourself out there.
See more »
Charles Van Doren went to work for the Encyclopedia Britannica. Today he writes books and lives in the family home in Cornwall, Connecticut. He never taught again. See more »
The network version of "Quiz Show" uses replacement footage in two places. They are:
In the scene where Dan is telling Herb that he has to take a dive, the line "Look, don't start believing your own bullshit, all right? You wouldn't know the name of Paul Revere's horse if he took a shit on your lawn!" is changed to "Look, don't start believing your own bull, all right? You wouldn't know the name of Paul Revere's horse if he took a nap on your lawn!"
When Herb is talking to Dan about getting a panel show, Herb's line "You get me that panel show, or I'm gonna bring you down with me, you lousy lyin' prick! You and Charles Van Fucking Doren!" is changed to "You get me that panel show, or I'm gonna bring you down with me, you lousy lyin' pig! You and Charles Van Friggin Doren!"
As a twelve year old growing up in Brooklyn, I did not even know the name of the show I was watching every week; to me it was just a vehicle to see if hero Charles Van Doren could hang in. He was handsome, articulate, witty, and all the girls thought him incredibly attractive (although their pre-teen minds did not yet understand sexuality). Growing up in a Jewish neighborhood as I did, Herb Stempel did not come off so nerdy as he looks now in retrospect. When it came out that everyone had cheated, us kids felt not only betrayed, but sleazily cheated personally. The girls felt somehow violated!
Here Redford turns in an understated masterpiece. He sets the stage and the standard, and gets fantastic performances from his actors:
John Turturro as Stempel is excellent, but a fine job by Johann Carlo as his principled wife, which may be overlooked in such company, is the rock upon which his family can really rely.
Ralph Fiennes, as the hapless Charles Van Doren, manages to get across his character's dilemma: a mere achiever in a family of ultra-achievers. In any other family he'd have been prime, as a Van Doren he would always be an also-ran.
Many have pointed out the great job of Paul Scofield as Mark Van Doren, Charles' father. He is the epitome of the WASP-intellectual padrone. And he has our sympathy when his son so sorely disappoints him and disgraces the family.
David Paymer is excellent and believable as Enright, the unsavory producer. He makes it almost seem disloyal not to cheat!
Bit parts are all little plums: Martin Scorsese as Martin Rittenhouse, the Geritol exec, smugly contemptuous of the public and the government. George Martin as the network president, clearly Jewish, and just as clearly a "Teflon Don" in his own world.
The scenes at the Van Doren estate are designed to convey investigator Goodwin's (Rob Morrow) culture shock and outsider status, and they represent the academic WASP world of the time accurately and wonderfully.
All in all, a great movie.
49 of 52 people found this review helpful.
Was this review helpful to you?
| Report this