A Family at War (TV Series 1970–1972) Poster

(1970–1972)

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8/10
Getting that 1st episode right......
macandanne15 November 2018
...can be tricky, but having watched this for the first time in nearly 50 years I'm impressed at how dramatic and yet realistic it is. Do I want to know what happens to the various characters to whom I've been introduced? Are the suggested plot lines enough to keep me interested? The answer is definitely YES in both cases. (Worth mentioning in passing that I've just bought the Netherlands version of the box set in a charity shop, so I get the omitted scenes as well!)
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10/10
A Family at War (Fan Site)
richievee9 January 2007
This is a terrific series of 52 episodes, following the Ashton family of Liverpool through the war years, 1938-1945. Writing and acting are superb, and you will be hooked from the first episode until the end. The entire series of "A Family at War" is now available on DVD. However, be sure your DVD player supports Region 2 (PAL) discs, as Region 1 (NTSC) machines will not be able to play them. You may wish to visit A Family at War (Fan Site) at www.baylor.edu/afamilyatwar. This site includes a complete episode guide, cast photos, a slide show with theme music, links to related sites, and information on how to join a discussion group (of which series creator and principal writer John Finch is a member).
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Greatest dramatic TV series in memory
trpdean27 November 2002
I saw these 50+ episodes re-run nightly in New York during the summer of 1975 or 1976. They were completely transporting, fabulous, deeply memorable. I've not seen them anywhere since - yet they are apparently not for sale.

In somewhat soap-operatic fashion, the story of two neighboring families in Liverpool during 1939-1945 brought home vividly the impact of the Second World War on an area of Britain.

This series was far more powerful and moving than Sopranos - because it better captures the details of daily life - and thus makes us believe its reality - and terrible tragedies. If you ever get the chance to entwine your life with this series, do it.

It makes one very much think about larger themes such as the impact of historical events on private lives. It's simply wonderful.
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10/10
A soap-opera, but an excellent one
yapp27 July 2012
I was a small boy watching this series now and then in the seventies. But I have always remembered it to be a fine series. I have seen it again the last month. I did remember some of the characters, Peter and Sheila especially, and Mr and Mrs Ashton, off course, and it was fun to see John Nettles as a very young man. But what really hit me, right in the stomach, so to say, was the quality. After all these years there is almost no TV- production that can compete with this astonishing - amazing superb quality. The actors, the producers, everything. What is sad, is that TV in general becomes some poor compared to such high-quality as "A family at war". There are exceptions, like "Brideshead revisited", but I feel, after being a member of the Ashton family for a month, that I need a long break from TV. It just isn't worth it.
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10/10
charming picture of war's effect on those who "stand and wait"
mcclains1311 July 2006
It was titled Familien Ashton in Denmark, where I watched on Sunday nights while I was living there. It was a charming picture of war's effect on those who, as John Milton said, "also serve who only stand and wait." The native Danes appreciated it as well and kept a strict appointment on Sunday nights to tune in. At a distance of lo, these 35 years, it's difficult to remember specifics. I do, however, remember the series with a smile. Combined with WWII-related places and structures that I'd been seeing in Europe, it really brought home to this young (at that time) American the reality of war, which to that point had been rather an abstract concept to me. Similarly, in the early 1990s, there was a short-lived American TV series, Homefront, which did a very fine job of portraying America at home during World War II.
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10/10
Childhood memories have returned
Jumbajookiba10 February 2018
I was 7 when this started, this was a time when there were only three channels in the UK, but, there was always something worth watching and this series was definitely one I remember the best. I fell in love with the theme music, it still remains one of my favourite pieces. I have vague memories of the storyline, but, I probably didn't understand all that went on. However, I have been able to watch it all over again on the channel 'Talking Pictures', which by the way is one of the best channels in the UK at the moment. I have been gripped from the very start. I hardly watch any modern dramas, even classic stories are being 'sexed up' or having very PC casting, most recently BBCs Howard's End having a black Mrs Bast, seriously? An acceptable interracial marriage in Edwardian Britain, almost as unrealistic as Jack having dinner with Rose's family in 'Titanic'. Anyway, I digress. I cannot recommend this and Talking Pictures as a channel highly enough. Happy memories of sitting around the TV as a family, no mobile phones or other distractions, just family time.
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10/10
Monumental Series
kidboots14 September 2020
Warning: Spoilers
Can remember viewing this back in the day - I've just spent the last few months being thoroughly gripped by the realness of this family - it should be compulsory viewing for anyone interested in war history. This series makes other family sagas pale in comparison, sometimes the people at home suffer just as much psychological trauma as those who go off to fight and often if a person has deep character flaws, going through the war does not necessarily make everything rosy. They emerge at the end unscathed by what they experience.

