In this loose sequel to Interview with the Vampire (1994), the vampire Lestat becomes a rock star whose music wakes up the equally beautiful and monstrous queen of all vampires.In this loose sequel to Interview with the Vampire (1994), the vampire Lestat becomes a rock star whose music wakes up the equally beautiful and monstrous queen of all vampires.In this loose sequel to Interview with the Vampire (1994), the vampire Lestat becomes a rock star whose music wakes up the equally beautiful and monstrous queen of all vampires.
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- 7 nominations total
Megan Cooper
- Maudy
- (as Megan Dorman)
MiG Ayesa
- New York Vampire
- (as Miguel Ayesa)
- Director
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- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm notorious among my loved ones for my love of movies that most people wouldn't like. I'm blessed with a gift to appreciate them, I guess. And I'm also blessed with the ability to take movies as totally separate from their book counterparts. Die hard Ann Rice fans might not like this movie because it slams two books (The Vampire Lestat and The Queen of the Damned) into one to make a relatively short film. So, obviously, a lot of the story was changed or left out. Which makes it understandable why some were upset. I mean, come on, Interview With the Vampire was over two hours long, and it was the movie version of just one book.
However, taken as it's own story, the movie is actually very good. Well, in my opinion. Stuart Townsend's portrayal of Lestat is wonderful. And it doesn't hurt that he takes off his shirt quite a bit (he has a really nice, defined, if lean, body) and wears leather pants quite a bit. He also has the rock star quality that is often missing when most actors play musicians. You can see how into the music he is. He also is able to project Lestat's arrogance and loneliness very well.
Vincent Perez, who plays Marius, also does a wonderful job. Though quite popular in Europe, he is sadly under-appreciated in the U.S. I can't honestly say that his portrayal was dead on (so to speak) because I haven't read any of the books the character appears in, but I thought he was quite good. (Another one that is good-looking, ladies.)
Akasha, unfortunately, displays very few emotions, so Aaliyah didn't get a chance to really showcase her acting talents in her final performance, but she did play the evil vampire convincingly. Since she was said to be quite pleasant in real life, I'd say her performance was excellent.
Most of the remaining cast were also enjoyable, if not impressive in their performances.
There are also interesting special effects.
I loved this movie.
If nothing else, you should at least check out the soundtrack. The songs are well penned and preformed by a number of talented musicians. My advice? At least give this movie a chance. Despite the bad reviews, you may find yourself pleasantly surprised.
However, taken as it's own story, the movie is actually very good. Well, in my opinion. Stuart Townsend's portrayal of Lestat is wonderful. And it doesn't hurt that he takes off his shirt quite a bit (he has a really nice, defined, if lean, body) and wears leather pants quite a bit. He also has the rock star quality that is often missing when most actors play musicians. You can see how into the music he is. He also is able to project Lestat's arrogance and loneliness very well.
Vincent Perez, who plays Marius, also does a wonderful job. Though quite popular in Europe, he is sadly under-appreciated in the U.S. I can't honestly say that his portrayal was dead on (so to speak) because I haven't read any of the books the character appears in, but I thought he was quite good. (Another one that is good-looking, ladies.)
Akasha, unfortunately, displays very few emotions, so Aaliyah didn't get a chance to really showcase her acting talents in her final performance, but she did play the evil vampire convincingly. Since she was said to be quite pleasant in real life, I'd say her performance was excellent.
Most of the remaining cast were also enjoyable, if not impressive in their performances.
There are also interesting special effects.
I loved this movie.
If nothing else, you should at least check out the soundtrack. The songs are well penned and preformed by a number of talented musicians. My advice? At least give this movie a chance. Despite the bad reviews, you may find yourself pleasantly surprised.
I had 3 hours to kill so I went to the nearest movie theatre and saw this movie. i was blown away by the beautiful (music video-like) artistry. I really hate scary movies, but this was focused more on the actual characters, rather then effects. the story played out like poetry, taking emotions of love, hate, and hope, and peace, to a whole new level, with characters that pull you in to their world.
I honestly did like "Queen of the Damned", despite it going on more of a MTV twist and not being faithful to the novels, come on. It was just a good movie for horror fans. I felt that it had good ideas and worked pretty well. With some new coming actors and a sexy performance of Aaliyah, the film really couldn't go wrong.
