A Hot Roof (1995) Poster

(1995)

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6/10
2.5 stars (out of 4)
mweston11 January 2003
The film starts out by making it clear that the country (Korea) is in the middle of a record-setting heat wave, and then sets up the various characters. The common thread is that the men are all lazy and/or abusive, while the women are abused sexually, physically, and emotionally, and in general are treated as second class citizens.

A group of women have an informal women's club (although the "president" of the club takes her job very seriously), and are eating watermelon outside when a man drags his wife out into the street. The couple are fighting, although it's the wife who is getting beaten up. The women's club members go after the husband, and other men join the rapidly growing fight. And in the aftermath of this fight most of the women end up on the roof of a building to escape the police.

I won't reveal much more, except that there is also a pair of bumbling thieves trying to rob an apartment in the same building, and they are trapped once the police surround the area. They might remind you of the robbers in "Home Alone," and they are definitely in the film for comic relief.

But really the whole film is far more of a comedy that one might expect since domestic abuse is the main topic. In fact, it's more like a comedy with occasional "drama relief." The acting is in keeping with this, seeming cartoon-like.

This didn't work for me. I rarely was able to laugh at the comedy, and the drama wasn't quite good enough or prevalent enough to keep me interested. The best thing I can say is that the production values were good, with crane shots and the like.

I guess I can *also* say that the rest of the audience all seemed to appreciate the comedy far better than I, and in fact I have rated the film maybe half a star higher than I would have based purely on my own reaction. Furthermore, this film won the top prize (the Golden Maile) at the 1996 Hawaii International Film Festival.

Seen on 11/1/2002 at the 2002 Hawaii International Film Festival, where this was part of the Golden Maile Korean Retrospective.
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10/10
A group of women flee to a nearby roof top after intervening in a domestic violence situation that has spilled out onto the street during a heatwave.
harem5157 January 2015
Warning: Spoilers
An unbearable heatwave has hit Seoul, made worse by a power-outage that deprives residents of their air conditioners, fans, and refrigerators. People lounge under umbrellas, only moving to fan themselves - until suddenly a woman is chased screaming into the street by her belt-wielding abusive husband. As the man savagely beats his wife, the women witnessing the brutality beg their husbands to intervene. Disgusted by the apathy of their husbands the women take things into their own hands, unleashing their frustration on the wife-beater.

The police arrive, along with an ambulance, and in the ensuing chaos the women flee to the rooftop of a nearby building. The man has died from his injuries and police lay siege to the building, trying to coerce the women to come down from the roof where they have barricaded themselves.

So begins director Ming-Yong Lee's 1995 film A Hot Roof. The siege lasts four days and nights, during which time the women share their stories and become very close, while their husbands quickly realize just how much their now absent wives do for them. The story becomes a media sensation, with public opinion quickly taking the side of the women and inspiring daring midnight missions to deliver food and drink to the women past the heavy police guard.

Comic relief is provided by a pair of inept burglars who become trapped in the building after being surprised mid-robbery by the siege. The women ignore pleas from police and their husbands to come down from the roof. An attempt by the police to break their solidarity by exposing one member of the group as a trans woman - to the surprise of the other women and the girl's boyfriend in the street below - backfires as it inspires even greater loyalty among the women.

By the time the women choose to end the siege they have become dearest friends, heroines, shamed the police, and forced their husbands to view them with new-found respect and awe.The characters are vibrant and easy to relate with, the cinematography is well-thought out and reminiscent of the 70s. Having seen an English subbed version of the film I can't say much more about the writing than that the story was moving and had a certain level of poetry to it. Overall I found the film to be a well-crafted piece of cinema.

I saw this film when I was a little girl, thanks to my parent's incredibly lax supervision, and the powerful impression it made on me has stayed with me all these years. It is difficult to get hold of, but it is a gem of a film that is well worth the effort to track it down.
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