Tales from the Hood (1995) Poster

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7/10
Surprisingly Good
ReelCheese8 September 2006
An eccentric funeral director shares four tales of horror from an African American perspective with three young thugs. The first involves a man who exacts his revenge from beyond the grave after being murdered by crooked cops. The next tells of a boy alleged torment at the hands of a monster may not be tall tales. A white supremacist politician haunted by forces of injustices past highlights the third story, while the fourth focuses on a gangbanger undergoing frightening behavior modification.

TALES FROM THE HOOD benefits enormously from solid writing and an entertaining pace. With a running time of under 100 minutes, director Rusty Cundieff does an admirable job of cramming everything he's got into each vignette. Few of us have the stomach for a horror movie with a message, but this is one that succeeds. It has things to say about racism in our society and says them in ways in which they've never been said before. Though definitely not for all tastes, TALES FROM THE HOOD is a surprisingly solid horror anthology.

* *Cast Note: Clarence Williams III, who plays the funeral director, is best known as Linc from THE MOD SQUAD television series.
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8/10
Nightmare n realities meet in the hood.
Fella_shibby11 October 2020
I saw this for the first time recently as i am planning to check out the 3rd part. This one aint scary but some segments r entertaining n at the same time it showcases the problems faced by a community.

The first one bah rogue cops - This one's ur typical revenge of the ghost, a dead fella comes back to take revenge.... The second one bah monsters - This one's a creative one, it potrays the destructive powers of grief with a dash of Cellar Dweller. Mayb Babadook got inspired by this one. The third one bah racism - This one's bah miniature dolls wreaking havoc on a racist neo nazi. Its a bit gory. The last one bah another chance - This one's the best. Inspired by Jacob's Ladder mayb.
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8/10
"Horror" is not the right word here folks
dee.reid7 April 2002
Warning: Spoilers
"Tales from the Hood" centers around three drug-dealing youths. The movie opens up with the three of them walking up to a funeral home run by a creepy mortician named Simms(Clarence Williams III). They are at the funeral home to pick up a stash of drugs. Instead of getting right down to business, Simms entertains the three men with some rather grisly stories.

In the first story, "Rogue Cop Revelation", three white, racist cops murder a black politician; all the while a black police officer is watching the entire thing. The black officer is then told that if he opens his mouth, he will join the politician. A year later, the politician from beyond the grave contacts the officer so he can get revenge on the cops who killed him.

In the second story, "Boys Do Get Bruised", as some people have claimed, is an interesting twist right out of "The Twilight Zone". A new boy at a school shows up the first day with a bunch of bruises on his arm. His teacher begins to get very concerned about this. The boy tells the teacher he got the bruises from the "monster" that lives in his house.

In the third story, "KKK Comeuppance", a former Ku Klux Klansman-turned-politician moves into a mansion that was once the sight of a horrible slave massacre that occurred around the end of the Civil War. There is a lot of distrust towards him, because of his shady history. He is told by many of the protesters that a bunch of voodoo dolls, which are inhabited by the souls of the murdered slaves, are still on the mansion grounds. The politician shrugs all of this off as just local superstition, until his assistant (who might I add is black) dies mysteriously. Soon it becomes clear that the politician is not alone in his brand new house.

In the fourth story, "Hard Core Convert", a gangster is arrested and sentenced to life imprisonment for murder. Some years after being sent to prison, he's offered a chance to be released, if he agrees to be a participant in a brand new experiment. It is here that elements of "A Clockwork Orange" begin to come into play.

Being African-American myself I feel "Tales from the Hood" is one of the most important "horror" films to come out of the nineties. I really like the fact that all though most of these stories are fiction, they all are based on reality and have many issues surrounding the African-American community that need to be addressed. Issues such as police brutality, child abuse, racism, and black-on-black crime are all brought to light here. I admit that although the horror elements of the movie are a bit cheesy, it does get its message across without much trouble. The stories themselves, while they aren't too original, are very well written.

The first segment, which may be the weakest of the four stories, has one of the more important issues, which is police brutality. The idea is sooner or later, the cops would get their comeuppance. You see the three white officers probably still would not have been proved guilty, even if the black officer had said something. Surprisingly, the black officer is not spared from the dead politician's wrath.

The second story is probably the one that I find the most ironic. This story proves that monsters do exist in real life, although they may not always be in the form of what we've come to expect.

The third story is probably the mediocre of the bunch. This story gives a new meaning "reparations". It also shows us that racism really is ugly and that sooner or later, somebody in the present is going to pay for someone else's past evil deeds.

