Boatman (1985) Poster

(1985)

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6/10
Social Comment vs. Erotica (possible spoiler)
Private_Beach6 January 2005
Warning: Spoilers
Along the lines of Lino Brocka's better known "Macho Dancer", this is a Filipino melodrama of an innocent country boy (the eponymous Boatman) who ends up in the flesh trade in big city Manila as the male half of a live sex show. While clearly seeking to condemn the social conditions that push poor people into such work, the director appears to be trying to have it both ways by making the sex show scenes attractively erotic, with good camera-work aided by the undeniable beauty of the female co-star.

I won't give away the ending, but suffice it to say that the poor in the Philippines rarely come out on top.
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10/10
The most famous landmark "bomba" of artistic merit
tohhaileong10 March 2005
In Japan, the euphemistic term for the sex cinema is "pink films" (pinku-eiga) or "roman poruno" (romance pornography). In 1980s, the Philippines produced a somewhat similar sex genre, called "bomba" or bold films, which used female nudity or sex scenes as their selling points. This period coincided with the continuation of martial law under the then President Marcos. Along with slapstick comedies, they served as escapist distractions from the socio-political unrest and repression. The most famous landmark bomba of artistic merit was made 16 years ago. It was Tikoy Aguiluz' Boatman (1984), about the tragedy of a couple who did live sex shows but the film actually highlighted the problems of poverty, repression, crime and violence in the final years of the corrupt Marcos regime. (Published in the Singapore International Film Festival 2000 Catalogue.)
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