User Reviews

I've known about Wacky Races and this other Hanna Barbera cartoon for several years. I've never seen either of them growing up as they were before my time and I probably would've watched it sooner if my parents had gotten Boomerang (or if that cable channel had already been a part of our cable package). But I've always been curious about it and, if not the most curious, as well as interested in checking it out, more so than Wacky Races. The former show I might explore eventually in the future.

At last, instead of having access of viewing it via Boomerang, I did begin watching the first three episodes of it so far (on different late nights) at the Kiss Cartoon site. I'd like to start off by stating that this is one of the few H-B productions that stand out more, so I've got to give it that, as at least it isn't one nor does it follow any of the three formulas that were the norm of most H-B shows, especially throughout the 1960s and '70s: Talking animals who impersonate comics of the day, mysteries that crib from Scooby Doo, and family-centric series that came from the Flintstones. I haven't seen every H-B program growing up, but I learned and now know just how formulaic the majority of them were once I began reading about what others were saying about them on the 'net. Secondly, despite the few flaws there may be with it, according to some people's comments I read outside of this site, I still find it enjoyable. It's not the first nor one of the first by H-B that I'd have high on my list of favorites, as I like some of their movies and specials/one or two-off productions even more, which should've been expanded into series, but I still like it just the same and might at least consider it a late '60s/early '70s animated series favorite. I wouldn't say this is all bad nor a total loss.

The notion is a former race-car driving, blonde Southerner who frequently gets kidnapped by her guardian, Sylvester Sneakly, disguised as his alter ego, the Hooded Claw, and puts her in jeopardy one way or another in order to steal her inheritance. Somebody in one thread on a forum on another site compared her to Princess Peach of Super Mario Bros. fame, but times 10. Another person in a thread on a second forum on a second site complained about her never noticing her guards having gone missing. Although Penelope is a blonde, therefore the point is the creators of this may have been simply pandering to the ditsy blonde stereotype. I'll admit it would've been nice to see her wise up to that in due time, even though that recurring gag went on for too long. Her obliviousness to that fact is one bad quality about her but I've got to counter it with a good quality. What else I've got to say is that she hasn't always been totally incapable of getting herself out of predicaments nor has she always been reliant on the Ant Hill Mob, who are gangster parodies/versions of the seven dwarfs. I must admit that Penelope is also resourceful and sometimes gets herself out of jams. Did Princess Peach ever do that? I may be somewhat defending this, but I just have to give my take/viewpoint on it. Some may have beef with the Ant Hill Mob often failing to rescue Penelope as one of the shticks of the show. I know that they should've done better at their rescue attempts, but at the same time, the point of that shtick is to provide comic relief to balance out the perils. However, it would've been nice to see them succeed, at least once. Clyde, the leader, seems to be the most competent out of them though. Another good quality Penelope has about her is she is a lady of many talents and sometimes she uses her cleverness to her advantage. Somehow, things still manage to work out well for her in the end. In addition to those, she's not that bad of a protagonist/heroine. The settings in this show aren't too much of the same, which is another thing I like about it.

I, too, would still consider it to be one of the strongest productions as far as H-B series go. So I'd still check it out any way if anyone reading it is as curious as I was. Don't listen to what anybody outside this site says otherwise. It may not be one of the best, but it isn't one of the worst either. I rather this than any of the gross-out, sick-humored, mindless cartoons any day, even though I know there have been other shows that are free of those. One other thing: I wish this series had a more proper ending rather than being open-ended. It would've been nice to see just how this whole thing is resolved.

We had this cartoon on VHS and I remember watching it SO many times when I was a kid. The one thing that gets stuck in my head from this cartoon is the theme song. I can still hear the theme song of Dastardly and Muttley called '..Catch the pigeon, catch the pigeon..' it is very funny.

Although I wasn't that fond of Penelope Pitstop, my favorite character was Muttley.

This is one of the good creations from Hanna-Barbera and this cartoon (also the series about Dastardly and Muttley) is widely known by almost all children born in the 70's and the 80's. I'm feeling quite nostalgic thinking about this, so I just might watch it again soon on Youtube.

Okay ... we all pine with nostalgia for the pleasures of our youth. Sometimes they hold up, and sometimes they don't.

This spinoff from the Wacky Races ... quite a bit repetitive itself ... shunned a cohesive story in each episode for a series of seemingly deadly cliffhangers. It could have used less chasing and cliffhangers and more story.

However, if you can get hold of the version of episode one with the DVD commentary, it's a great listen, and you'll be quite amazed at the commentary from (then) 87-year-old Janet Waldo ... whose first voice work was as Judy Jetson! She sounds little different at 87 than she did in her 40s when she started voice work. The entire commentary is both amusing and interesting. Find it if you can.

