At The Bread Factory, they rehearse the Greek play, Hecuba. But the real theatrics are outside the theater where the town has been invaded by bizarre tourists and mysterious tech start-up ... See full summary »
After 40 years of running their community arts space, The Bread Factory, Dorothea and Greta are suddenly fighting for survival when a celebrity couple--performance artists from China--come ... See full summary »
A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and ... See full summary »
A woman in her late-twenties called Silvia Prieto wants to improve herself. Her discovery of a second person also called Silvia Prieto will change her life forever. Maybe not the changes she hoped for.
A group of men and women of all generations have been brought together in the course of their travels after World War II, when Italy regained its national unity. Amid the ruins of this ... See full summary »
Giacinto Di Pascoli,
Karchy (Brad Renfro) is a boy in school who has moved from Hungary to America in the 1960s. He is struggling in school and trying to adjust to America's culture. He then hears about a radio DJ, Billy Magic (Kevin Bacon), who holds a contest for a Student Hall of Fame every week. When Karchy finally wins after several weeks, he spends more time with Billy Magic...a man with money, girls, and glam. Karchy thinks that, by spending time with Magic, he can become "cool". He then starts telling lies, to make himself seem greater than he really is. But when his lies begin hurting the people he cares about, he realizes that it isn't worth telling lies if it affects your friends. Afterwards, he learns to accept himself for the person he is, and gives up lying. And as for Billy Magic, it turns out that he pays his price for all the lies that he has told as well....Written by
This was one of the first seven films, on which to be foreclosed, by the Screen Actors Guild for non-payment of wages and residuals to SAG members. On July 13, 2004, rights to the film were sold at auction. See more »
About two-thirds through the movie, when Karchy picks his girlfriend up at the store after (her) work, they walk down a handicap wheelchair ramp which didn't exist in the 1960's. See more »
[Karchy is hidden in a confessionary pretending to be a priest]
Bless me, father, for I have sinned. It's been three days since my last confession. The reason I'm here today, father... you know what it is. I just can't stop doing it. I get these thoughts and I can't keep my hands off of it. Father? Are you there, father? I know you said I was gonna go blind, father. I don't wanna go blind. Last night I did it three times. I'm doing so much that it hurts when I touch it. I wanna kill my dad again...
[...] See more »
Yes, the movie deals tangentially with the payola scandals of the 50's (truly a big problem in the entertainment industry), but only as one of the many lies hinted at in the title.
The two main characters (Renfro and Bacon) do *nothing* but lie. They are balanced by the purity of the other characters (Flockhart and Schell).
Schell's character was a little underwhelming and the work by Renfro was, at times, uneven, but both were generally excellent. My only other quibble was with the settings of the film. As a Clevelander (where the story takes place and the film was shot), it's easy to understand the where the scenes took place and how the story was built around them, but I'm not sure that an "outsider" would understand the implications to the story of those different locations (the neighborhoods, the market, etc.).
The real find is Calista Flockhart. She gives a wonderfully nuanced performance, sweeter and deeper than anything you'll see on Ally McBeal. Interestingly, Flockhart spent time working on stage at the Cleveland Playhouse, so was well-suited for the role in a way.
Joe Eszterhas is not exactly known for his subtlety, but this movie is a small triumph for him and portends better things from his pen in the future.
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