We have a new Lestat, Stewart Townsend, who is just now starting to be more noticed from his last film with Kate Hudsen "About Adam". A lot of people were disappointed that Tom Cruise did not reprise his role, but to be honest as much as Tom did a great job, he couldn't have fit this time into the Rock -N- Roll Lestat. Stewart captured that sexiness and that sleek look of cockiness that was just perfect. All though yes, I didn't really like the romantic side the director took on him, he's still one of our favorite vampires.
Aaliyah, no, she didn't have the look of Akasha, Queen of all that is damned. But she did a good job and was so incredibly beautiful. Her tragic death had just happened before they released "Queen of the Damend" into theaters, RIP! This movie captured her beauty and talent very well. She was so sleek and just sexy during her dancing scene in the pub with the other vamps before her massacre.
There was one very bothersome actress, the one who played Jesse. She did so badly! Her lines, were, she just... gah! She was horrible, you'll have to trust me on that. Otherwise, I think you'll enjoy it, please! Don't compare the book, I like to say to people that if you want the book, read the book. This is a movie and it's not always going to be faithful, it just wanted a hipper look for a younger audience. Yes, of course the books are better, but if you're just looking for a fun horror flick, I'd recommend.
8/10
We have a new Lestat, Stewart Townsend, who is just now starting to be more noticed from his last film with Kate Hudsen "About Adam". A lot of people were disappointed that Tom Cruise did not reprise his role, but to be honest as much as Tom did a great job, he couldn't have fit this time into the Rock -N- Roll Lestat. Stewart captured that sexiness and that sleek look of cockiness that was just perfect. All though yes, I didn't really like the romantic side the director took on him, he's still one of our favorite vampires.
Aaliyah, no, she didn't have the look of Akasha, Queen of all that is damned. But she did a good job and was so incredibly beautiful. Her tragic death had just happened before they released "Queen of the Damend" into theaters, RIP! This movie captured her beauty and talent very well. She was so sleek and just sexy during her dancing scene in the pub with the other vamps before her massacre.
There was one very bothersome actress, the one who played Jesse. She did so badly! Her lines, were, she just... gah! She was horrible, you'll have to trust me on that. Otherwise, I think you'll enjoy it, please! Don't compare the book, I like to say to people that if you want the book, read the book. This is a movie and it's not always going to be faithful, it just wanted a hipper look for a younger audience. Yes, of course the books are better, but if you're just looking for a fun horror flick, I'd recommend.
8/10
If vampire tales are your cup of blood, then this Goth-fest based on the Anne Rice Vampire Chronicles should prove to be a satisfying experience. A veritable consortium of the undead in a contemporary setting, `Queen of the Damned,' directed by Michael Rymer, is a story of shadows and darkness, and of the unfortunate souls who dwell therein for eternity.
The vampire Lestat (Stuart Townsend), bored with a world that no longer excites him, has been `asleep' for many years; but suddenly, the sounds of that world he hears from his extended slumber change, and liking what he hears, he ventures forth to investigate. What he finds is a world filled with new sounds, a new kind of music-- driving and penetrating-- sounds that assault the senses and make him feel alive and welcome. And he knows that at long last his time has come, that it is time for him and those like him to come out into the open and face the world on their terms. Toward that end he becomes the front man for a band-- a singer and performer unlike any the world has ever known. He presents himself as a vampire, and very quickly amasses a following that extends far beyond London (where it all begins), and will ultimately take him to Death Valley, California, where he plans to give a concert that promises to be beyond anything anyone has ever seen or experienced.
Lestat is powerful, without question, but there are those of his kind who do not take favorably to the fact that he has revealed them, one of whom is Marius (Vincent Perez), a vampire powerful in his own right-- the vampire, in fact, who `made' Lestat so many years before-- and they are gathering, coming together and making their plans to meet Lestat at the concert. And they are not going for the music. But there is something else, as well: At one point Lestat has inadvertently awakened the `Mother' of them all, the most powerful of all the vampires, Akasha (Aaliyah), who is about to make her presence known to all, and especially to the one she has chosen to rule by her side as her King: Lestat. And at the concert, rest assured, Akasha will be in attendance, without fail.