The fourth story will prove to be the most important as it revolves around the topic of black-on-black crime. The main character of this story is an uncaring and unsympathetic young man who would kill everyone on Earth given the chance. The best example of this is during the sensory deprivation scene where he begins seeing hallucinations of all the people he's killed. It also shows when innocent people are caught in the crossfire. The scariest part of this whole movie takes place during this segment of the film. It is in the part where the main character is sitting in the cage before his treatment and he starts a conversation with the man sitting beside him. The man as we quickly see, is a white supremacist. The man then begins talking about how the gangbangers are always killing each other off, thus helping along his theory of "cleansing". What makes this so scary is that it is true and that nothing is being done about it. The issue of gang violence is something that really needs to be addressed.

"Tales from the Hood" is a very good movie no doubt, despite its flaws. But you need to watch this movie, not expecting a horror film, but a very important social studies lesson.
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parts are greater than the whole
Special-K8814 March 2002
An interesting, at times totally innovative take on the horror film genre. Three young black hoodlums go to a funeral home where a bizarre mortician (an eerie Williams) takes them on a tour and shares four terrifyingly twisted ghost stories. The first involving corrupt cops is routine and obvious; the second is a unique take on child abuse that is creative and fairly creepy; the third involving vengeful voodoo dolls is at times shocking, at times corny, but eerie and crafty in its own right; the fourth about gang violence and rehabilitation is highly imaginative and something to marvel at; the film's unique amalgam of horror and social commentary isn't always on target, but the special effects are convincing, and the performances rock solid, making this a fairly impressive showing for all those involved. **½
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7/10
Hoodwinked
sol12187 May 2005
Warning: Spoilers
***SPOILERS*** In "The Hood" three homeboys Stack Ball & Bulldog are mysteriously drawn to the Simms Funeral Home to get their hands on a stash of, what they call illegal drugs in gangster jive, "The Sh*t" thats supposedly hidden there.

Forcing their way in they get the owner of the place the mortician Mr. Simms to take them where "The Sh*t" is threatening to murder him if he doesn't do "business" with them and lead them to it. Mr. Simms, who's new in the business of drug selling and who's also a bit weird and screwy but, for some strange reason, seems to show no fear at all of these dangerous hoodlums! Who are all armed with handguns and ready to use them in an instant.

Simms tells the homeboys that they'll get "The Sh*t" all right in fact by the time the night is over they'll be knee deep in "The Sh*t". But before he takes them to where " The Sh*t" is he's got a few nice little stories to tell them about some of the stiffs, that are now being prepared for burial in his funeral home, stories that he calls "Tales from the Hood".

The first tale that Simms tells the hoodlums is about a former black cop Clarence who went insane from guilt in not doing anything to save the life of a popular black community activist Martin Moorehouse when he was brutally beaten and then shot up with drugs, that caused him to die from an overdose, by three of his fellow cops. Clarence ended up murdering the three criminally-corrupt policemen on the one year anniversary of Moorehouses murder and then lost his mind and later his life.

The next Tale from "The Hood" is about little Walter who's dad Mr. Johnson constantly and brutally beats him and his mom to a pulp for the slightest reason. Back in school a bully who also beat up Walter had for some strange reason both his arms and legs broken when Walter drew a picture of him and then crushed it. Having his teacher Mr. Garvy go to see Mr. Johnson about Walter's fears of going home Mr. Johnson shows up and, true to his nature, starts to attack the teacher as well as Walter and his mom. The brutal and mindless Mr. Johnson soon ends up broken to pieces and burned to a crisp by Walter doing the same thing to him like he did back in school to the bully with his strange and destructive powers.

The third "Tale from the Hood" has to do with this racist politician Duke Metger who bought this old southern plantation, that he'll run his campaign out of, where the owner had all his slaves slaughtered just before they were to be set free by the Union Army after the Civil War. Stirring from their graves the souls of the murdered slaves came to life by taking over a number of voodoo dolls buried in the mansion who then vengefully and ferociously do the arrogant Metger in.

