User Reviews

'Top of the food chain' is a parody of the science fiction movies of the 50s which preceded the horror stories a few decades before Polanski and the gang turned horror into a genre that cannot be ignored. It makes clear from the beginning that it is not to be taken too seriously, and keeps all over an air of freshness and authenticity, avoiding any computerized special effects. It looks like a film of the 50s with a smile, the only real big miss, but a big one is the lack of a more effective humor. Gags like the ones in this film seem too innocent to viewers have seen the heavier parody stuff of the last years. The team of anonymous actors does a decent job, among them best was in my opinion Fiona Loewi who really catches the attention and deserves some better or broader distributed roles.

TOP OF THE FOOD CHAIN (3 outta 5 stars) Canadian director John Paisz came out with some brilliant short movies back in the 80s... culminating in the brilliant "Crime Wave". He showed great promise at the time... his work sharing many surface similarities with the work of David Lynch. But for almost 15 years he seemed to disappear from the world of film... doing a little TV work in Canada and not much else. Well, he finally came back in 1999 with this zany B movie parody film and, while comes nowhere near the quality of his earlier work, it does have enough wit and style to make it worth seeing. The movie starts out TERRIBLY... so don't let the first five minutes put you off... it does get better. Man-eating aliens come down to a small Twin Peaks kind of town and start noshing on the citizens. Luckily a world famous atomic scientist (Campbell Scott) is passing through town to lend a hand. The movie's story isn't quite as well-scripted as the more recent "Lost Skeleton of Cadavra" but it does have some very funny lines... and some bizarre characterizations (the way-too-friendly brother and sister, the town policeman who goes around singing his own jazzy theme song). If you're in the mood for something silly you could do lots worse than this. Choicest lines: "An atomic scientist's life can be very lonely. There aren't many atomic lady scientists, after all." "I got backbone! Matter of fact when I was born I had a tail, too! That's just MORE backbone only it's furry!" "A genetically engineered band of devil worshiping serial killers... or a Sasquatch type thing? I don't like the sound of that!"

Reminds me of Attack of the Killer Tomatoes. Many will criticise this gem as cheesy, but let's not forget that it was designed to lampoon low budget sci-fi of the 50s; in that, it, like Killer Tomatoes, is a masterpiece. Worth watching over and over.

Not sure if I am the only one to notice, but many of the male characters have asexual *sounding* names: Deputy DANA, LESLIE Binkley, KIM Hickey, Officer GAYLE, MICHEL O'Shea, Mayor CLAIRE, JAN Bathgate, and Dr. KAREL Lamonte. It seems too much to be coincidental but not sure what significance to place on it.

Only severe criticism: The Irreverence and insensitivity to Christian beliefs added nothing to the film and offends many, including myself. There's a whole world of socio-political material from which to draw; it is best to leave people's most cherished beliefs alone. Many who believe art should not have limits will disagree with me on this. I would have given it a seven, but for the insensitivity mentioned above, feel obligated to reduce it to six out of ten (6/10) stars.

I picked this up in sales-crate at my local video store. Under genre it said :Splatter satire. This caught my attention.

The sci-fi spoofs are great, and the dialogue is genius. Campbell Scott plays a great Atomic Scientist and Fiona Loewi plays the sexy bed and breakfast hostess beautifully. Not only is she sexy, but even though she has an incestous relationship with her brother, you would still like to date her.

This movie is for people who understands irony (which apparently some IMDB-users haven't), and like the splatter genre. Though it isn't by far a hard-core splatter, the scenes that are gory, works very well.

Watch it as a comedy and as a caricature of old sci-fi movies.

Maybe it's because I am not Canadian, drunk, under age 7, or under the influence of some mind altering drug, but this movie was just terrible. I'll give credit where credit is due and this did make me laugh a few times, but after finishing it; all I can say is terrible. My head hurts right now cause this made no sense, the plot was just pathetic, it was directed in a painfully bad manor, and the actors gave some of the worst performances that I've ever seen (I assume under the terrible direction of John Paizs). As each minute went on, I had more and more questions and my head started to ache. The only decent part of this movie was the ending, and that was simply because I'd never need to watch any part of this ever again.

this is not a comedy,this is not a spoof,whoever titles it as that should have corrective brain surgery asap,this is without a doubt a movie that was shot in the running time,with no script whatsoever,why i am wasting so many words on this turkey is beyond me,oh my god people,this rating i see is so sad,Slither was funny,but this amateur home shot movie is an insult to even amateurs,and this movie proves beyond a doubt,that man has not stepped on the moon in light of this turkey,good lord you people are terribly bored or lacking in oxygen,i wish there was a rating below 1,this rating owes us a few points,a spoof? on what?