Make no mistake, this is Lestat's story, and Rymer presents it amid a setting rich with atmosphere and with some exquisite moments, though his film has less bite to it than say, `Interview With the Vampire,' or `Bram Stoker's Dracula.' He sets a good pace, and there are some scenes that provide some real thrills, but overall the film isn't as soaked in menace as it could be, or as much as one might expect. In the final tally, in fact, the amount of flesh that is incinerated wins out over actual blood-letting, though there is more than a taste of gore, and more than a fair share of lips and mouths dripping with the red stuff. There's some good F/X on hand, too, especially in the sequences that accentuate the speed of the vampires, as they move and hurtle through the air faster than the naked eye can discern. It's a decent job by Rymer, but he could have put more teeth into it had he played up the alienation hinted at by Lestat; as it is, you get a sense of his detachment, but not enough to get you totally involved.
In `Interview With the Vampire,' Tom Cruise brought some charismatic star power to the role of Lestat, but Townsend is even more effective, with a look and an attitude that captures Lestat perfectly. He plays him with a sense of acceptance, and under closer scrutiny you may even find a hint of remorse and longing. It's a good performance, and one that sells his character convincingly.
As Marius, Vincent Perez does a nice job, too-- he is, in fact, one of the strengths of the film-- though his character is a bit ambiguous; that, however, has more to do with the way he was written than with Perez's performance, which is quite good.
Turning in noteworthy performances, as well, are Marguerite Moreau, as Jesse, a young woman too curious for her own good; and the gorgeous Lena Olin as Maharet, Jesse's Aunt, who ultimately plays a pivotal role in the outcome of the drama involving Lestat and Akasha.
And as Akasha, Aaliyah is an absolutely riveting presence. What more can one say about her other than she is a gifted performer, with tremendous talent and beauty. And, tragically, she has left us much too soon.
The supporting cast includes Paul McGann (David), Christian Manon (Mael), Claudia Black (Pandora), Bruce Spence (Khayman), Matthew Newton (Armand), Tiriel Mora (Roger) and Megan Dorman (Maudy). With a much stronger story than the usual offerings of this particular genre, Anne Rice fans, especially, will be pleased with `Queen of the Damned,' a film nicely crafted and delivered by director Rymer and his engaging cast. By focusing attention on the drama of the story-- and the way it's presented-- rather than concentrating on merely providing some cheap thrills, Rymer has succeeded in turning out a true horror film that is definitely a cut above, and one that just may whet your appetite for more of the same. And that's the magic of the movies. I rate this one 7/10.
The vampire Lestat (Stuart Townsend), bored with a world that no longer excites him, has been `asleep' for many years; but suddenly, the sounds of that world he hears from his extended slumber change, and liking what he hears, he ventures forth to investigate. What he finds is a world filled with new sounds, a new kind of music-- driving and penetrating-- sounds that assault the senses and make him feel alive and welcome. And he knows that at long last his time has come, that it is time for him and those like him to come out into the open and face the world on their terms. Toward that end he becomes the front man for a band-- a singer and performer unlike any the world has ever known. He presents himself as a vampire, and very quickly amasses a following that extends far beyond London (where it all begins), and will ultimately take him to Death Valley, California, where he plans to give a concert that promises to be beyond anything anyone has ever seen or experienced.
Lestat is powerful, without question, but there are those of his kind who do not take favorably to the fact that he has revealed them, one of whom is Marius (Vincent Perez), a vampire powerful in his own right-- the vampire, in fact, who `made' Lestat so many years before-- and they are gathering, coming together and making their plans to meet Lestat at the concert. And they are not going for the music. But there is something else, as well: At one point Lestat has inadvertently awakened the `Mother' of them all, the most powerful of all the vampires, Akasha (Aaliyah), who is about to make her presence known to all, and especially to the one she has chosen to rule by her side as her King: Lestat. And at the concert, rest assured, Akasha will be in attendance, without fail.
