Another Day in Paradise

I started watching this film rather late at night thinking I would unwind for a few minutes and then retire for the day. As I sat watching this film it's intensity began to build and draw me in. The story itself is nothing new. It was the performers that kept me involved. It was no surprise to me that James Woods would be his excellent self. The pleasant surprise was Melanie Griffith. She displayed some range I had'nt witnessed from her before. As the young street couple Vincent Kartheiser and Natasha Gregson Wagner show great promise as young actors.Kartheiser in particular. Execution is raw and at times it's hard to witness whats going on. Recommended. Give it a shot.

'Kids' director Larry Clark really comes up trumps with this fine story of crime, addiction and surrogate families. Relative unknown Vincent Kartheiser, and the up and coming Natasha Gregson Wagner ('Lost Highway', 'Two Girls and a Guy') are fine as the young wanna be thieves, but the real stars of the show are their mentors' played by James Woods and Melanie Griffith.

Griffith is often ridiculed for her flakiness, but should be applauded for taking riskier, more challenging material such as this and John Waters' 'Cecil B. DeMented'. Woods is a ridiculously underrated actor, and along with the equally underestimated James Caan, is rivaling the much more celebrated De Niro and Pacino as best American actors of their generation in my opinion. Woods is simply sensational as the motor mouth Mel, a complex and unpredictable character. His performance here ranks with 'Videodrome', 'Cop' and 'The Boost' as one of his most memorable.

Forget the spurious 'Kalifornia', 'Drugstore Cowboy' and 'True Romance' comparisons. They are all great movies, but this is no rehash or rip off. It's a fantastic movie in its own right. Don't miss this one!

This is one of the most disturbing, pessimistic, and overall depressing films I've ever seen -- naturally I loved it. It affected me powerfully. The camera work/artistic shot set-ups, along with the dark color quality set the tone for the whole movie. Not at all like the unappetizing "Kids," director Larry Clark's first feature, this movie is constantly shocking, but not just for the sake of shock value. It's unashamedly graphic in a way that most contemporary films avoid, making it cuttingly real. It also stands apart from most big heist movies, because it is character- rather than plot-driven.

James Woods is fantastic as always, and even Melanie Griffith (not one of my faves) is very well cast. The young Vincent Kartheiser, however, as a teen runaway turned junkie/petty criminal, steals the show. The camera loves him, and his adolescent volatility is painfully believable. I wasn't as much of a fan of Natasha Gregson Wagner, as Kartheiser's girlfriend, but even she surprised me with her dramatic final sequence.

WARNING: this movie is not for the faint of heart. I am personally a fan of anything that breaks new ground, or that defies convention. This film does both. But it is extremely graphic.

This one worked for me. The superb acting and fine camera work made this very believable. The scenes are some of the most realistic I've seen. Particularly noteworthy are the scenes involving extreme tension.

Throughout the picture I felt an urging to like these characters, sensing that they were, deep down, decent people who somehow got wrapped up in this type of life.

I'm not generally a fan of Griffith, but this role suits her well and her acting is top-notch. Woods is almost always exceptional, and his work here is no exception. The younger stars also perform quite well with this challenging, emotional material. And I thought the acting of the minor characters was excellent, suggesting the director had his act together on this one.

You have to acclimate to the language and level of tension early on or the movie will drive you nuts. But if you do, it begins to involve you deeply in the characters' situations and lives.

Larry Clark's (KIDS) second film, ANOTHER DAY IN PARADISE features an explosive performance by James Woods as a "professional" thief/junkie, who along with his girlfriend (a well cast Melanie Griffith) adopt two young lovers (Vincent Kartheiser and Natasha Gregson Wagner) and hit the road in search of drugs and money. Mel (Woods) and Sid (Griffith), who see Rosie (Wagner) and Bobbie (Kartheiser) as younger versions of themselves, teach them the ropes of criminal life.

It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.

Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.