Sony Pictures Television-owned “Sex Education” producer Eleven has promoted Carissa Hope Lynch to the position of creative director.
She will report to Eleven founders Joel Wilson and Jamie Campbell.
Hope Lynch has been at Eleven since 2019, working on projects including “White Stork” for Netflix and the upcoming young adult horror series “Red Rose” for the BBC and Netflix. She has also developed a number of projects that have found homes at Channel 4, Netflix, the BBC and Sky, working with creatives including Mark Denton and Jonny Stockwood, Mika Watkins, Harry and Jack Williams, Chandni Lakhani, and Paul Andrew Williams and Caroline Bartleet in the process.
She is also passionate about discovering new voices and in 2021 conceived, designed, and co-facilitated Eleven’s script editor training scheme, Duly Noted, in collaboration with Tolula Dada.
In 2022, the training scheme’s second year, BBC and Sony Pictures Television also came on board.
Hope...
She will report to Eleven founders Joel Wilson and Jamie Campbell.
Hope Lynch has been at Eleven since 2019, working on projects including “White Stork” for Netflix and the upcoming young adult horror series “Red Rose” for the BBC and Netflix. She has also developed a number of projects that have found homes at Channel 4, Netflix, the BBC and Sky, working with creatives including Mark Denton and Jonny Stockwood, Mika Watkins, Harry and Jack Williams, Chandni Lakhani, and Paul Andrew Williams and Caroline Bartleet in the process.
She is also passionate about discovering new voices and in 2021 conceived, designed, and co-facilitated Eleven’s script editor training scheme, Duly Noted, in collaboration with Tolula Dada.
In 2022, the training scheme’s second year, BBC and Sony Pictures Television also came on board.
Hope...
- 3/30/2022
- by K.J. Yossman
- Variety Film + TV
The makers of Ek Villain are perplexed. For unexplained reasons, there is a small online faction that has suddenly started alleging that the Mohit Suri-directed film is similar in certain parts to the Korean film, I Saw The Devil. The assumptions began after the official new trailer of Ek Villain was released online recently.
However, it is apparent that there is not even an ounce of similarity between the two films.
"If the presence of a serial killer in both the films makes the script a candidate for plagiarism then even Kamal Haasan's Vettaiyaadu Vilaiyaadu could fall in the same bracket. Oh yes, add Rajesh Khanna's Red Rose to the list too. Weren't the central antagonists in each of these films deriving pleasure out of killing? By that logic, each of these films is lifted," says a senior crew member in an irate tone.
The suspicion around...
However, it is apparent that there is not even an ounce of similarity between the two films.
"If the presence of a serial killer in both the films makes the script a candidate for plagiarism then even Kamal Haasan's Vettaiyaadu Vilaiyaadu could fall in the same bracket. Oh yes, add Rajesh Khanna's Red Rose to the list too. Weren't the central antagonists in each of these films deriving pleasure out of killing? By that logic, each of these films is lifted," says a senior crew member in an irate tone.
The suspicion around...
- 5/30/2014
- by Bollywood Hungama News Network
- BollywoodHungama
One of Indian cinema's first superstars who appeared in 15 consecutive hit films in the course of three years
Rajesh Khanna, who has died aged 69 after a long illness, was Indian cinema's first superstar. At the height of his fame he generated adulation that sometimes verged on mass hysteria and appeared in 15 consecutive hit films over the course of three years.
He first achieved acclaim in Aradhana (Worship, 1969), playing two roles – the husband and grown-up son, both air force pilots, of the established star Sharmila Tagore. Notable among the romantic drama's musical numbers was the sexy Roop Tera Mastana (Your Beauty Is Intoxicating), recorded in a single take, a first for Hindi cinema.
Further highly commercial films followed, including Aan Milo Sajna (Come Meet Me, Beloved, 1970), Kati Patang (Broken Kite, 1970) and Haathi Mera Saathi (Elephant My Partner, 1971). More thought-provoking were Daag (Stain, 1973), dealing with the subject of bigamy, and Anand (1971), in...
Rajesh Khanna, who has died aged 69 after a long illness, was Indian cinema's first superstar. At the height of his fame he generated adulation that sometimes verged on mass hysteria and appeared in 15 consecutive hit films over the course of three years.
He first achieved acclaim in Aradhana (Worship, 1969), playing two roles – the husband and grown-up son, both air force pilots, of the established star Sharmila Tagore. Notable among the romantic drama's musical numbers was the sexy Roop Tera Mastana (Your Beauty Is Intoxicating), recorded in a single take, a first for Hindi cinema.
Further highly commercial films followed, including Aan Milo Sajna (Come Meet Me, Beloved, 1970), Kati Patang (Broken Kite, 1970) and Haathi Mera Saathi (Elephant My Partner, 1971). More thought-provoking were Daag (Stain, 1973), dealing with the subject of bigamy, and Anand (1971), in...
- 7/29/2012
- by Asjad Nazir
- The Guardian - Film News
From reincarnations to haunted mansions. From vindictive oatmeal faced corpses to shape shifting nagins, Bollywood has bravely offered a plethora of films in the name of horror over the years. Although many of these films may lack in finesse, they still manage to offer some scares (along with a bag of laughs). Siddhant Pillai investigates…
Golden Age of Horror; 1940s-1960s
A still from the classic Mahal
In a country obsessed with lost souls and reincarnation, it was natural for filmmakers to dabble in this facet of the supernatural. Perhaps the first path breaking film in this genre was Kamal Amrohi?s 1949 hit, Mahal. The film was replete with a spooky house filled with life size portraits, grandfather clocks, swinging crystal chandeliers and a haunting tune (Aayega Aanewaala) carried by the air and sung by an elusive candle-lit lady. The movie was a box office hit and paved the way...
Golden Age of Horror; 1940s-1960s
A still from the classic Mahal
In a country obsessed with lost souls and reincarnation, it was natural for filmmakers to dabble in this facet of the supernatural. Perhaps the first path breaking film in this genre was Kamal Amrohi?s 1949 hit, Mahal. The film was replete with a spooky house filled with life size portraits, grandfather clocks, swinging crystal chandeliers and a haunting tune (Aayega Aanewaala) carried by the air and sung by an elusive candle-lit lady. The movie was a box office hit and paved the way...
- 5/13/2011
- Chakpak
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