Pop-Pie a la Mode (1945) Poster

User Reviews

Review this title
4 Reviews
Sort by:
Filter by Rating:
5/10
Popeye and the cannibals
TheLittleSongbird28 June 2019
Fleischer's Popeye cartoons tended to be funnier, more imaginative and better made, Famous Studios' on the most part entertained though their later Popeye, and overall filmography actually, cartoons had tighter deadlines and lower budgets evident which accounted for the animation not being as good, less surprises and the material not as imaginative. Speaking as someone who likes the character himself and many of his cartoons.

'Pop-Pie a La Mode' didn't do it for me though. Don't consider it a terrible cartoon, but also don't find it a particularly good one and it is not, and never has been, a cartoon that will be universally loved. Pretty controversial actually. Some may appreciate it, but more people will find one particular component that will repel them. Am not trying to be uptight and sorry if it comes across that way. For me, and it's not just for that particular component (though it is the main reason), 'Pop-Pie a La Mode' is one of the weaker Famous Studios Popeye cartoons and towards the weaker end overall, actually enjoyed most of the Popeye cartoons made during the war but this is one of the few exceptions.

Will start with the good points and they are there. The animation is still of good quality. Expectedly, the backgrounds have lost none of the meticulous attention to detail, it's fluid, Popeye still looks good and is recognisable in design and the colours are wonderfully vibrant, which really does make the setting come alive. Love the music just as much, it is the highly characterful and lush music score, that fits seamlessly and enhances the action. Popeye is amusing and likeable still and Jack Mercer doesn't disappoint with the voice acting.

There are a few amusing moments but they come too far and between.

However, 'Pop-Pie a La Mode' is mostly not particularly funny and don't think actually that there are enough gags. Do think that there could have been more energy as the timing is not as tight as it ought to have been. The story doesn't really come to life and is very predictable when there isn't much of one.

Although it is nice to have a change of pace, there is no real conflict (not much that evokes much fun or tension) and it lacks characters that have particularly compelling personalities that contrast well with Popeye. Do not always miss Bluto when he doesn't appear, though it is dependent on how the supporting character that replaces him fares. He is here. What spoils 'Pop-Pie a La Mode' badly is the representation of the cannibals, really try when there are stereotypes in cartoons to judge it fairly and as a product of its time and have not always been offended by stereotypes but again it's dependent on the material. Here political incorrectness really rears its ugly head in one of the most unflattering and hard not to be repelled by portrayals of cannibals/racial stereotypes in cartoon history. Couldn't forgive or excuse it either because their material is so weak and there is just no chemistry between them and Popeye.

Summarising, didn't do much for me but didn't hate it. 5/10
1 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
1/10
A Disgusting Example of Blatant Racism
tmpj22 September 2008
I remember having seen this on TV as a child some years ago, before cartoons of this sort were taken off the air as examples of things that were not air-worthy, along with the likes of "Amos-N-Andy", and a number of other films and shows whose proper place was the trash-bin.

To simply dismiss a cartoon such as this as being "not politically correct" is to vastly understate the case. It also demonstrates a certain naiveté and a lack of sensitivity. There is a tendency to gloss over this racism as " a product of its time". Mis-perception and deliberate mis-characterization of a group is never a "product of its time", it is a product of a particular world-view that does not die off very easily, and which persists in one form or another to this very day.

I ran across this appalling example again recently, this time in my maturity and not just looking to be entertained, as I was when I was a child. It is now apparent that the world also was watching this mess and forming their opinions based on what they saw, and those perceptions, too, die with difficulty.

Popeye, adrift at sea on a raft, eventually comes to an island which, it turns out, is inhabited by cannibals. Of course, this scenario is an automatic set-up for that which is to come, in terms of screen logic. The native population is replete with the typical stereotypes...bones in hats, cooking pots, cook books on "How To Serve Your Fellow Man" by IMA Cannibal. It was a disgusting and difficult watch.

And, of course, Popye prevails in his usual form, making the 'noble savages' submissive after 'showing them who's boss'.

"Salami, Salami, Baloney", declare the natives in obeisance after Popeye has lorded it over them in Tarzan-like fashion.