And finally the last "Tale from the Hood" is about local homeboy gang-banger Crazy K which seemed to strike a cord with the three thugs. Crazy K was brutally shot down in the streets by his fellow homeboys who he was at war with over the control of the already mentioned "Sh*t" that killed so many in "The Hood", like black atavist Moorehouse, over the years. The story about Crazy K really shook up the three who it turned out where the one's who did in the vicious and unrepentant Crazy K. Now with all the tales and stories from "The Hood" finished Mr. Simms takes the three hoods, who by now are getting very inpatient with him, down to the cellar to get the valuable "Sh*t" all for themselves. And they do get "The Sh*t" but it's not "The Sh*t" that they expected! And worst of all Mr. Simms didn't turn out to be the wacky harmless and non-offensive eccentric that they thought that he was! But "The Sh*t" and the person-Mr. Simms- who took them to it turned out to be their, the three homeboys, worst darkest and most terrifying nightmare! A nightmare that dwarfs anything that they could have ever imagine in their wildest drug-induced hallucinations to be really "Bad" in "The Hood" or for that matter anywhere else!
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6/10
Definitely worth a watch...
paul_haakonsen1 January 2021
I watched "Tales from the Hood" back when it was initially released, and haven't seen it since. I seemed to remember that it wasn't really much of anything noteworthy. But I was given the chance to sit down and watch it again here as 2021 begins, so of course I did so.

And turns out that the 1995 horror anthology "Tales from the Hood" was actually a lot better than I remembered it to be. So revisiting it was definitely not a waste of time.

As anthologies go, the segments and stories are of various degree of entertainment value and worth, and so is also the case for "Tales from the Hood". I must admit that I really enjoyed the first segment the most, the one with the police officers. And the narrative story that tied the segments together was also rather interesting, well except for the ludicrous ending.

"Tales from the Hood" is more than just a collection of horror stories, because it deals with issues such as police brutality, racism, gang related crime, domestic violence, and so forth. And I must say that these issues were nicely tied into the different segments, which added a good amount of enjoyment to the segments, making it more than just average horror.

The special effects, practical effects and make-up in the segments were good, and were helping the stories along nicely.

There is a good amount of familiar actors on the cast list, and I will say that they did a good job in putting together the ensemble of performers for this anthology. And it should also be said that the performances put on were enjoyable.

All in all, "Tales from the Hood" is an enjoyable horror anthology, and my rating of it lands on well-deserved six out of ten stars.
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8/10
Wtf anthology of the 90's
UniqueParticle15 May 2019
Very bizarre - just the way I like things! Ridiculous amount of profanity, cool horror & the editing is spot on. Not bad for a crazy a$$ African American flick, I don't mind these type occasionally.
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7/10
Belongs With the Best Horror Anthologies
TwistedContent26 August 2021
I love horror anthologies, and somehow living under the assumption of this probably being quite cheap and comical, "Tales from the Hood" had been rotting on my watchlist for a long time. Lo' and behold, it low-key might be one of my favorite anthologies!

Directed and written by Rusty Cundieff, and produced by Spike Lee, "Tales from the Hood", is, naturally, set in the hood, and is all about the hood. Three drug dealers are after a promised score, in the funkiest of places, a funeral parlor. A creepy mortician "traps" them with four strange tales of horror. The first deals with a rookie cop encountering violence and corruption in the force, metaphor: police brutality; the second follows a family, where the father is unhinged, metaphor: domestic violence and child abuse; the third sees a nasty politician being tormented by dolls inhabited by the spirits of the past, metaphor: racism, and the fourth's a homage to "Clockwork Orange", and Is perhaps the most effective of segments, with a young man in prison, culminating in a sequence with an intense edit of real life photographs of cult killings etc. Of course, the wraparound segment with Clarence William's the III bug-eyed and excellently played purveyor of terror tales, has an ending twist of its own...

It's a rather fast-paced, effective, and violent horror anthology, that doesn't offer just bare primal kicks, but sends a message and comments on serious matters. And all of that is clothed in lively visuals and colorful performances. 7/10.
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8/10
Underrated
LostHighway10129 August 2007
"This ain't no funeral parlor. This ain't the terrordome. Welcome to HELL mothaf*#%@!" In not too many words I want to express my respect for one of the most underrated horror movies of the 90s. Like The Twilight Zone it is a segmented film (although all directed by Rusty Cundieff) that spans across a good variety of horror genres. The real horrorshow here, though, is the domestic/racial issues against the black community. Cleverly (and without being preachy or offensive to white people), Cundieff disguised his agenda with rich characters and a bone chilling conclusion.

The HIGHPOINT of this movie for me is the film's proverbial ringleader- a funeral parlor director. The man, brilliantly and hilariously underplayed by a bug-eyed Clarence Williams III, finds a stack of drugs he wants to sell to three young hoods. As you watch you begin to wonder what eerie agenda he really has in store. These scenes tie all the vignettes together.

Also, the final segment is a very profound statement on gang violence (although beware, this is the preachiest segment). I like to call it A Clockwork Black because it applies Anthony Burgress's idea of reversing violence onto the offender onto a gang leader called Krazy K. Those K's in his name aren't a mistake either! Cundieff underlines a necessary argument about between black-on-black violence by comparing K to a neo nazi.

