If you’re like most fans of “Stranger Things,” then you’re probably as enamored with the Netflix show’s soundtrack as you are with the show itself; you’ll also be happy to hear that said Ost is getting an official release soon. The news come from the show’s Facebook page, which threw in a Hawkins Av Club reference for the diehards.
Read More: ‘Stranger Things’: Season 2 Plans & How David Lynch Could Control the Ending
Kyle Dixon and Michael Stein, both of whom perform in the Austin-based S U R V I V E, are responsible for the synth-heavy compositions that have drawn comparisons to John Carpenter’s music for his own films. (Just listen to the iconic “Halloween” theme for comparison.)
Read More: ‘Stranger Things’: Listen to a Spotify Playlist of the Show’s Biggest Hits, from ‘White Rabbit’ to ‘Heroes’
“Stranger Things” also makes heavy use of incidental music,...
Read More: ‘Stranger Things’: Season 2 Plans & How David Lynch Could Control the Ending
Kyle Dixon and Michael Stein, both of whom perform in the Austin-based S U R V I V E, are responsible for the synth-heavy compositions that have drawn comparisons to John Carpenter’s music for his own films. (Just listen to the iconic “Halloween” theme for comparison.)
Read More: ‘Stranger Things’: Listen to a Spotify Playlist of the Show’s Biggest Hits, from ‘White Rabbit’ to ‘Heroes’
“Stranger Things” also makes heavy use of incidental music,...
- 7/28/2016
- by Michael Nordine
- Indiewire
Photo: Columbia Pictures "A tale about how a twenty-something girl and a forty-something man help each other out of hiding. That, to me, was the thing that we needed to support."~ David Fincher I listened to David Fincher's audio commentary from the upcoming DVD and Blu-ray release of The Girl with the Dragon Tattoo and just as I suspected it would be, it was filled with nuggets of information that not only increase my appreciation of the film, but my appreciation for Fincher's work and the fact he takes the time to provide a commentary for the 158 minute film. Featured in this article are several bits of information from the origin of the opening title sequence, the homages, what inspired certain moments, Fincher's take on Lisbeth, the tattoos, the nudity, the merkin, his obsession for several takes, Scotty the Cat, Joel Kinnaman and even Michael Nyqvist's daughter.
- 3/12/2012
- by Brad Brevet
- Rope of Silicon
By modern standards, Quentin Tarantino would be considered an auteur; a director whose films reflect that his personal creative vision. But what exactly is that vision, and how is it reflected in his work? One major observation that one can make about Tarantino’s films is that he often incorporates a number of references, many of which refer to cinema, specific films, or pop culture. His films are laced with this intertextuality were the relationship between texts (or films) is constantly being redefined. This method of pastiche is one way that he draws attention to the fact that his film is a constructed piece of fiction, or a “simulation.”
His rational behind this is heavily influenced by French theorist Jean Baudrillard’s notion of “hyperreality.” Hyperreality in this case refers to the inability of consciousness to distinguish reality from fantasy, as the two become blurred into one. Baudrillard argues that...
His rational behind this is heavily influenced by French theorist Jean Baudrillard’s notion of “hyperreality.” Hyperreality in this case refers to the inability of consciousness to distinguish reality from fantasy, as the two become blurred into one. Baudrillard argues that...
- 6/26/2010
- by Kristen Coates
- The Film Stage
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