As Fred Silverman shed his CBS Saturday morning lineup of violent cartoons in the late 60s, he struck gold with several successes. They were The Bugs Bunny/Road Runner Hour, The Archie Show, Scooby Doo, Where Are You? and one of the few network cartoon spinoffs, The Perils of Penelope Pitstop.

The show was a spoof of movie melodramas of the 20s and 30s and emphasized comedy rather than violence. Two things I really enjoyed about Penelope Pitstop were Paul Lynde's portrayal of the evil Hooded Claw and the outstanding narration of Gary Owens. If you watch the closing credits carefully, you'll notice that in the voices section Paul Lynde doesn't receive any screen credit. Let's not overlook The Ant Hill Mob and their car Chugaboom. They were an intrical part of the storylines as they saved Penelope from The Hooded Claw's evil plans.

I liked this series when I was a boy. The horrid cackle of the evil Hooded Claw (brilliantly voiced by veteran US actor the late Paul Lynde)used to give me goosebumps. I recently watched the whole series online and while I still very much enjoyed it,I was rather bemused at all the elaborate traps devised by HC to bump off his female victim The finale ending the series was inconclusive. I had hoped the evil Claw might himself be killed by one of his own devices thus ridding Penelope of him for good or being captured and unmasked as the treacherous Sneekley Indeed he did blow himself up at the very end by accidentally tripping and falling on a detonator plunger but sadly he survived it,and swearing to continue to think up further nefarious ideas to murder Penelope. Verdict? Still very watchable but disappointed there was no definite outcome to the series.

As a fan of Hanna-Barbera, I would watch a few of their TV series and films like "Charlotte's Web" and "Heidi's Song." I remember watching Wacky Races when it was on Teletoon a long time ago, and the lovely Penelope Pitstop and her Compact Pussycat were my favourite racers. Though I didn't know why her car was called The Compact Pussycat, it didn't look like a cat. The series became so successful that they made spin-off series like Dastardly and Muttley in their Flying Machines and The Perils of Penelope Pitstop. Although Wacky Races was set in the then-contemporary 1960s, the characters and settings of The Perils of Penelope Pitstop were strongly reminiscent of the 1920s; well, the 1930s, that is.

I'd bought the complete series on DVD, and after watching all seventeen episodes, I thought it's a very funny show; it has scenes you will remember and make you laugh your head off. In this series, Penelope is an heiress to a vast fortune and is constantly chased by her sinister guardian (voiced by Paul Lynde), Sylvester Sneekly aka The Hooded Claw; she doesn't even know it. The Ant Hill Mob (also from Wacky Races) and their anthropomorphic car Chug-A-Boom (like Herbie from Disney's The Love Bug) are always there to help her. But they sometimes screw up the rescue, and it's always Penelope who ends up saving them.

They never explain why Penelope is a wealthy woman. Or why the Ant Hill Mob are her friends? And so forth, they just jump right through it; but I do have imagination, like: Penelope was the beloved daughter of a wealthy family; but when her mama and papa died, it was always her "dear daddy's" secretary, Sylvester Sneekly, who was with her all her life, because to a girl's daddy (or male guardian), he's her oracle, her guidance, and her hero. Maybe that's why she refuses to believe that Sylvester is The Hooded Claw. And as to why the Ant Hill Mob are her friends, Well, she might have reformed the crooks because of her kind heart, or maybe the seven had reformed years ago. So overall, I love this series and would watch it again and again.

One of Hanna-Barbera's better comedies. It was a good parody of cliffhangers that were popular during the early 20th century. Penelope herself had feminist overtones. The Ant Hill Mob were supposed to be her saviors, yet they usually botched their rescue attempts and Penelope would save herself from her predicaments. Last Tuesday, I viewed an episode in which she saved the Ant Hill Mob.// Another highlight is the way she ran. The animators humorously displayed her femininity by having her run like a ballet dancer.// And Paul Lynde was at a peak in his career at this time by doing the voice of The Hooded Claw in this series and that of the prissy suburbanite in another Hanna-Barbera series Where's Huddles? Lynde was almost as much a creative asset to the studio as was Mel Blanc. Art fans should appreciate the mixture of expressionism and impressionism in the cartoon's backgrounds. Adults enjoyed this show as much as kids.

The mark of a good show is always how much the technical staff and actors enjoy doing it. The DVD commentaries for this show prove it, as Janet Waldo (Penelope), Gary Owens (narrator) and Iwao Takamoto (designer) spend the whole time regaling us with wonderful anecdotes about Paul Lynde, Mel Blanc, Joe Barbera, and just how much fun was had during the production - fun they're still having just as much of from watching the episodes again over 35 years later.