Like any memorable work of horror, Tales remembers to keep its monsters metaphorical. Police brutality, domestic violence, racial profiling, and gang violence are the most hideous creatures found here. I complement Rusty Cundieff on a job well done there. Excessive campiness and at-times generic camera work keep this from being great, but nothing stops its relevance in the genre.

STAR RATING: *** out of 4.
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7/10
More than just a Black Tales from the Crypt
chvylvr8014 October 2003
At first glance Tales from the Hood is very similar to Tales from the Crypt. They just put a black culture spin on the stories. There is more to the movie than that though. Although there is some run of the mill plots to some of the stories, others show a surprising amount of originality and creativity. The stories vary in quality.

The first story concerning a murdered black activist rising from the grave is boring and hardly original. It's not scary either and the makeup is some of the worst I've ever seen. It's like they bought their supplies at Rite Aid. The second story about a boy that suffers abuse is a lot more original but not what you would call scary. It does feature David Alan Grier in a role that he was surprisingly good in. The writer and director Rusty Cundieff plays a concerned teacher in this story. The third story shows Corbin Bernsen as a racist politician who gets what's coming to him. This story is the most eerie and shows the most imagination. The last story is not scary but shows what can happen when you lead a life of evil and submit to experimental re-education.

The story is narrated throughout by Clarence Williams III, obviously having lots of fun. I was surprised that this film received so few votes, it must not be too well known. Bottom Line: If you haven't seen this yet then check it out. It is decent horror even by the horrible standards the film set itself up for by being named Tales from the Hood.
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5/10
"Not Bad Horror Anthology Film!"
gwnightscream25 February 2014
Warning: Spoilers
This 1995 horror anthology film stars Clarence Williams III, Corbin Bernsen, Tom Wright, Lamont Bentley and Rusty Cundieff. This begins with 3 African-American thugs who arrive at a funeral home to make a deal with mortician, Simms (Williams) who reveals 4 true tales to them. The 1st features an ex-cop helping a murdered activist (Wright) exacting revenge on 3 crooked cops who killed him. The 2nd features a teacher (Cundieff) trying to help a young boy who is scared of an abusive monster. The 3rd features a racist senator (Bernsen) who buys a southern plantation and becomes haunted by a possessed doll seeking revenge for his tortured ancestors. The 4th & final tale ties the film with a violent gang member (Bentley) who gets shot and is experimented on for a chance of redemption. Soon, the thugs get more than they bargained for when they learn who Simms really is. This follows in the footsteps of "Tales from the Crypt," Williams is menacing in it and Cundieff also directed it. It's not bad and I recommend it to horror fans.
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8/10
One of the better horror anthologies
krachtm9 September 2011
Yes, it's flawed, and it's cheesy, and it's over-the-top. It's equal parts clever satire, straight-up homage, and occasionally even a parody. There are many horror, exploitation, and black humor elements sprinkled throughout the movie. I just can't understand why this movie isn't beloved by more people. Maybe it's because the cast is mostly black, and the stories revolve around inner city, black youth? Well, as a white guy from the suburbs, I absolutely loved this movie. It's flawed, of course, but when it works, it works better than most other movies of this type.

If you're not familiar with it, this is a horror anthology highly influenced by Tales from the Crypt, an old 50s horror comic book series that birthed several spin-off movies and an influential TV series. It also takes ample inspiration from the Twilight Zone, Tales from the Dark Side, and Creepshow franchises. If you're a fan of any of these, I'd have to highly recommend Tales from the Hood, especially if you're also into Blaxploitation, from which it also takes some inspiration.

