The Black and White Minstrel Show (TV Series 1958–1978) Poster

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6/10
Turgid
screenman25 December 2008
Warning: Spoilers
I'm not going to play the race card here; I'm white, and didn't consider my race to be slighted. If blacks did, they're free to speak for themselves.

The programme has to be placed in perspective, and as a piece of light entertainment during the 1950's, it appealed to the wartime generation in Britain as most had had some direct and indirect contact with, and influence from, the hundreds of thousands of Yanks stationed in Blighty.

Telly took itself much more seriously in those days, and more professionally too. And there is no doubting the very meticulous standards of production, choreography and singing.

However, for those of us who came after the war, this formula was already out-of-date. For those weaned on 'The Animals' 'The Yardbirds' and a host of other bands and artists rising in the early 1960's, who had something to say with which we could identify; the Minstrals, were the most turgid, oleaginous 50 minutes of our young lives.

In recognition of their enormous popularity with the generation at which they were targeted, I've grudgingly offered 6 stars. Speaking only for myself I'd give them one.

It's a generation thing.
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4/10
Who Are You Trying to Kid?
dbnorton-122 January 2007
Let's set aside the undoubted singing, dancing and comedic talents of the performers on this show. The Black and White Minstrel Show was based on American 'minstrelsy' which is nothing but a racist early United States using stereotypes of black people for humour. Such humour is agreed by EVERYONE to have stunted the growth of civil rights for African Americans for decades. Let's remember that slavery was roundly approved of by the England of the 19th century, and not use 'oh we just borrowed it from America' as an excuse.

Secondly, just because 18 million people watched it every week does not negate its stereotyping of black people. England was just as racist in the '60s as America; and my parents, who grew up in the Depression and thus with all these minstrel types, were just as prejudiced as the other 17.999 million. We see how the economics of a popular show outlasted the 'liberal' outcry (god forbid we ask people to have respect for each other!); thankfully we have moved on thirty years and most people have no excuse to defend a programme just because its writers happen to be good.

Oh, the other great excuse I read here is that 'they had to perform in blackface because there weren't many black performers around at the time.' OH PLEASE. Please please please. Tell that to Sidney Poitier.

In case anyone's wondering, I'm white and I hate reality TV too.
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from an age of innocence ....
welshNick18 February 2006
The Black and White Minstrel show was shown at prime time on the BBC from the mid sixties onwards. It was a song and dance show that predominately had white men wearing black make up and dressed like kentucky minstrels. Eventually this got banned because of connections to the slave trade and the fact it was white people, mainly welsh, doing the singing and dancing. I remember my mother used to enjoy watching this. We lived more in an age of innocence in those days before the politically correct brigade had got hold of everything. When I asked my mother why she enjoyed it she said she liked the music and dancing. Who actually takes offence to this and why ?
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8/10
great entertainment
marktayloruk2 September 2018
Warning: Spoilers
I wish it was still going How about issuing it on DVD and ignoring the PC prats?
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Black & White Minstrel Show.
faplock23 February 2006
The Black and White Minstrel show may well have been hated and considered racist by the "liberal thinking elite" but there were 55 million people in this country during its near 30 years run and the vast majority of those that had TVs enjoyed it immensely (It began in 1957, so not everyone had a TV). It was always entertaining. It neither set out to be, nor was, racist. It simply copied that which started in America (probably in the speakeasies) where black singers entertained the customers. They were very popular there from prohibition onwards and when the BBC imported the idea to Britain they naturally "blacked up" to copy the genre more closely because they could not get famous black singers, after all, there weren't that many blacks in this country at the time. Don't forget, Al Jolson was white and loved equally by both blacks and whites - not because he "blacked up" but because he had a wonderful voice. Similarly, the BBC's Black and White Minstrel Show had singers with good voices. It may be off the air now but that is more because "variety acts" are out of favour generally than because the B&WMS was racist.
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