A rookie cop spends his first day as a Los Angeles narcotics officer with a rogue detective who isn't what he appears to be.A rookie cop spends his first day as a Los Angeles narcotics officer with a rogue detective who isn't what he appears to be.A rookie cop spends his first day as a Los Angeles narcotics officer with a rogue detective who isn't what he appears to be.
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Featured reviews
Washington's character, Alonzo, never really changes throughout, despite a supposed problem of his. I kept waiting for a reason to change the opinion that the first act puts to you regarding him but it never came, there's never a point I cared for him and I assume I was supposed to... at least to some degree? Also, his issue is thrown at you in one scene and isn't really mentioned again until the end. I get the character, just not his arc.
Ethan Hawke is very good, too, in this, even if I kept hearing Tom Cruise when he spoke... You also have a load of now familiar faces involved, including Eva Mendes, Raymond Cruz, Cliff Curtis, Dr. Dre, Snoop Dogg and Terry Crews. Quite an interesting cast list, that.
Loved all of this, except the (still good) plot execution. Maybe that's just me though. From what I've seen, Washington's best performance so far. He's the main takeaway from this whatever way you look at it.
I hate to break the news to you guys but cops like Alonzo ARE OUT THERE and need to be acknowledged. Acting like the problem doesn't exist does not solve it. You don't have to go that deep to know that Alonzo was once a good cop who just got fed up w/ 'police procedures.' If you acknowledge that Jake's shallow-mindedness at the beginning of the film only allows him to look at the perks of making detective and how the progress of the day transforms him, you can really appreciate Ethan's portrayal of him. Let's face it, a bad day at the office when you're a narcotics detective differs greatly from that of an office executive and the different stresses can warrant different results.
Even the street rhetoric was authentic. Maybe you guys need to get out of the 'burbs more. You guys didn't actually expect eloquent dialogue with little or no profanity, did you? The only part of this movie I struggle with is Dr. Dre's terrible overacting and that isn't nearly enough to take away from the overall result.
Next time you guys bash a movie, make sure to try to be objective and rate what you see and not what you're used to seeing!!
About the Movie: Ethan Hawke plays Jake Hoyt, a rookie police officer with a good curriculum that is assigned to a one day trial day in order to qualify for a narcotics division in Los Angeles. Hawke meets then detective Alonzo Haris (Denzel Washington) who was assigned as trainer and evaluator for this rookie. Hoyt wants fiercely to get this assignment, but finds very orthodoxes and quaint ways to "protet and to serve" of Alonzo. In this day Hoyt will meet a true challenge and will face the total opposite way to proceed from the one he learned in the academy; he will also face some of the more dangerous neighborhoods and streets of Los Angeles.
From the moment you set eyes on him you can relies that Alonzo is a feisty character, who will stop at nothing to get what he wants.
Ethan Hawke provides excellent backup but Denzel steals the show. I don't want to give an plot lines away but there are only three movies in cinema history I have given 10/10, and this one was so close to being number four.
I sincerely hope to see Denzel put in another performance like this one.
Plot is excellent as it leads you into false sense of securities and even shouting at the TV set.
I loved every breathtaking moment of this film and I am sure you will too.
Quite extraordinary.
The acting by both leads is amazing. Honestly, for everyone in this. Denzel steals the show, but Ethan still really makes a mark. This is immensely gritty, with many honest looks at what happens in the bad neighborhoods of LA, as told by a screenwriter and director who actually lived there. The authenticity is a huge part of why this is so compelling. With a few exceptions, you really feel like this could happen(there are things that are not very credible. Others have already detailed them, I don't really have anything to add), and it really provokes a discussion of police brutality. Despite an episodic nature, every scene has a distinct purpose in the overall narrative, although for a number of them, you won't realise what it is until later.
This contains a lot of strong language, some brutal violence, and a little nudity. I recommend it to everyone who can stomach the contents. 8/10
Did you know
- TriviaDenzel Washington has frequently said that Detective Alonzo Harris is his favorite character that he's played. He was at first hesitant to take on the role, but one of his sons had read the screenplay and recommended that he accept. Since Washington won an Oscar for the role, he has since always accepted every part that his son advised him to take.
- GoofsAfter stealing Sandman's money, three bullets are fired through the back window of the Monte Carlo as Jake and Alonzo drive off. At the angle they were fired, all three bullets would have exited the car through the windshield or would be driven through the driver and/or passenger seats, yet all three bullets magically disappear without striking anything once they go through the back window.
- Quotes
Alonzo Harris: [to the residents of The Jungle] Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me.
- Crazy creditsThere are no opening credits after the title is shown.
- SoundtracksCry Freedom
Written by Franky Perez
Performed by Franky Perez
Courtesy of Lava/Atlantic Recording Corp.
By Arrangement with Warner Special Products
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Día de entrenamiento
- Filming locations
- 1031 Everett St, Los Angeles, California, USA(Rogers' house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $76,631,907
- Opening weekend US & Canada
- $22,550,788
- Oct 7, 2001
- Gross worldwide
- $104,876,233
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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