What could they have been thinking of when they made cartoons such as this?

This is one that has no redeeming value, and it's good that it is banned, and should be out of circulation for all time, along with cartoons of a similar bent.
5 out of 23 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
One of the greatest and worst of Popeye cartoons
Into_The_West13 September 2003
Warning: Spoilers
What you think of this cartoon will depend on how you view it. If you're looking purely for a brilliant execution of the Popeye storyline, this is one of the best. If you are looking for political correctness, you will probably be repelled and angered.

[Spoilers}

Popeye is shipwrecked on an island he thinks is inhabited by friendly natives, but which actually is inhabited by cannibals who view him as their next meal. He remains oblivious to the truth until he gets into a ritual bath that turns out to be a cauldron of boiling water.

Overwhelmed by the tribe, Popeye is flattened with wooden mallets into the shape of a steak, then tossed into a huge frying pan. Somehow he manages to eat his spinach, though, and it transforms him into a South Seas equivalent of Tarzan. So empowered, he defeats the entire tribe singlehandedly, even returning the volleys of the cannibal chief's cannons compressed into one big blockbuster bomb.

The big problem with the cartoon, and why it's never shown on television, is that the cannibals sound like stereotypical American blacks and are drawn as the most scornful types of caricatures, this being underlined by a musical score full of mock blues and jazz. One cannot even really find the saving graces of Clampett's "Coal Black and De Sebben Dwarves," which at least tried to pay tribute to black contributions to American culture.

Even "Pop-pie A La Mode," however, was probably not beyond what was unacceptable to a wartime audience, and even it must be looked at in that context before passing a final judgment. And as a Popeye adventure, this one is truly unforgettable.

Popeye's voyage in this cartoon from the very edge of oblivion to the pinnacle of godlike power, all in the space of a couple of minutes, is mythic. He goes from victim to superhero, the bottom of the food chain to the top, in an adrenaline-pumped way few other Popeyes can match.

Indeed, while it may seem most Popeyes of this period are far too intense for children to watch, this one, probably the most violent of them all, really seemed as if it were more intended for an adult audience. Indeed, even some of the set ups (Popeye wearing nothing but a sarong, tucked over his chest like Dorothy Lamour, being leaped on by dozens of male cannibals) seem incredibly suggestive. But again, the context of a wartime world where horrific violence, insensitivity to racial issues, the unavailability of steak, and isolation of male troops from women were all part of the common psyche has to be acknowledged.

So, if you are a diehard Popeye fan, a devotee of animation, or interested in exploring the entire picture of American culture, this is a page of cartoon history that should not be overlooked. If, however, you are easily offended by racist imagery, this will not be your Popeye of choice.

One interesting possible connection: this cartoon must have had an impact on the creators of "The Twilight Zone." The episode "To Serve Man" may likely have been inspired by the cookbook the cannibal chief reads in this cartoon: "How to Serve Your Fellow Man."
13 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Most of Today's social scientists blame this brief cartoon . . .
oscaralbert9 December 2019
Warning: Spoilers
. . . for being instrumental in forming the attitudes toward People of Color among Wan Pachyderm Party Baby Boomers in general, and POTUS #45 in particular. But is this REALLY a fair criticism of POP-PIE A LA MODE? Isn't it just as easy to view "Joe" as a representation of the rump cushion mob leader, and "Joe, Jr." as a stand-in for the young White House Occupant anointed this month as "He-Who-Must-Not-Be-Named" by America's Third Lady, Melancholia? Just Today news broke that a Methodist Church out West has set up a Modernistic Nativity Scene in which "Mary" and "Joseph" are cooped up in one cage, and the Holy Bambino is penned up in another. Isn't POP-PIE A LA MODE an accurate predictor of an Administration which has set the U.S. record for drowning kids in cages? Isn't the insatiable appetite of the current Pachyderm ilk truly reflected among the voracious omnivores portrayed during this animated short? When one views the persistent efforts of Voldemort, Junior, here to chow down upon "Popeye," aren't we reminded of the gross nepotism and rank self-dealing displayed this past few years by the entire nefarious rump cushion clan?
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed