Rocky Road to Dublin (1968) Poster

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9/10
A unique snapshot capturing Dublin at the end of the 1960's.
mark-coffey5 October 2005
Rocky Road was the last film shown at the 1968 Cannes festival which was shutdown in soladarity with the student revolts in Paris. The students adopted Rocky Road and screened it in the vast amphitheatres of the Sorbonne, which was still besieged by riot police.

Lennon's theme was what do you do with a revolution once you've won. Lennon found that you give it straight back to the Bourgeoisie. At the centre of the film is the iron grip the Catholic Church held on Ireland after British occupation.

We see the young and hip Fr. Michael Cleary singing Chatanooga Shoeshine Boy to a maternity ward. We then see him extolling the virtues of celibacy and sex within marriage, this long before it was known that he had fathered 2 children by his housekeeper.

The film couldn't be banned in Ireland (the censors comment to the director was: "Since there is no sex in the film, Peter, there is nothing I can do against you.") It was only picked up by one Dublin cinema for a short run. The church's iron grip on the country was thus shown when no other cinema dared show the film.

Luckily things have changed enough that the Irish Film Institute has seen fit to restore the film and nearly 40 years after it was made it is again being shown in it's own country.
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10/10
Forgotten masterpiece
stevenmcglinchey3 September 2022
Warning: Spoilers
Peter Lennon's 1968 screen capture documentary is a rare time capsule of Ireland.

Still under a repressive church's social morals and a patriarchal elitist society. One poignant interview of a young woman ( you only hear her voice) where she recounts her experience of sex as a woman in a world dominated by men.

There are Interviews with earnest Trinity students, director John Huston, and a weird performance by priest Michael Cleary. A fantastic session in Donohue's pub and a hurling match.

The cameraman Raoul Coutard was Jean-luc Godards cinematographer. It's grainy black and white hand held style adds to the atmosphere.

You see a nation of two states. One firmly in the 19th century and the other courting the swinging sixties.

It's both hilarious, awfully sad and oddly prescient of the decades long struggle to evolve since. A must see.
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