In the time honored tradition of horror/exploitation movies everywhere, the guilty are punished with gory deaths and lessons are learned (frequently too late). Is it preachy, didactic social satire? Perhaps, at times. But it's also entertaining as hell. It has a great cast, some really cheesy, over-top-the-top acting, and was produced by Spike Lee. For me, that makes it almost required viewing.
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6/10
Under appreciated blaxploitation Tales from the Crypt
a_chinn20 May 2017
I don't remember this film being much of a hit or being a film anyone took much notice of when it first came out, but I think if it had it come out now it would have garnered more attention. The film is essentially a blaxploitation versions of Tales form the Crypt, telling several horror short stories but with a racially provocative twists. Although I haven't seen the recent horror film "Get Out" it sounds very similar to this one in that it is a well made horror film at it's core, but also features an interesting not so subtle subtext about race, racism, and race relations. Clarence Williams III takes on the Cryptkeeper role as a creepy funeral director who tells three drug dealers he's trapped in his place of business four scary stories, each with a twist. The best two come in the middle of the film, one about a boy who tells a teacher about a monster who lives in his home, which features an uncharacteristically dark role for David Alan Grier, and another story about a racist southern politician, Corbin Bernsen, who gets his comeuppance by a small army of dolls possessed by the spirits of slaves killed on the plantation where he's now set up office. I probably liked the latter best from my obsession with little things attacking bigger things (i.e. Puppet Master, Gremlins, Troll, Ghoulies, Critters, etc.). But as I said earlier, this film came out at a time when films about race were supposed to be high minded ventures like "Do the Right Thing," "Higher Learning" or "Menace II Society," and were not supposed to be exploitative genre films, so I think this film was consequentially not taken very seriously, even though it was produced by Spike Lee. Overall, this isn't a horror classic or even a particularly insightful film about race, but it is one that I think deserves more respect than it's gotten. Christopher Young also provides the film a fine eerie score.
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5/10
Is this supposed to be a horror movie?
preppy-315 July 2005
Warning: Spoilers
Weak anthology black "horror" film. It has three urban youths being told a bunch of purportedly "horrifying" tales by a creepy funeral director (Clarence Williams III).

The first deals with a black police officer who does not stop his white cop friends from beating a black man to death. The guy comes back to extract revenge.

The second deals with child abuse. Just barely a horror tale.

The third has a Ku Klux Klan man buying an old Southern mansion where he is attacked and killed by little dolls containing the souls of the black people who were killed by whites.

The fourth deals with a black youth being cured of his violent behavior with VERY extreme tactics.

This is very well-acted and has a few (very few) moments but I mostly hated it. This is NOT a horror film (which is what it's marketed as). It tells these "horror" stories but every single one of them, in a very heavy-handed way, hammers us over the head with a moral message. Such as: racism is bad, violence is bad, child abuse is bad etc etc. I mean NO KIDDING! I KNOW all this! I go to see a horror film to be scared NOT preached to. If they had handled it subtlety it might have worked but they hammer it at you. It's badly directed to boot.

This gets a 5 only for some cool violence, acting and an admittedly bravura finale. Williams is just great going WAY over the top but in a fun manner. I wish I could recommend this (how many black horror films are out there?) but I can't.
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Surprisingly great movie!
whoTheFuqRyou12 April 2003
Not really scary of a movie, but this movie really did serve a good purpose. I noticed that the four stories in this movie touched on four topics in today's society: Domestic Violence(David Alan Grier, Brandon Hammond, Paul Jai Parker, Rusty Cundieff), Police Brutality(Anthony Griffith, Tom Wright, Michael Massee), Racism(Corbin Bernsen, Art Evans, Roger Guenveur Smith) and Black-on-black crime(Lamont Bentley, Joe Torry, De'Aundre Bonds, Samuel Monroe Jr., Ricky Harris). There is basically a message in all of them but the 4th story in this film was probably the best one. Not an unpredictable movie but not at all bad, and the ending was fantastic as well...
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6/10
Not a "horror' movie, a call the the problems facing American society...
Miss_MiChiMi5 April 2005
Warning: Spoilers
I watched this movie for the first time as a teenager. I thought this was going to a be a "black" version of Creepshow of Tales From the Crypt. It wasn't. This movie opened peoples eyes to "horrors" that plague Americans every day. The movie touched upon domestic abuse and the psychological effects it can have upon a child who experiences it or witnesses it. Police brutality and the "brotherhood" that calls for cops to cover each other made for a great story. The intolerance against those who vocalize the wrongs plaguing today's society is a part of that same "phase" in the movie.

The one part of the movie that affected me the most was the gang banging episode. Joe Torry is a gang banger out for the almighty dollar and couldn't care less about who he hurts to get it. When he is shown what his actions are perpetuating, the images are haunting and get anyone's attention.

The movie has it's share of gore, but uses horror to show viewers that the sociological, economical, and racial problems in this country are more horrifying than any idea a writer can produce.
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7/10
"Tales from the Hood"- A fun but flawed horror-anthology from executive producer Spike Lee.
Horror anthology films can be a very hard sell. And even moreso, a very hard watch for audiences. And I believe it really comes down to the inherent flaw of trying to create a prolonged multi-part anthology that is to be viewed in a single sitting. Because chances are, there's going to be that one story that trumps all the others in our own eyes that makes the remaining stories feel superfluous at best... and chances are there's also going to be that one story that we cannot stand and have to labor through to get to the good stuff.

It's a bit of a curse. Even the "Twilight Zone" movie- a film based on the finest horror anthology series of all time- suffered this fatal flaw.

