Having recovered from wounds received in a failed rescue operation, Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Russ Duritz (Bruce Willis) is a wealthy L.A. image consultant, but as he nears 40, he's cynical, dogless, chickless, estranged from his father (Daniel von Bargen), and he has no memories of his childhood. One night he surprises an intruder (Spencer Breslin), who turns out to be a kid, almost 8 years old. There's something oddly familiar about the chubby lad, whose name is Rusty. The boy's identity sparks a journey into Russ's past that the two of them take - to find the key moment that has defined who Russ is. Two long-suffering women look on with disbelief: Russ's secretary, Janet(Lily Tomlin), and his assistant, the lovely Amy, to whom Rusty takes a shine. What, and who, is at the end of this journey?Written by
When Russ and Rusty come out of the restaurant, Rusty points to a sign that says "Eat here". Inside the diner, their waitress is Melissa McCarthy. This is Melissa McCarthy's first film. See more »
When Russ is talking to his assistant about seeing a kid on his property, then goes to sleep he is wearing a blue t-shirt with UCLA on the top left and dark sweatpants, later when he gets up with the bat to check what made the noise outside, he's wearing a grey t-shirt and grey sweatpants. See more »
At the end of the movie there is an explanation for why the moon appears orange when it rises. This is a reference to a question posed to Russ Duritz by his 8-yr.-old alter ego, which Russ later asks his assistant to check on. See more »
The surprise is not how good this film turns out to be. With Willis coming off of "Sixth Sense" and Jean Smart and writer Audrey Wells following up on the underappreciated "Guinevere", I suspected there just might be something going on here. The surprise is how what is being pushed as a Disney kid's film is actually a funny, moving and rather mature fable about losing touch with the child you were and the adult you wanted to be. The kids in the audience were restless. The parents were laughing...and a few even sniffling. Not a great film, but a darn good one, with a message that will probably go over the heads of anyone under 30.
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