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Bridget Jones's Diary (2001)

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A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary.

Director:

Sharon Maguire

Writers:

Helen Fielding (novel), Helen Fielding (screenplay) | 2 more credits »
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Popularity
1,784 ( 469)
Nominated for 1 Oscar. Another 8 wins & 29 nominations. See more awards »

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Cast

Cast overview, first billed only:
Renée Zellweger ... Bridget Jones
Gemma Jones ... Bridget's Mum
Celia Imrie ... Una Alconbury
James Faulkner ... Uncle Geoffrey
Jim Broadbent ... Bridget's Dad
Colin Firth ... Mark Darcy
Charmian May Charmian May ... Mrs. Darcy
Hugh Grant ... Daniel Cleaver
Paul Brooke ... Mr. Fitzherbert
Felicity Montagu ... Perpetua
Shirley Henderson ... Jude
Sally Phillips ... Shazza
James Callis ... Tom
Charlie Caine Charlie Caine ... Handsome Stranger
Gareth Marks Gareth Marks ... Simon in Marketing
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Storyline

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance who Bridget cannot seem to stop running into or help finding quietly attractive. Written by Anuja Varghese <anujav@excite.com>

Plot Summary | Plot Synopsis

Taglines:

All Women Keep Score... Only The Great Ones Put It In Writing. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some strong sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | France | USA

Language:

English

Release Date:

13 April 2001 (USA) See more »

Also Known As:

El diario de Bridget Jones See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$10,733,933, 15 April 2001

Gross USA:

$71,543,427

Cumulative Worldwide Gross:

$281,929,795
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Salman Rushdie's cameo came about by total fluke. Old friend (the movie's author) Helen Fielding called him up and asked, "How would you like to make a fool of yourself?" See more »

Goofs

When Bridget stumbles off the exercise bike, a reflection of the boom operator and his boom mic is visible in the mirror. See more »

Quotes

Bridget: Look, are you and Cosmo in on this together? Because every time I see you, you seem to go out of your way to make me feel like a *complete* idiot. And you really needn't bother: I already feel like an idiot most of the time anyway - with or without the fireman's pole.
See more »

Crazy Credits

During the end credits, we see footage of a home movie taken during a birthday party, which also happens to be the birthday party that both Bridget and Mark are at that is referred to several times during the movie. See more »

Alternate Versions

The UK version had the word "Careful, you ham-fisted c*nt" re-voiced as "Careful, you ham-fisted cow", to avoid an 18 certificate. However, oddly enough, the original line can clearly be heard on the director's audio commentary track of the UK DVD. See more »

Connections

Referenced in The Gruen Transfer: Sports Betting (2011) See more »

Soundtracks

Without You
Written by Pete Ham (as Ham) and Tom Evans (as Evans)
Performed by Renée Zellweger
See more »

Frequently Asked Questions

See more »

User Reviews

 
Disappointing and contrived
18 April 2001 | by secordmanSee all my reviews

Don't get me wrong, I enjoyed the performances of Hugh Grant and Colin Firth, and Renee Zellwegger more than held her own in the lead role. I just thought the film a bit on the silly side, and many situations were contrived. It could have been a comedy with some depth to it, but there were too many stock Hollywood sequences like a fight breaking out with the restaurant windows breaking and cliches like that. The music didn't fit well, it seemed too obvious that they were trying to sell the soundtrack. (I know, what else is new?) The Pride and Prejudice parallel is really thin, see the BBC Pride and Prejudice with Colin Firth if you want to see the real thing.


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