Thankfully and happily, 1995's amusing and thrilling urban-themed horror-anthology "Tales from the Hood" emerges as one of the better attempts at a feature-length horror-themed anthology film, thanks to its unique subject matter, some stylish direction, good atmosphere and a few stand-out sequences. Executive produced by cinematic legend Spike Lee and directed by Rusty Cundieff, the film is generally a light, easy watch with just enough jumps and shivers to keep you invested. Yes, you may roll your eyes at times... I know I did. But chances are you'll be having a lot of fun while doing it.

The film's wraparound story involves a trio of thug drug-dealers who arrive at a funeral home to purchase drugs from its flamboyant and eccentric owner Mr. Simms (Clarence Williams III). As they proceed throughout the building, they are related stories to about the various bodies that Simms has been dealing with, leading to our tales...

"Rogue Cop Revelation"... A young cop who has been left a guilty drunk after not intervening in the murder of a black rights activist is given a chance for retribution with a little help from beyond the grave...

"Boys Do Get Bruised"... A teacher tries to help one of his young students, who appears to be suffering from abuse but claims his injuries are the result of a "monster"... A monster who may be very real...

"KKK Comeuppance"... A racist former clansman-turned-southern- senator moves into an infamous plantation house. However, the ghosts of the pass re-emerge as demonic dolls that try to hunt him down...

"Hard-Core Convert"... A deranged and murderous thug is imprisoned and then released to an alleged new experimental "rehabilitation" process aiming to fix his criminal behavior... But things aren't what they seem...

The two stand-outs in the film are definitely "KKK Comeuppance" and "Boys Do Get Bruised." While they do lack a bit of the social commentary and themes present in the other stories, they are by far the most fun and entertaining entries here. In particular "KKK Comeuppance", which is just a great little throwback to killer-doll flicks like "Puppet Master" and "Trilogy of Terror" and also features some of the best horror music composer Christopher Young has ever written.

What makes the film lose points for me are the first and final stories, which I found a bit lacking and even borderline monotonous in comparison to the much stronger middle-chapters. While they seem to be straining to "say more" in terms of commentary and theme, it's just a bit too heavy-handed and the story lines themselves are far too basic.

Still, that being said, they aren't necessarily bad. Just a bit of a let-down. And all together, the four shorts make for a very entertaining and breezy 90-minutes of good, ferocious fun. Also, Clarence Williams III is just a blast as our stand-in Crypt-Kepper esque "host" for the evening. So much fun.

I'm giving "Tales from the Hood" a very solid 7 out of 10. Worth checking out for horror fans for sure.
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10/10
Well Done!!!
I loved this movie. I am a big fan of the whole "tales" type of movies and i thought that this film had a great way of taking four horror stories and giving them an urban twist. Clarence Williams III is hillarious and spooky as mortician Simms and David Alen Grier who is mostly known for his comedic talents gives a frightful performance as an abusive stepfather. Of the 4 tales told int the film i mostly enjoyed "Boys Do Get Bruises" which offered an interesting way of dealing with child abusive by showing how a "monster" doesn't necesarily look like one. The other story i enjoyed was the final one: "Hard Core Covert" which gives an eerie look at racial and gang related violence. The other two stories which mostly dealed with racism and corruptness were good although predictable and kind of slow but were still entertaining. A somewhat suprise ending was well done and this remains as one of the best horror films of the "teen slasher" filled 90's genre. FINAL RATING: ****/*****
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7/10
Why 'Tales From The Hood' Deserves SO Much Better?
shanemoose-8871525 February 2019
Years before multi-talented filmmaker/comedian/actor Jordan Peele exploded after the success of his directorial debut 'Get Out', director Rusty Cundieff and executive producer Spike Lee also blurred the lines between traditional Horror with the real-life horrors of the Black community; while also having a little bit of fun with its own premise. 'Tales From The Hood' was released timely, during the heightened popularity of urban-black youth films or "Hood Movies" of the 90s; such as 'Boyz n The Hood', 'Menace 2 Society', 'Set It Off', and 'Juice'. Much like those movies, 'Tales From The Hood' touches upon many hot-button topics like gang violence, racism, and police corruption; topics that are still relevant in today's society.
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8/10
A superb mid-90's horror anthology tale with macabre humor and confronting topics
Vomitron_G16 August 2010
I had to wait more than 10 years to finally see this one. Not one single copy seemed to be available over here in Europe. That was until 2007, when I finally got my hands on a Region 1 DVD copy.