Make no mistake, this is Lestat's story, and Rymer presents it amid a setting rich with atmosphere and with some exquisite moments, though his film has less bite to it than say, `Interview With the Vampire,' or `Bram Stoker's Dracula.' He sets a good pace, and there are some scenes that provide some real thrills, but overall the film isn't as soaked in menace as it could be, or as much as one might expect. In the final tally, in fact, the amount of flesh that is incinerated wins out over actual blood-letting, though there is more than a taste of gore, and more than a fair share of lips and mouths dripping with the red stuff. There's some good F/X on hand, too, especially in the sequences that accentuate the speed of the vampires, as they move and hurtle through the air faster than the naked eye can discern. It's a decent job by Rymer, but he could have put more teeth into it had he played up the alienation hinted at by Lestat; as it is, you get a sense of his detachment, but not enough to get you totally involved.
In `Interview With the Vampire,' Tom Cruise brought some charismatic star power to the role of Lestat, but Townsend is even more effective, with a look and an attitude that captures Lestat perfectly. He plays him with a sense of acceptance, and under closer scrutiny you may even find a hint of remorse and longing. It's a good performance, and one that sells his character convincingly.
As Marius, Vincent Perez does a nice job, too-- he is, in fact, one of the strengths of the film-- though his character is a bit ambiguous; that, however, has more to do with the way he was written than with Perez's performance, which is quite good.
Turning in noteworthy performances, as well, are Marguerite Moreau, as Jesse, a young woman too curious for her own good; and the gorgeous Lena Olin as Maharet, Jesse's Aunt, who ultimately plays a pivotal role in the outcome of the drama involving Lestat and Akasha.
And as Akasha, Aaliyah is an absolutely riveting presence. What more can one say about her other than she is a gifted performer, with tremendous talent and beauty. And, tragically, she has left us much too soon.
The supporting cast includes Paul McGann (David), Christian Manon (Mael), Claudia Black (Pandora), Bruce Spence (Khayman), Matthew Newton (Armand), Tiriel Mora (Roger) and Megan Dorman (Maudy). With a much stronger story than the usual offerings of this particular genre, Anne Rice fans, especially, will be pleased with `Queen of the Damned,' a film nicely crafted and delivered by director Rymer and his engaging cast. By focusing attention on the drama of the story-- and the way it's presented-- rather than concentrating on merely providing some cheap thrills, Rymer has succeeded in turning out a true horror film that is definitely a cut above, and one that just may whet your appetite for more of the same. And that's the magic of the movies. I rate this one 7/10.
Combining The Vampire Lestat and the Queen of the Damned novels into one screenplay was, ahem, damned to suffer massive story cuts because of the intricate and detailed background of a dozen or so characters involved. The amount of detail always was the strength of the Vampire Chronicles, in my opinion, and they were certainly worth the read.
That said, the question remains, without the detail and extra characters, can the basic story of Lestat's re-awakening of the Queen of all vampires be entertaining and sufficient enough to sustain itself? While I can not answer the question with a glowing appraisal, I will certainly admit that it did a decent job of combining all of the basic elements into a stand alone movie. The fact that this movie can stand on it's own without any ties to the prequel, Interview with the Vampire, is one of it's assets. You do not need any fore-knowledge of the characters, books, or prequel movie in order to watch this.
Even though it fits into it's own little package does not mean it was packed very well. There were some plot holes, some of which could have been filled by simply restoring the "Ancients" scenes that were on the dvd. I understand, as the dvd points out, that they were left out because it introduced another subplot and characters that would add unnecessary confusion. While I agree with their reasoning, I do think they should have somehow salvaged the scene so that while the introductions of the ancients would have been left out, Maharet's few lines about Akasha's reign of destruction and the vampire's responsibility should have remained. They would have added a needed sense of urgency and motivation that would have made the final confrontation with Akasha and the ancients a bit more reasonable and satisfying.
The character of Jessie is supposed to be the human link for the viewer to empathize through as they are taken into the world of vampires. In some scenes, this works adequately, but on the whole, Jessie's motivations, while they are explained, seem kind of empty. I am not sure if I can fault the actress or script, but when the movie was over, I still felt ambivalent about the character's experiences.
There were other elements that were not as fleshed out as they could be. The paranormal Talamasca needed a bit more background about their vampire tracking as did the character of Maharet and her family tree. Like Jessie, they were given some explanation, but I think a couple more lines of dialogue would have helped.
As I mentioned, the movie did a decent job of the basic story, but massive changes were made from the source material. Characters were dropped completely, or merged together, and huge sections of character history were removed. Most notably, Lestat's history is extremely compacted and revised. Nonetheless, there are some things that remained that I thought were done pretty well. The character of Lestat in this picture is rebellious and reckless which is more true to the character than he was portrayed in Interview. Lestat's re-awakening and concert scenes were exactly like I had envisioned when I originally read the book. The character of Akasha was also as I pictured and a very good casting choice.
If you are a fan of the books, and you need the twins, Gabriel, Magnus, and crew, you are going to have difficulty sitting through this. If, on the other hand, you can set that aside and view this as a vampire movie of it's own, unrelated to the chronicles, you will probably enjoy this for the stand-alone vampire flick that it is.
In summary, worth the rental.
That said, the question remains, without the detail and extra characters, can the basic story of Lestat's re-awakening of the Queen of all vampires be entertaining and sufficient enough to sustain itself? While I can not answer the question with a glowing appraisal, I will certainly admit that it did a decent job of combining all of the basic elements into a stand alone movie. The fact that this movie can stand on it's own without any ties to the prequel, Interview with the Vampire, is one of it's assets. You do not need any fore-knowledge of the characters, books, or prequel movie in order to watch this.
Even though it fits into it's own little package does not mean it was packed very well. There were some plot holes, some of which could have been filled by simply restoring the "Ancients" scenes that were on the dvd. I understand, as the dvd points out, that they were left out because it introduced another subplot and characters that would add unnecessary confusion. While I agree with their reasoning, I do think they should have somehow salvaged the scene so that while the introductions of the ancients would have been left out, Maharet's few lines about Akasha's reign of destruction and the vampire's responsibility should have remained. They would have added a needed sense of urgency and motivation that would have made the final confrontation with Akasha and the ancients a bit more reasonable and satisfying.
The character of Jessie is supposed to be the human link for the viewer to empathize through as they are taken into the world of vampires. In some scenes, this works adequately, but on the whole, Jessie's motivations, while they are explained, seem kind of empty. I am not sure if I can fault the actress or script, but when the movie was over, I still felt ambivalent about the character's experiences.
There were other elements that were not as fleshed out as they could be. The paranormal Talamasca needed a bit more background about their vampire tracking as did the character of Maharet and her family tree. Like Jessie, they were given some explanation, but I think a couple more lines of dialogue would have helped.
As I mentioned, the movie did a decent job of the basic story, but massive changes were made from the source material. Characters were dropped completely, or merged together, and huge sections of character history were removed. Most notably, Lestat's history is extremely compacted and revised. Nonetheless, there are some things that remained that I thought were done pretty well. The character of Lestat in this picture is rebellious and reckless which is more true to the character than he was portrayed in Interview. Lestat's re-awakening and concert scenes were exactly like I had envisioned when I originally read the book. The character of Akasha was also as I pictured and a very good casting choice.
If you are a fan of the books, and you need the twins, Gabriel, Magnus, and crew, you are going to have difficulty sitting through this. If, on the other hand, you can set that aside and view this as a vampire movie of it's own, unrelated to the chronicles, you will probably enjoy this for the stand-alone vampire flick that it is.
In summary, worth the rental.
Did you know
- TriviaAaliyah died in a plane crash shortly after principal photography was completed but had not yet actually performed any ADR redubbing for her character. Michael Rymer called in Aaliyah's brother, Rashad Haughton, to help with overdubbing her voice following her death due to their similar voices, special vocal technology was also used to make his voice sound more feminine.
- Goofs(at around 16 mins) The passage that Jesse cites, which tipped her off about Lestat being a real vampire, is not actually part of the song used in the film.
- Alternate versionsDVD release includes full unedited versions of Lestat's music videos for "Redeemer," "Forsaken" and "System", and Lestat's full concert performances for "Not Meant For Me" and "Slept So Long". DVD also features deleted scenes:
- "Original Opening Sequence with Timelapse" - The idea of this opening scene was to show the passing of the decades to which Lestat slept. However, the production team was not pleased with the prelimenary visuals created for the scene, and ultimately, decided to skip the scene altogether.