Towering above all is Colin Douglas as the father Edwin Ashton, a man who, as he describes himself, has spent most of his life working under a man whom he can't respect - that's his brother-in-law Sefton. Edwin, originally a miner, married out of his class - Jean, and as the series progresses he finds himself questioning whether marrying for love was the right decision. Their children - idealistic Phillip who is involved in a couple of episodes depicting the Spanish Civil War. By the time he comes home, he realises the hell of war but can't believe his effort was in vain. Margaret (Lesley Nunnerley) is brusque, opinionated and determined and marries John Porter (Ian Thompson) mainly because she feels it is her last chance - Porter's character goes through a complete change within the series - from a shy, mother dominated clerk to a complex man struggling to come to terms with his wife's affair.

David is the black sheep but again so real - he is a man with whom failures are always someone else's fault and who sees the war as something where he will make his mark but once back in civvy street all his weaknesses return. When his job turns sour he runs, leaving gallant Sheila with the kids and a mortgage to pay. Last episode finds him bragging around the table - those people just don't change.

Standing beside the standout Colin Douglas would have to be Margery Mason (who seemed to make a career out of sour faced personalities) - she is Mrs. Porter, a mother-in-law that even hell would quake before. Apart from Colin Douglas who was older and had another standout role as a stubborn factory owner in a few episodes of "Telford's Change", only John Nettles as Frieda's husband, the forward thinking doctor, found "The Family at War" a springboard to bigger things ("Bergerac", "Midsomer Murders") - that's the show's real mystery. Everyone had a role they were born to play but somehow it didn't propel anyone to stardom. Maybe the trouble was they were too good. Colin Campbell had had his moment in "The Leather Boys" - he was outstanding as the selfish David. Coral Atkins broke your heart as the long suffering Sheila. Barbara Flynn as the mercurial Frieda and Trevor Bowen as the very decent Tony who looks upon Edwin as more of a father figure than his own, Sefton.
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3/10
The Curates Egg
dan.adams6 September 2014
Starts of OK(apart from "Oxford" Phillips fanciful goings on in Spain). Thereafter thinks move at a pace.The most interesting battle in the series is between business-owner Sefton Briggs and his "donkey"brother-in-law, Edwin Ashton.Keeps the show alive actually.One or two appearances are rather "guesty"(eg Robert)And that little chap John George hardly ever gets fed,is never seen(one for the social welfare folk?) Moving to the second half-series 3 in particular.The whole yarn becomes rather "Mills & Boonish".Afraid I cannot tolerate the acting of passive-aggressive Sheila Ashton and her inadequate soiciopathic husband! I rather hoped a doodle-bug would get them....
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Summary for A Family At War
frankr31527 February 2005
I also saw A Family at War on my PBS station in the 70's and loved that show. I wish it was available on DVD. I wish BBC America would rerun it. Why is it out of circulation? This show was on every Sunday in my area for a year. This was before VCRs so I always tried to make it home to watch this show. In my area it was on at 5PM. The stories were so compelling. I really got into the family. One interesting filming note on the series was that somewhere in the middle of the run the series had to go to black and white tape. It seemed that the color tape people went on strike so some of the episodes had to be filmed in black and white. I think there are about a months worth of episodes in black and white. If you ever get to see this series or if it ever gets on DVD please try to get it. You will not be disappointed. The acting is top notch all the way. Every character is fleshed out. You will be so drawn into the continuing story that you will not want to miss an episode. This is a continuing story not unlike many soap operas. But once this one starts it will grab you and you will be hooked to the very last episode. This is a series not to be missed. Catch it from the very beginning.
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5/10
Disappointing Pot Boiler With Too Little 'Tea' To Make A Good Cuppa.
davidjparris4 May 2021
I approached this British series made in the early 1970's with high expectations,hoping for similar excellence as the comparable series 'When The Boat Comes In' but alas these hopes were dashed almost from the start and never rose above pot boiler sensibilities. The almost complete confinement to the studio coupled with average writing,production values,and on the main fairly mundane acting made for a tedious and unexciting viewing experience. A few charismatic actors and dynamic direction would have helped and I kept imagining I was viewing episodes of The Thunderbirds but more wooden.
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