If you like anthology movies, then you have no excuse for not seeing this one. One of the best anthology movies of the 90's (it's up there with "Tales From The Dark Side: The Movie" and "Necronomicon", if you ask me). And probably the best horror movie from the hood with a nearly all Afro-American cast ever made (because I can't really say I've ever seen a ghetto-horror flick that was actually any good). Three hood-rats, out to collect some 'shiiit', visit a freaky coroner who tells them 4 terrifying tales of the supernatural.

The first tale is about three corrupt white cops who had it coming... Wings Hauser is especially enjoyable in this one. He already evoked my interest at the time after having seen his enjoyable performance in "Night Shadows" (AKA "Mutant"). And by know I simply love the man. Second story is about a boy and his bruises, which are being caused by... a monster supposedly living in his house. Great and fascinating conclusion this one had. The third tale has some killer-puppet action going on in it of which Charles Band could easily be very jealous. Corbin"The Dentist"Bernsen stars in this segment that revolves around voodoo and slavery. The fourth and last segment gives a big nod to Kubrick's "A Clockwork Orange". Enough said about that one. The wrap-around story wraps it all up nicely, and has a very satisfying conclusion.

"Tales From The Hood" is actually more than 'just a horror movie'. With Spike Lee being executive producer, you can rightfully expect that this movie will carry important themes & topics like racism, politics, police brutality, guilt, child abuse, brothers killing brothers, etc. The message always comes across, but possible statements & points of view never become too dominant. This film's primary goal is to entertain a horror audience. And it splendidly succeeds in that. The filmmakers also clearly know the rules of the horror-anthology-genre as well as the tricks of the trade, all to great success. Need I even say that the make-up and special effects are darn excellent too? The tales from this hood, are all winners.
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7/10
Zombies, closet-monsters, voodoo-dolls, ...and more shizzle!
Coventry2 October 2022
Whilst enjoying "Tales from the Hood", my horror pal and I concluded that good 90s horror does exist; you must only look for it. Granted, decades like the 70s and 80s brought forward a lot more genre classics and fan-favorites, but there's also great stuff from the nineties. This is one of them, and - moreover - every self-respecting horror fanatic loves anthologies!

"Tales from the Hood", produced by none other than Spike Lee, is "Creepshow" meets "Boyz 'n the Hood", with four segments that are pure horror but nevertheless feature heavy racial themes and relevant social topics. The first story is even painfully recognizable, as it revolves around racist white-trash coppers beating a black political activist to death! He - Martin Moorehouse - comes back as a zombie to extract his bloody vengeance; - now that's how a Black Lives Matter stories should end! The plot is a bit derivative and predictable, but the over-the-top performances (especially from Wings Hauser as psychotic cop) are terrific. The second story is maybe the weakest of the four, but still enjoyable and featuring a rare villainous role David Alan Grier. The third story is - hands down - the coolest, with Corbin Bensen as megalomaniacal Southern politician who provokes the black community by moving into a former plantation mansion. Many slaves died at the house, and their souls transferred into little voodoo dolls that come to life. Great stuff, this short tale, with excellent stop-motion effects and Bensen as the ultimately loathsome racist. The fourth and final story is more experimental, has a storyline like "A Clockwork Orange", and is most remarkable for its montage of shocking and disturbing photographs from the Ku Klux Klan era. The last story also neatly links back to the wraparound, in which Clarence Williams III is having the best time of his life as flamboyant owner of a funeral home.
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2/10
What a waste of film!
VCRanger15 July 1999
Was this movie supposed to be scary? Or was it supposed to be funny yet thoughtprovoking? It think it was supposed to be a piece of CRAP, which in that case it succeeded greatly. This was a waste of my 2 hours I'll never be able to get back, so I would suggest others to do someting with their time that watch this film. The thing that brings this film down is it's lack of imagination and originality. Williams is absolutely horrible and a "Spooky" mortician (how original) who is the storyteller to three young gangbangers, who are stereotypical as hell, who are looking for their "s**t" (drugs). The ONLY story worth anything was the story of a hardcore gangbanger who is set to undergo a strange rehabiliation process, but it isn't what it seems. The rest can be thrown in the trash. A rating of 3 out of 10 was given.
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9/10
Easily a must have for the collection
kevin_robbins10 May 2021
Warning: Spoilers
Tales from the Hood (1995) recently was added to Hulu to watch for free so I threw it on. The story centers around some gang bangers who head to a funeral home to purchase some narcotics the funeral director recently found. Before exchanging the funds for fun the funeral director tells the gang bangers some Tales from the Hood. This movie is directed by Rusty Cundieff (Fear of a Black Hat) and stars Clarence Williams III (Life), David Alan Grier (In Living Color), Joe Torry (Poetic Justice), Paula Jai Parker (Hustle & Flow) and Samuel Monroe Jr (Menace II Society). This series of short stories are outstanding and so fun to watch unfold. The cast is very good and so are the kill scenes and special effects for the most part. My only complaint would be the scenes David Alan Grier is beating the mom and child with the weird open hand punches he throws . Definitely seemed unnatural and awkward but I'm getting picky. Loved the voodoo doll story the best and the conclusion was also clever. Easily a must have for the collection and I'd score this a 8.5/10.
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7/10
Tales of the Crypt: H edition
Armin_Nikkhah_Shirazi18 March 2022
TALES FROM THE HOOD is an anthology of horror vignettes which transplants the concept of TALES FROM THE CRYPT (1972) to a setting in which contemporary social problems which disproportionately affect African Americans are used as central plot devices.