The Wacky Races / Dastardly & Muttley / Penelope Pitstop triumvirate were also supremely blessed by the scripting elegance of Micheal Maltese, who years earlier had created the Road Runner and Coyote with Chuck Jones (and it shows in this series in particular with the Hooded Claw's ridiculously over-complicated Rude Goldberg traps).

This is the real joy of 'golden age' Hanna-Barbera (1968-1969 were the very best years, IMO); where the emphasis was in appealing character designs and the quality of the writing and voice-work, rather than what would look most sophisticated on the screen (although by 1960s TV animation standards, this is actually pretty good).

Still a classic so many years later, and a show that could really teach today's more turgid cartoons about giving your animators free reign to enjoy themselves so that everyone benefits in the end.

I used to enjoy this as a kid but it always puzzled me how the Hooded Claw hoped to bump off Penelope by tying her to a railway track when she inhabited the same world where Dick Dastardly could be run over by a train and although he might feel a bit flat for a while generally he was OK at the end of the day. What's more the Anthill Mob were often blown up by the dynamite the Claw had intended for Penelope and it didn't seem to do them much harm. Penelope has a big following and I upset this girl I know who used to be a fan by saying it was kinky the way the Claw was always tying her up. She said I'd spoiled her illusions! Still, great fun.

I find this Good Girl Spin-Off of Wacky Races (1968) is very Wonderfully Perilous, Daring, Suspenseful, Hilarious, Action-Packed and Adventurous, It features the Lovely Heroic Good Girl Penelope Pitstop, The Dashing and Unique Heroic Gangsters The Ant Hill Mob, The Intelligent and Quick-Witted Leader Clyde, The Slow-Witted Dum-Dum, The Giggling Yak-Yak, The Snoozing Snoozy, The Sobbing Softy, The Speedy Zippy, Pockets, Who is very Useful to find a item for saving Penelope Pitstop from Dangerous Situations, and The Villainous Lawyer/Guardian/Kidnapper Sylvester Sneekly/The Hooded Claw, When Penelope Pitstop is kidnapped by Sylvester Sneekly/The Hooded Claw, It is either The Ant Hill Mob to rescue her from the Dangerous Situations, or Penelope Pitstop will think of her clever and resourceful plan to escape from Sylvester Sneekly/The Hooded Claw's traps in dangerous situations. I'll give this a 10/10.

I've been catching reruns of this old cartoon on Cartoon Network over the last couple of weeks, and frankly I'm probably in the minority. I actually like this show. It stars Penelope Pitstop (a female racer from "Wacky Races") who is being constantly on the run by her laywer Sylvester Sneekly (aka The Hooded Claw who is just Sneekly in disguise) whom wants to elude of her since she inherited a fortune, and would give it to him if something were to happenn to her (you know like death or something like that for an example). But Penelope has protection thanks to my fave characters from "Wacky Races" the Ant Hill Mob (those guys rule!!!!!) who will keep our damsel in distress from being captured by the Hooded Claw.

I really like this cartoon a lot. I know that Hanna Barbera has made some lame spinoffs in the past, but this is great. 10/10

It's been many years since I saw this show, but as I recall it was a lot of fun with a combination of slapstick humor and clever dialog. I often caught my parents laughing at it. Penelope was a wealthy fashion plate Southern gal and The Hooded Claw (now there's a name!) was always cooking up ingenious ways to destroy her (e.g., explosive pastries called "bombs-bombs") and get his grubby hands, err, claws, on her fortune. He was aided by identical twins, the Bully Brothers, who did everything in unison, even when crying "Oh no!" when a plot backfired on them. But they always failed, often due to the timely intervention of the Ant Hill Gang in a smart car long before KITT came along.

The Perils of Penelope Pitstop follows Penelope Pitstop (Janet Waldo) a rich woman who travels the world only to be chase and place in danger by The Hooded Claw (Paul Winchell).

This show was a spin off of Wacky Races another cartoon by Hanna- Barbera. HB always makes interesting and classic cartoons and this is one of their more interesting ones.

It has a female protagonist with a villain who laugh always can make you shake.

Now that's rare for villains these days and even in the day.

The Perils of Penelope Pitstop had some good animation as HB is known for along with some good voice acting and music to boot.

The Narrator (Gary Owens) always makes the show interesting as he tells the story of each episode.

Some people may have different opinions on the show but I find it to be interesting if you are a fan of Hannah Barbera cartoons then give this one a try.

I'll get you Penelope Pitstop