Directed by
| Richard Glatzer | ||
| Wash Westmoreland | ... | (as Wash West) |
Writing Credits
| Wash Westmoreland | ... | (as Wash West) |
Cast (in credits order)
Produced by
| Dennis Gilbert | ... | associate producer |
| Rose Kuo | ... | executive producer |
| Victoria Robinson | ... | producer |
| Pat Scanlon | ... | line producer |
| Sue Simon | ... | associate producer |
| Gill Sperlein | ... | associate producer |
| John Sylla | ... | producer (as John R. Sylla) |
Music by
| John Vaughn | ||
| Micko Westmoreland | ... | (as The Bowling Green) |
Cinematography by
| Mark Putnam | ... | director of photography |
Editing by
| John Binninger | ||
Casting By
| Elisabeth Jereski | ||
Production Design by
| Devorah Herbert | ||
Art Direction by
| Mark Helmuth | ||
Set Decoration by
| Gill Sperlein | ||
Costume Design by
| Gitte Meldgaard | ||
Makeup Department
| Rob Rumsey | ... | assistant makeup artist |
| Dimas Vasquez | ... | makeup artist |
Production Management
| Ross Guidici | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Rayne Knudson | ... | first assistant director |
| Brad Robinson | ... | second assistant director |
| Chris Young | ... | second second assistant director |
Art Department
| Phillip Clarke | ... | assistant art director |
| Bill Kelley | ... | assistant property master |
| Sarah Keough | ... | art production assistant |
| Ralph McGinnis | ... | art production assistant |
| John Owen | ... | property master |
| Stephanie Sapienza | ... | art intern |
| Matthew Starkey | ... | lead person |
| Donovan Whittemore | ... | storyboard artist |
Sound Department
| Mandy Allen | ... | assistant sound supervisor / foley artist |
| Alicia Francis | ... | additional boom operator |
| Lawrence Fried | ... | additional sound mixer |
| Bob Goold | ... | dialogue editor |
| Dennis Grzesik | ... | sound mixer |
| Jim Henderson | ... | post-production sound |
| Jeff Layton | ... | sound effects editor |
| Ken Novak | ... | re-recording mixer / sound supervisor |
| Michael Perricone | ... | post-production sound |
| Chris Philp | ... | adr mixer / foley mixer / sound effects editor |
| Mark A. Rozett | ... | re-recording mixer / supervising sound editor |
| Stacey A. Washer | ... | boom operator |
Camera and Electrical Department
| Tarin Anderson | ... | additional electrician |
| Greg Cloud | ... | still photographer |
| Kyle Coventry | ... | grip |
| David Delgado | ... | electrician |
| Olivier Desplat | ... | electrician |
| Vincent Dow | ... | gaffer |
| Hank Fischer | ... | additional best boy electric (as Charles H. Fischer) |
| Michael E. Gonzales | ... | first assistant camera |
| Piers Hanmer | ... | still photographer |
| Timothy Horsley | ... | electrician |
| Joel Ides | ... | grip |
| Thomas Kuo | ... | additional grip |
| Ralph Lake | ... | camera loader |
| Eric Mas | ... | still photographer |
| David William McDonald | ... | second assistant camera |
| Matthew Pearce | ... | assistant camera: second unit |
| Diego Quemada-Diez | ... | additional camera operator (as Diego Quemada) / director of photography: second unit (as Diego Quemada) |
| Rod Reyes | ... | best boy grip |
| Sean Takaki | ... | grip |
| Todd Wade | ... | best boy electric |
| Jonathan Wenstrup | ... | gaffer: second unit |
| Matt Wilbur | ... | key grip (as Matthew Wilbur) |
| Terry Kramer | ... | electrician (uncredited) |
Costume and Wardrobe Department
| Nick Dawe | ... | wardrobe assistant |
| Bethany Ritz | ... | wardrobe supervisor |
Editorial Department
| Michael Hatzer | ... | color timer |
| Lara Mazzawi | ... | assistant editor |
| Geraldine Peroni | ... | editorial consultant |
| Martha Savelio | ... | telecine operator |
Location Management
| Ian Root | ... | location manager |
Music Department
| Bobby Lavelle | ... | music consultant (as Bobby LaVelle) |
Script and Continuity Department
| Sharyn Bamber | ... | additional script supervisor |
| Trisha Burton | ... | script supervisor |
| Barry L. Caldwell | ... | additional script supervisor |
Transportation Department
| Carlos M. Serrano | ... | driver: honeywagon |
Additional Crew
| Lawrence L. Artis | ... | security officer |
| Paula Chudd | ... | production assistant |
| Katherine Connella | ... | voice |
| Mickey Cottrell | ... | set publicist |
| John Curtis | ... | production legal counsel (as John F. Curtis Esq.) |
| Margaret Ekiring | ... | set intern |
| Heather Fucinari | ... | set intern |
| Bob Gallagher | ... | stage director |
| Cindy Garcia | ... | craft service |
| Nicole Goodwin | ... | key set production assistant |
| Amy Gross | ... | assistant production coordinator |
| Eric Handel | ... | title designer |
| Tim Honiball | ... | set production assistant |
| Matt Howell | ... | set production assistant |
| Vickie M. Hsieh | ... | production coordinator |
| Selene Luna | ... | production coordinator: Mexico |
| Jason Rein | ... | set production assistant |
| John Sylla | ... | story developer |
| Mike Szymanski | ... | unit publicist |
Thanks
| Bruce R. Anderson | ... | special thanks |
| Chris Belden | ... | special thanks |
| Peter Bryson | ... | special thanks |
| Michael Childers | ... | thanks |
| Anthony Cianciolo | ... | special thanks |
| Dan Cross | ... | special thanks |
| Bob East | ... | special thanks |
| Rick Ford | ... | special thanks |
| Kevin Glover | ... | special thanks |
| Blake Harper | ... | thanks |
| Todd Haynes | ... | thanks |
| Michael Knight | ... | thanks |
| Eva Kolodner | ... | special thanks |
| Ké | ... | thanks |
| Nicole LaLoggia | ... | special thanks |
| Thomas Lloyd | ... | thanks |
| Jack Simmons | ... | thanks |
| John Simon | ... | special thanks |
| Mickey Skee | ... | special thanks |
| Jim Steel | ... | thanks |
| David Winters | ... | special thanks |
