La fille au fouet (1952) Poster

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10/10
A lifelong favorite
cinematik1 February 2012
I saw this movie a long time ago on TV, and it made an indelible impression on me as a young girl. The gender bender plot was erotic and still works decades later. Veronique Deschamps in the title role is amazing. She was 24 at the time, yet she was able to project a boyish charm with subterranean female sensibility. It's a pity she didn't make more movies after 1960. It seems that she married the film's director, Jean Dreville, and stopped acting after the birth of their daughter in 1962. Anyway, I had searched for this movie for decades and was unable to find it, but thanks to Dailymotion, my search was over and this movie is now part of my personal collection.

Jean Dreville is one of the most underrated French directors. The plot is not extremely believable, but who cares! Cinema is about suspending disbelief and the way this movie is put together makes it an uniquely delicious flight of imagination. This movie is a gem.
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Strange but compelling
Big Neil-24 May 2002
A film of surpassing strangeness, with some surprisingly potent erotic scenes. The Net seems remarkably silent on the subsequent career of Veronique Deschamps, who takes the lead role of the tomboy, Pietro. Can this striking young actress have made only a handful of movies? Don't be put off by the hearty settings in the Swiss alps -- you'll find no yodeling or cuckoo-clocks here. Warmly recommended for all admirers of French film.
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Swiss tomboy
dbdumonteil5 October 2015
One time ,a long time ago,on a mountain in Switzerland ,yo lo lo lo lo...

Veronique Deschamps ,who was the director's wife (they married the very year the movie was released),had a very short career and she was only offered supporting parts in such works as " Escale A Orly" ,"Suivez Cet Homme "or " Chiens Perdus Sans Colliers ".Part of the reason can be found in the fact that the androgynous girl niche was already occupied in the fifties by Andrée Debar who was notably cast as Le chevalier D'Eon ,a spy who used to dress up as a woman,in Jacqueline Audry's eponymous film.

Although she plays the lead in this movie,she is not credited so :Michel Simon and Gaby Morlay ,whose appearances do not exceed half of her time on screen , are considered the stars and their big names appear first in the cast.Also featured are veterans Marcelle Géniat and Pauline Carton.Michel Barbey ,who plays the young romantic male lead is treated the same way as Deschamps :although still living ,and having enjoyed a long career,he remained virtually unknown throughout.

The movie is pure melodrama ,a genre in which Gaby Morlay is a specialist .Pietro is a girl who passes herself off as a boy in the Swiss mountain where everybody is his/her friend ;one could fear for a moment that this tomboy full of Joie De Vivre would lead us into "Heidi" territory.However,Pietro's gender does not delude the viewer for long ,but there are good sequences:

-Piétro /Angelina swimming in the nude in the Stream ,surprised by her good friend Calisse ..

-the same,in the boarding-school ,sleeping in the dormitory with the boys;when they Wake up,the priest asks them to have a shower:too much for the girl who takes to her heels ,too bad for her mates! (let's note that the heavenly choir you hear for a short scene is none other than "Les Petits Chanteurs A La Croix De Bois" .See also for that matter Dreville's "La Cage Aux Rossignols" later remade as "Les Choristes").

-Angelina and Calisse in the same bed:"this bolster is like a mountain;it will be our natural boundary" she says to her disappointed friend.

-The smugglers trying to get to the border while the "Gabelous" (customs officers) are watching out for them;it is treated as a western.

The ending borrows from the story of the little Dutch boy . This legend has it that there was once a small boy who upon passing a dike on his way to school noticed a slight leak as the sea trickled in through a small hole.And he saved the situation.

All in all,this is very pleasant "Cinema De Qualité " ,even though it is marred by a politically correct ending:one should have wanted the lovers to stay with their comrades and take a rebel stand against the establishment (epitomized by so called grandpa Michel Simon )

Anyway,Dréville carried on with woman's lib in his follow-up ,devoted to aviator Hélène Boucher ,the French Amelia Earhardt ("Horizons Sans Fin")
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