- "Original Jesse Dream Sequence and Meeting Roommate on the Street" - Jesse's encounter with a vampire in her dream was cut due to the fact that it raised too many questions as to wether Jesse herself was a vampire. The roommate scene, featuring Pia Miranda, came right after she watched Lestat on MTV, and before the first visit to the Admiral's Arms. It was deemed expendable.
- "Marius talks with Lestat on the Beach" - The scene was trimmed to improve pacing. In it Marius tells Lestat that what keeps him going is seeing what human beings are going to do next.
- "Jesse goes to Admiral's Arms #1" - The filmmakers shot a scene where Jesse visits the Admiral's Arms prior to her Talamasca presentation, but cut for pacing purposes. In it we just see Jesse getting off the subway and then walking down a dark alley towards the Admiral's Arms. Footage of vampires entering the Admiral's Arms is used later in the film when Jesse returns for a second visit.
- "Band Plays in Admiral's Arms" - The instrumentalists are a who's who of Australian alternative rock. Aimee Nash is a rising young actress and singer. Robin Casinader composed the music. Although the filmmakers loved every second of the footage, they knew they couldn't show much of it in the movie, again because of pacing and timing.
- "Groupies with 'Garlic' End" - This scene was cut because the garlic joke was thought to be tonally off. In it, after Lestat's manager, Roger, brings him two groupies Lestat discovers garlic in Roger's coat pocket.
- "Jesse on Plane, Lestat in L.A. Mansion, Jesse Dreams of Akasha, Band Watching Videos" - The filmmaker's dropped the scene of Jesse's flight to Los Angeles because they weren't satisfied with the shock dream, featuring Akasha's attack on Jesse. Meanwhile, the scene with the band was trimmed because the filmmakers decided it didn't make much sense to dwell on them here.
- "The Ancients Rise" - The scene was originally part of Lestat's satellite dish montage. It was cut as a part of the overall de-emphasis of the Ancients.
- "Ancients at Hollywood Sign" - The Ancients storyline was reduced during the course of production because filmmakers felt that there were too many conflicting vampire agendas in the movie. In the final cut of the film, the Ancients are more in the background, and simply serve as allies of Maharet and Marius. In this scene we are introduced to Pandora, Armand, Mael, Khayman and Maharet as they first approach Marius next to the Hollywood sign, and we are given some insight into their relationships with each other. In this scene we hear a line that was used in the trailers, Khayman says "Akasha takes pleasure in only one thing: Destroying life."
- "Akasha Dances" - Basically an extended version of the scene where Akasha kills all the vampires at the Admiral's Arms. Despite the fact that the filmmakers loved every second of Akasha's original dance as well as her closing words to Lestat, this scene was trimmed to heighten tension. In this scene Akasha speaks the famous line which was used in the trailers, "Lestat. Come out, come out, wherever you are."
- "L.A. Mansion, Jesse Talks with Lestat, Extended Flying Sequence" - The filmmakers felt the dialogue between Jesse and Lestat was unnecessarily long, and tightened it considerably by cutting out a part where Jesse tells Lestat about her dreams. However, they regret trimming the flying sequence, as it establishes a suitably romantic mood.
- "Jesse Writes her Aunt and Goes to the Concert" - Originally, Jesse was abducted by Mael at Griffith Park after her encounter with Lestat, and taken to Maharet. After their conversation, Jesse writes a farewell note, and goes to the concert. The scene where Jesse first meets up with Maharet now plays after the concert. After Jesse writes the note she goes out into a desert highway and hitches a ride with some friendly goths on their way to Lestat's concert.
- "Band Backstage at Concert, Jesse Walks Through Crowd, Ancients Watch" An extended version of the scene where Jesse arrives at the concert where we see the band hanging out backstage as the Ancients arrive in search of Jesse. As the Ancients watch the partying concert-goers, Khayman notes "Akasha will not be able to resist this."
- SoundtracksForsaken
Written and Produced by Jonathan Davis and Richard Gibbs
Performed by Jonathan Davis
Double Violin and Vocal Improvisation by Shenkar
Jonathan Davis appears courtesy of Epic Records
Shankar appears courtesy of 15 Records
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- La reina de los condenados
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $30,336,800
- Opening weekend US & Canada
- $14,757,535
- Feb 24, 2002
- Gross worldwide
- $45,479,110
- Runtime1 hour 41 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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