- A non-narrative film investigating death and the power of photography, El Día Que Me Quieras is a meditation on the last pictures taken of Ernesto Che Guevara, as he lay dead on a table surrounded by his captors, in Bolivia in 1967. Not a political documentary in the traditional sense, the film alternates between evocation and straight reportage, centering on an interview with the Bolivian photographer Freddy Alborta. Suffused with a sense of mystery, El Día Que Me Quieras is about our assimilation of history.—Leandro Katz
- Investigating death and the power of photography, this film is a meditation on the last picture taken of Che Guevara, as he lay dead on a table, surrounded by his captors. The photograph, taken by Freddy Alborta in 1967, has been compared to Mantegna's Dead Christ and Rembrandt's The Anatomy Lesson of Professor Tulp. The film, a montage of Alborta's memories of that day, his photographs and rare newsreel footage of the event, is an attempt to deconstruct the myth of Guevera.—Fiona Kelleghan <fkelleghan@aol.com>
- A non-narrative film investigating death and the power of photography, El Día Que Me Quieras is a meditation on the last pictures taken of Ernesto Che Guevara, as he lay dead on a table surrounded by his captors, in Bolivia in 1967. Not a political documentary in the traditional sense, the film alternates between evocation and straight reportage, centering on an interview with the Bolivian photographer Freddy Alborta. Suffused with a sense of mystery, El Día Que Me Quieras is about our assimilation of history.
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