The original 'Tales from the Crypt' was a comic series in the early 1950s. There were concerns by puritanically-minded parents that the subversive aspects of these types of comics could corrupt the minds of children. A book written in 1954 by a psychiatrist, 'Seduction of the Innocent' greatly amplified these fears, and eventually Senate Subcommittee hearings were held on this matter. This eventually led to the formation of the Comics Code Authority, which issued the 'Comics Code' a set of rules by which publishers of comics would voluntarily abide.

By today's standards, the Comics Code is hilarious in its ludicrous austerity, but publishers used it to censor themselves for decades. It only became completely defunct in 2011. The research on which 'Seduction of the Innocent' was based has been largely discredited.

TALES FROM THE CRYPT (1972) began a long succession of movie and television adaptations, some of which were based on the original stories of the comics, and some of which were original. The film is an anthology of vignettes which all basically follow the same format: One person (or more) does something bad, and then they get their comeuppance in a most horrific manner by supernatural means. The vignettes are connected to each other by an overarching story in which they are actually narrations by a main character called the 'Crypt Keeper' to an audience, and the conclusion involves the revelation of a connection between the audience members and the stories told. Although heavy-handed and often bordering on the silly, the movie's greatest strength is its creepy, engaging atmosphere.

It turns out that the greatest asset of TALES FROM THE HOOD is also its atmosphere. The entire structure of TALES FROM THE CRYPT is adopted, almost without change, to tell stories which center on real social problems. The Crypt Keeper is replaced by a creepy mortician who tells these stories to a gang of thugs who are there to pick up a load of drugs he had found.

Within the overarching story 'Welcome to my Mortuary', there are four vignettes:

1.'Rogue Cop Revelation' is the story of a black ex-cop who quit his job after he did nothing to stop a trio of corrupt cops from murdering and framing a black activist. Of all the vignettes, this has the strongest vibe reminiscent of 1970s blaxploitation horror.

2.'Boys do get Bruised' tells of a young boy who keeps coming to school with bruises. When a concerned teacher tries to find out who did it, he says that it was a "monster" The teacher, obviously skeptical, goes to the boy's home to speak to his guardians, and finds out more than he expected.

3.'KKK Comeuppance' follows the haunting of a David Duke-type racist politician (actually named "Duke") who had made his political headquarters in a plantation home that was the location of a mass killing of African Slaves.

4."Hard Core Convert" explores the fate of a hardened criminal in prison who is given a second chance by undergoing behavior modification therapy strongly reminiscent of that in A CLOCKWORK ORANGE (1971). (This segment includes rapid flash sequences which might be unsuitable for some people who suffer from seizures).

Although there is variation in the quality of the stories, it is less so than the original TALES. However, the same kind of heavy-handedness and border-line silliness can also be found here. What helps a lot is that this movie has a good sense of humor, more than was in CRYPT, which reminds us not to take it too seriously. Another aspect that elevates it relative to the original is that the situations, however unrealistic, are based on real social issues.

There are definitely things to criticize in this film, but the deliciously over-the-top performance by Clarence Williams as the mortician, makes up for a lot of that. It is clear that this film is an homage to 70s horror. As a fan of that subgenre, I appreciate that.
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1/10
crap on a stick
evilution7318 September 2005
I guess since I am a white male from the South my views will not be posted. I love horror films, and always have. This movie makes every white guy in existence a bigot/racist, but would that not be the view of this director. I say it is. All indications aside the movie is not well written or acted except for Clarence Williams III. A superb actor in my reckoning. I make no support for the Klan or for racism, but this flick speaks of it in leaps and bounds from the other side of the fence. If this is a cry for help my only guess is that they needed some good actors and a lot better budget. Again I don't expect my opinion to be posted nor allowed to make further postings even though it is my right, and the only film i have ever felt this way about.

Proud from the South
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