Ripe

"Ripe" is one of those awful indies which manages to get into circulation and give indies a bad name. Telling a stupidly incongruous tale of pubescent twin sisters who crawl from a firey car crash which kills their parents and then hit the road while happily shoplifting, making goo-goo eyes at some guy, and ending up on an Army post so dilapidated no Army would want it (yeah, right!). An apparent attempt at a coming of age flick, "Ripe" is an almost complete loser which wanders aimlessly as the players drift in and out of character finally ending clumsily with nary a shred of credibility to be found anywhere. Not recommended for anyone.

After watching Ripe, I'm left feeling cheated of one and one-half hours of my life. The movie gets off to a confusing start, and goes downhill from there. The two young female stars of the film (Monica Keena, Daisy Eagan) are difficult to watch, the sets are hideous, and there is no feeling of genuine chemistry between any of the characters.

As for plot: forget it. The film is comprised primarily of silly episodes that do not serve to develop the characters or their relationships. From the beginning, we see that Rosie (Eagan) is seriously disturbed and dominating and that Violet (Keena) is submissive if slightly more cunning than her tomboy sister. These characters do not change one iota during the course of the film. When the story line isn't bogged down with mind-numbing predictability, it's busy being disgusting - focusing on unsavory body functions.

Perhaps the most irritating facet of this movie is the army base on which most of the action takes place. I understand that the US military has suffered some steep budget cuts over the last seven years, but I doubt that any army base in the nation is as poor-looking or completely lacking in discipline and protocol as the one depicted in this film.

Wasn't too jazzed with this movie at all, and felt cheated after terrible performances and mediocre writing, however the little girl, Maxine (Candice Love), was absolutely adorable and I hope to see her in future performances. There is real talent there for this cutie. Does anyone know where she's from or if she's done anything else? I hope to see her untapped talent in years to come! Her performance made the whole thing worth watching, and she had but a short part. Does she perhaps have a website? The director has gone on to do some worthwhile screenplays but as far as 'Ripe' is concerned, I hope she will not be directing ever again. This movie gets 2 very enthusiastic thumbs down down.

There's no rule that says that true events necessarily seem real on screen. It's actually probably more difficult to make a realistic fictional film than to translate a tragic, but true, event to film. Mo Ogrodnik experiences this problem with his first fictional film, 1996's Ripe.

Based on an apparently true story of two fourteen year old girls who survive a car crash which kills their parents, Ripe is ostensibly about the bond between sisters and their different ways of dealing with the onset of adolescence. Both physically mature, the two girls run away from the accident and find residence at a military base, where they find a home with a long-haired biker. Out of tragedy comes further tragedy.

As evidenced by the film's poster (featuring Monica Keena's nymphet Violet biting into an apple), Ogrodnik, who got his start making documentaries, seems to think he has a provocative story of innocence lost and a fall from grace. The problem is that what he really has is a connection of completely unmotivated actions featuring a string of characters who are completely without depth. Keena's Violet is becoming interested in sex. Daisy Eagen's Rose is becoming interested in Violence. And Peter, the man who takes them in, is basically just there. He has no past and no dialogue to give any sense at all of who he is.

I guess the film has a nice look. Wolfgang Held's cinematography calls to mind the empty spaces and spare setting of Badlands, a slightly similar kinda-true story of innocence and violence. But the style is to service of nothing. The plot can't move because everything that happens either seems unbearably tacky (every scene involving the soldiers at the base is like a bad copy of every basic training movie ever made, from Biloxi Blues to Full Metal Jacket).

Keena (whose recurring role on Dawson's Creek marks the only time you would have ever seen any member of the cast) and Eagan give decent performances, but it's tough to get involved with the characters' internal lives because of the paucity of closeups. As Peter, Gordon Currie is fairly awful. He's given nothing to do and yet he still comes of only as shrill. He seems neither sympathetic, nor creepy and probably the film would like him to be one or the other. Basically he's a cypher.

Ripe is only marginally provocative and it produces no real emotion. As studies of young sexuality it's inferior to the underrated Adrian Lynne Lolita. And as a story of young girls made old before their time it pales in comparison to Manny and Lo.

I guess I'd probably give it a 3.5 outta 10 because I've certainly seen worse films, but I sure can't think of much to recommend it.

This foul, putrid, puerile, rancid pile of dung should have been called "tripe." They forgot the first "t." If you wanted something entertaining, it was not. If you wanted something erotic, it was not. If you wanted something thought provoking, it was not. If you wanted something nauseating, it was. It was not, however, bad enough to be good...