They Never Come Back (1932) Poster

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5/10
Dorothy Sebastian looks and acts very cute
kidboots10 October 2008
Warning: Spoilers
Jimmy (Regis Toomey) finds out his mother has died just before his big fight. Of course he loses but he also injures his arm. Because he can't fight anymore he gets a job as a bouncer at a swanky night club. He also becomes smitten with Adele (cute Dorothy Sebastian), a dancer, who is having trouble with Mr. Filmore, the owner. Her brother, Ralph, (Eddie Woods, who co-starred with James Cagney in "The Public Enemy") has been stealing money from the till, Filmore finds out and forces him to frame Jimmy. Ralph confesses to Adele, so she romances Filmore to get him to confess so Jimmy can be released from jail. Jimmy gets out of jail on good behaviour and finds out what is happening. He goes back for one last fight to win a purse of $1,000, to pay back the money.

It is not as bad as the reviewers make out. Both the stars do the best they can with the material. Dorothy Sebastian was a great little star in the silents but in talkies her career strangely petered out. In this film she photographs nicely and has a very cute personality - sometimes very hard to get across in these cheap movies. Gertrude Astor from "The Cat and the Canary" (1927) plays Kate, one of the nightclub managers. Regis Toomey, on the other hand, after debuting in "Alibi" (1929) didn't stop working until just before his death at 93!!!
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4/10
"I hope there's a doctor in the house."
classicsoncall27 March 2012
Warning: Spoilers
BOoooooringgggg - with a capital BO. This didn't have to take sixty four minutes because nothing ever really happens to make it a worthwhile story. No suspense, no intrigue, even the boxing scenes leave much to be desired. And as for romance - get a load of that scene between Jimmy Nolan (Regis Toomey) and Adele Landon (Dorothy Sebastian) when they both figure out they can't think of a thing to say to each other. Just painful.

Apparently the title of the picture has to do with the idea that a has been boxer with an injury never really gets back into the kind of fighting shape necessary to be a contender again. It also could refer to the paying audience who might have shelled out some coin to see this thing back in the day. Don't get me wrong, I go for this old time stuff and will watch virtually anything, but sometimes you just can't wait for the thing to be over.

In fairness, the flick did a good job of casting the principal female players. Sebastian and Greta Granstedt as Nolan's sister are a couple of pretty gals, but that's as far as it goes. I'd like to be more positive about the picture, but since I'm coming up blank I'll take Jimmy's advice when he said - "I'll think of something to say tomorrow night".
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4/10
Be sure to miss this one. You heard me right! Miss it!
JohnHowardReid6 December 2017
Warning: Spoilers
In his autobiography, Yakima Canutt doesn't so much as even mention "They Never Come Back" (1932) in which he obviously doubled for Regis Toomey in the hard-hitting boxing scenes.

And no wonder Yakima is so silent! "They Never Come Back" is an utterly time-wasting movie, despite the presence of an attractive female threesome in the persons of Dorothy Sebastian, Greta Granstedt and Gertrude Astor.

The ladies are great, but the male players, on the other hand, are strictly from hunger.

I don't want to come down too hard, but it's enough to say that Kit Guard, in an uncredited role as Toomey's second, walks away with the big boys' acting honors. Kit Guard of all people! Kit Guard? I've even forgotten what he looks like!

The boring script also rates as unintentionally ridiculous and Fred Newmeyer's direction (or rather lack of direction) is just totally inept.

Fortunately, the DVD quality is lousy too, so this is a movie that can safely be missed.
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3/10
Ridiculous, Time-Wasting, Minor Crime + Boxing Yarn
rastar3306 November 2008
In his autobiography, Yakima Canutt doesn't mention They Never Come Back (1932) in which he obviously doubled for Regis Toomey in the hard-hitting boxing scenes. And no wonder! It's a time-wasting movie despite the presence of an attractive female threesome in the persons of Dorothy Sebastian, Greta Granstedt and Gertrude Astor. The male players, on the other hand, are strictly from hunger. It's enough to say that Kit Guard, in an uncredited role as Toomey's second, walks away with the big boys' acting honors. The boring script also rates as unintentionally ridiculous and Fred Newmeyer's direction (or rather lack of direction) totally inept.
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3/10
I'll Never Come Back!
Hitchcoc2 November 2007
This is one big clunker, from the ridiculous boxing scenes, to the whole premise. The actors sit around and mug and overact. There are pregnant pauses and endless pontificating. The guy needs to pay money back. There are a group of pathetic buffoons who get into the act. It's as if the director had no script and tried to squeeze what he thought was interesting int a series of scenes that go nowhere. Is anyone vindicated? Does it matter. At no time during the film did I care what happened to anyone. The whole boxing thing is dreadful and when it's over, how is it resolved? There is no suspense, no emotion, no questions to be answered. Normally, I can see some merit in these old films. I see none here.
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Knocked Out
tedg27 February 2005
Warning: Spoilers
In "Barton Fink," the title character goes to Hollywood and ends up writing a wrestling picture, like Hemingway. The entire story is weighted with the ponderously bad notion of a movie that starts with such an idea. The Hollywood bosses care nothing about the story at all except that it have a couple fights and dancing girls and a romance. Oh, and some intrigue.

Well, that's what some meatgrinder produced in this case.

I see my comment is the first, so some story synopsis is in order.

Jimmy is a good fighter who looses after hearing his mother died. In the process, he permanently injures his arm. A woman in the audience soon gives him a job as bouncer in a club. He falls for the head hoochy girl, though both are swell folks.

But the club owner lusts after the same girl, so he arranges for the brother of that very girl to frame our fighter for theft. He had to you see because he was caught stealing $1,000 himself. So our fighter goes to prison, but doesn't mind because his girl visits frequently.

Meanwhile, the framing brother falls in love with the fighter's sister! He confesses to his sister and she determines to repay the $1,000 and get him off the hook. The fighter is released and thinks the girl is two-timing. That's fixed. So he arranges a fight for $1,000 if he simply goes three rounds with a famed bruiser.

Naturally he gets pulverized, until thinking about his great girl, then he wins! On to the club where he pays off the bad boss and slugs him as well. Both couples bask in happiness.

Worthy of Hemingway.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
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5/10
Terence, This Is Stupid Stuff
boblipton14 May 2019
Regis Toomey is a boxer on his way to the top. When his left arm is damaged, his career is over. He becomes a bouncer at Earle Foxe's night club, falls for Dorothy Sebastian, and rouses Foxe's ire over it. Foxe has Dorothy's brother, Edward Landon, frame him and put him in jail.

It's a well-shot little drama, directed by Fred C. Newmeyer. Yakima Canutt is Toomey's stunt double, and the boxng sequences are undercranked and first rate. So why do I think this isn't a particularly good movie?

It's Regis Toomey. He was a capable, hardworking actor. With his young-old face and simple delivery, he was often cast as the nice guy, as he is here. The trouble is that he isn't particularly charismatic on the screen, so a few years later, he was blocked from real stardom because MGM had Jimmy Stewart, and Fox had Henry Fonda, and they pretty much burnt up all the air for that sort of role. He continued to work, 180 features and almost 90 roles on television, because he was capable and hard working. He played bit parts and featured roles, because, once he was out of the Poverty Row B movies, he never got between the camera and the people it loved, the stars.

We remember the stars and think about the smaller ones who fell and continued to work, like Buster Keaton, Chester Morris, and Toomey, as failures because of the inexplicable workings of the cinematic world: destroyed by jealous or incompetent executives. In truth, Toomey was a success. He had a long career, he worked a lot, he had two children with his wife of 56 years, and died at 93. What he lacked was that mysterious combination of a camera that loved him, and the luck to find the role that everyone adored. Would he have been any happier as someone with a big contract with one of the majors? Like Mithridates, he died old.
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6/10
Competently made and enjoyable...though oddly cast.
planktonrules17 May 2021
It's odd that a boxing film would feature Regis Toomey. He was a fine actor....no complaints about that. But he sure didn't look like a boxer...more like a guy who wears a suit to work! Still, the film is enjoyable and worth seeing.

When the story begins, Jimmy (Toomey) is a pro boxer and is about to enter the ring. Unfortunately, that's when he receives word that his mother has died. Not only did this throw him off his game, but he also injured his arm...so much so that he needs to find another line of work. Now 1932 was the second worst year of the Depression and unemployment was at about 23%....so he can't be choosy. So, when he is offered the job as a bouncer, he takes it. Unfortunately, on his first night, he ends up tossing the boss out the door. Now the boss DID deserve it...he was behaving like a letch. But the boss is a nasty, resentful type and vows to get revenge on Jimmy....who was just doing his job. What's next? Plenty!

The only major problem I saw in the film were the two boxing matches. They were highly unrealistic...with zero defense and more punching in one minute than you'd normally have in 15 rounds! And, it was made worse by reusing some old silent footage, which, unless corrected, simply runs too fast on sound equipment. But despite that, the story is an agreeable B....a good time-passer.
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