This is a remarkable little movie. I didn't really expect much when I started watching it - after all it's a low-budget sci-fi spoof made in rather obscure circumstances. But it truly is excellent. It's finely written, well executed, and very, very funny - I stopped the playback of the movie numerous times just to give myself time to savour some of the great moments and laugh at them properly without missing anything else. The script is consistently sharp and intelligent... and the movie also has the other two requisites of great comedy - well-judged timing and high quality straight-men. It's sort of a spoof on old sci-fi movies such as The Thing and Invasion Of The Body Snatchers... but that's only the start... the movie just has an off-kilter insight into human craziness that's not quite like anything. Actually the film to which it bears the closest comparison is the Rocky Horror Picture Show... although it's not a musical. Still I could easily imagine audiences watching Top Of The Food Chain over and over again and reciting their favourite lines along with the characters. Unfortunately this probably won't happen... it's an obscure movie, and will probably lapse into oblivion without ever finding much of an audience - which would be a great shame... so go out of your way to see it - you won't regret it.

I found out about this movie today, never even heard of it before, checked out the trailer and this looks like my kinda of movie.

Now that I seen the movie, I felt little bit let down, i didn't think it as funny as It meant to be.

They were some really funny jokes thought out the movie but nothing too funny too, jokes soon fade wade.

There were some really strange effect in this movie, trailer some how makes the effect look better then they were in the movie movie,

There some jokes That do not work at all and make the acting from most of the cast a wooden at times.

I think it was decent 50;s B movie for 90's!

Top of the Food Chain (A.K.A. Invasion!) is a very wacky film, but I recommend it to anyone with a good sense of humor, especially if you like parodies. The humor is delivered deadpan but takes turns you'd never guess. There are all the clichéd characters you could expect in a B-grade horror movie - the religious nut, the pompous scientist, the surly policeman, various suspicious characters, and the smart and spunky love interest - but each of them deviates from the norm in their own way. This is a low-budget film but that actually is a strength for a parody of other low-budget films. This is one of the funniest films I've seen in a long time. It reminds me of Airplane, although it's more subdued and yet more daring in its humor. Rent it if you get the chance.

I cannot recommend this movie highly enough. It is the best spoof on B Sci-fi movies I can think of. The deadpan delivery of Campbell Scott, as well as the twists and turns never get old. Nigel Bennett is also a great addition as the vacuum salesman. I just had to buy the DVD so I could watch it over and over. I rate it a 10/10.

I am going with the majority view on this title. I went in having no real idea what to expect from this film and enjoyed the film immensely. The comedy is silly and off the wall. A very good comedy for those that liked Kids in the Hall. Worth a look!

I watch this movie every time I can find it on any of the movie channels. I think one of the funniest moments in this film is Policeman Gail's little diddy he sings as he is walking up to the door of the house of his "main squeeze". I don't believe anyone has ever expressed self confidence in a more twisted way.

I got to see this movie when it premiered at the Toronto International Film Festival. I went there for basically one reason--I wanted to see Nigel Bennett (one of my favorite actors) on the big screen. However, I was absolutely blown away by the movie.

I laughed all the way through the movie. It was funny, it was cheesy; it not only poked fun at all the bad B-movie sci-fi/horror flicks of the 50s and 60s, but it even poked fun at itself.

It's a spoof, it's fun, it's entertainment. Don't expect deep psychological drama--go to smile and laugh. Believe me, I did!

What can I say? This movie is one of my all-time favorites. With classic lines such as: "I found a dead body, deceased, in the bumpy part of town, outside of town." "The creature that killed him had anywhere between two hundred and two hundred and two teeth, but I can't be any more specific than that." "Jan Bathgate once caught a fish the shape of my head." "Why- these are Jan Bathgate's undergarments! I would know these anywhere! They have that easy opening trap door....What? A man's entitled to a little sexual experimentation in his golden years!" ..and kudos to the entire cast for wonderful, perfectly eccentric performances.

--You just can't go wrong with this one. Every single friend that I've shared this movie with has loved it as much as I, and there's so many little treats you pick up on in repeat viewings...I honestly feel sorry for any individual who just didn't get this movie, but they probably never will. (I guess thats the point, really.) Oh well. Enjoy.

I didn't know exactly what to expect going into this and was slightly wary as spoofs can sometimes be just a one-note joke and after the first few might make you smile or think 'hmmm yes that was clever and amusing. But this was truly hilarious and laugh out loud funny.

I agree much of it was silly fun, but there was some more subtle humour. I don't think it was an accident the aliens at the end looked like they walked out of a Gap ad, which I thought was one of the funniest things in the film.

In my area, this movie is available to rent as "Invasion!" It also has a holographic box, and the picture of Campbell Scott looks eerily like Martin Sheen. Don't let any of these factors deter you from renting the movie. It is a little known gem. Even video clerks don't know about it, they'll look on you with scorn when you bring it to the counter. But it's worth their scorn, trust me.

