Not actually a sequel, TITILLATION 2 goes to the same trough as 1982's TITILLATION, which had memorably teamed Kitten Natividad with STAR TREK alumna Angelique Pettyjohn.
Talented soft & hard porn director John T. Bone helms a familiar story of class distinctions and switched identities. Chessie Moore visits the mansion of Sasha Gabor (less Burt Reynolds-styled this time out, but still looking just like his mainstream counterpart), to be ogled as the potential wife for his heir to the fortune Eric Price. She decides to switch places with a newly arrived maid (Raven Richards) in order to test the rich folks' sincerity. It turns out that this is a marriage of convenience designed to save Gabor's family business, as Chessie's family is also well-to-do.
The shenanigans aren't very funny or interesting, since plot devices are merely created upon which sex scenes can be hung. Ron Jeremy is thrown into the mix very clumsily and overplays his non-role as usual. Gabor's wife is alluring played by the tattooed Viper (an early porn exponent of body art, now very common on both sexes' bods), while an exotic plumper shows up for variety. Subplot has Price in love with his step-mom.
Routine big-bust action, with a very irritating device of Bone holding the end of each scene for a long time in freeze-frame, presumably meant to be stylish but utterly pointless.
Talented soft & hard porn director John T. Bone helms a familiar story of class distinctions and switched identities. Chessie Moore visits the mansion of Sasha Gabor (less Burt Reynolds-styled this time out, but still looking just like his mainstream counterpart), to be ogled as the potential wife for his heir to the fortune Eric Price. She decides to switch places with a newly arrived maid (Raven Richards) in order to test the rich folks' sincerity. It turns out that this is a marriage of convenience designed to save Gabor's family business, as Chessie's family is also well-to-do.
The shenanigans aren't very funny or interesting, since plot devices are merely created upon which sex scenes can be hung. Ron Jeremy is thrown into the mix very clumsily and overplays his non-role as usual. Gabor's wife is alluring played by the tattooed Viper (an early porn exponent of body art, now very common on both sexes' bods), while an exotic plumper shows up for variety. Subplot has Price in love with his step-mom.
Routine big-bust action, with a very irritating device of Bone holding the end of each scene for a long time in freeze-frame, presumably meant to be stylish but utterly pointless.