The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is.Written by
The only remaining pink and white giant "fat soap" prop (appox. 12" x 10") featured in the movie can be seen briefly but clearly behind the character Warren Henley in a scene in the film Automatic (2001) as a framed piece of art. See more »
When the Narrator is being held down on the table at the police station, a boom mic is clearly visible at the top of the screen for a few seconds. See more »
The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
In the Japanese version of the movie, due to censorship rules over showing genitalia, there are no penis shots in the whole movie. See more »
Let's ignore the advice and talk about "Fight Club". This film was a milestone; although it bombed at the box office, Fincher's cinematic language left a mark that can still be felt now, 14 years later, on many current releases. Despite the risky 'cutting edge' nature of the film, Fincher got a huge budget for this and it shows: the camera effects and the whole production design are amazing.
This movie has a raw energy that grips me every time I watch it. What a crazy, fun ride! Whether it is a very clever satire or pure testosterone going on a rampage - both are fine by me. A film so visually stunning and sexy, with career best performances by all involved - welcome to movie heaven.