This movie parodies the original Invasion of the Body Snatchers, as well as other 50's sci fi classics. But it doesn't just do a basic plot parody with dumb jokes plastered over it, a la Airplane or other Hollywood broad parodies. Top of the Foodchain gets into little details, like making fun of how all men in 50's sci fi seem to have traditionally female names (see cast list) or the bizarre, ham handed way that those movies dole out religious platitudes and hypocritically pro- and anti-science ideology.

Campbell Scott is, as usual, dead on in his mimicry -- this time of 50's leading man mannerisms. He's got the reassuring shoulder clap *down*. Every little nuance of this movie is brilliant and surprisingly innovative in spite of the fact that the movie is a spoof. I'm giving credit to the Canadians on this one. I doubt this movie would have been as funny or insane had it been done in the States. Do not miss Invasion! or Top of the Food Chain or whatever it's called in your neighborhood. It is smart, funny and will always be one of my personal all time favorite rentals.

I just saw this film and really had no idea what to expect. I watched it twice and found that I really enjoyed it. Its a strange, funny little tale. I really thought it was going to be dumb. But as turns out I really liked it.

I've watched this movie twice and I've shared it with others. I personally think it's one of the funniest movies I know of. I love movies where the movie acts like it thinks it's serious but what happens is so goofy and outrageous that everything seems twice as funny. Airplane! comes to mind. This is more like maybe Shaun of the Dead mixed with Airplane! though. It's dark, weird, and campy. Some of the people I loaned this to thought it was the stupidest movie they'd ever seen and others said they loved it. I'd say if you like Army of Darkness, Mystery Science Theater 3000, Mars Attacks or Shaun of the Dead, I think you'll like this. If you sat through Mars Attacks and someone else giggled the whole time while you said, "This is a weird movie" you probably won't like it. Having said that, I love this movie so much I bought it, lost it, and bought it again, and can't wait to get my replacement DVD.

I saw this movie completely expecting it to be stupid, idiotic trash. Instead, I got stupid idiotic fun. See this with a group, don't take it seriously, and expect the unexpected in addition to every sci-fi/horror cliche you can think of. The cast and crew obviously had fun making this, it shows in every scene.

I'd given up hope, after a decade and a half, of ever seeing another John Paizs film and I've contented myself with frequent repeat viewings of CRIMEWAVE, far and away the funniest Canadian movie ever made. FOOD CHAIN's local release on Friday came, to put it mildly, as a happy surprise. Its credits aren't as auteurish so I suspect his shrewd collaborators got behind what must've been a hard sell of this unique talent. To the best of my knowledge, or at least taste, there's no other director, including his brilliant fellow Manitoban Guy Maddin, who can take such deadpan, shamelessly bizarre humour and make it so side-splitting.

To dispute its absolute originality, TOP OF THE FOOD CHAIN shares a craziness of concept with 1984's BIG MEAT EATER, another micro-budget Canuck item (something in our water?) Rather than the conventional smug mockery of 50s drive-in sci-fi (oh look at Woody and the giant tit, how droll and cunning) these films strive to be, in look and feel, a modern day continuation of a time-locked genre that had logic and principles of its very own, though so free form that comic expression can flourish on a wide open range. While MEAT EATER, a delightful though haphazardly directed mess, was marginally a musical remake of PLAN 9, FOOD CHAIN takes its initial premise from from the interesting ASTOUNDING SHE MONSTER, complete with the strangely lit alien sexpot in the woods and main characters that are somewhat similar to the ones here. It's clear that the actors are in improvisation heaven but Paizs, in the tradition of Altman and Morrissey at their best, never lets them stray from his story telling vision. And what a vision: this is like MARAT/SADE! It's a 50s monster melodrama concieved, produced and acted out by mental patients!

Not a single character in this movie even attempts to approximate socially acceptable behavior, nor does anyone, even on a good guy/villain level, ever question one another's unusualness. Sexual obsessions spring up all over the place but are pointedly ignored in terms of detail, as if Paizs is taking on the role of gossippy spinster aunt who knows where to cut things off for decency's sake. It doesn't stop there. He interrupts things, though briefly enough to maintain the flow, to point out things of visual interest, like a hideously familiar faux-wicker basket full of saltines, that you just know you once saw in your own childhood home. He actually has the gall to reuse enjoyed props within the same sequence: a bright pink hugely finned bulgemobile ('59 Pontiac?) appears in the background during both takes on an opposite-angled dialogue. Even the FX showcase at the grand climax, suitably tacky looking by today's standards, he undermines with swift dispatch that makes it clear that the characters are far more interested in each other's activities of the moment than any impending doom.