IMDb RATING
7.4/10
6.7K
YOUR RATING
Various women struggle to function in the oppressively sexist society of contemporary Iran.Various women struggle to function in the oppressively sexist society of contemporary Iran.Various women struggle to function in the oppressively sexist society of contemporary Iran.
- Awards
- 12 wins & 7 nominations
Maryiam Palvin Almani
- Arezou
- (as Maryam Parvin Almani)
Fereshteh Sadre Orafaiy
- Pari
- (as Fereshteh Sadr Orafai)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPanahi adopted a different camera style to depict each of the four main protagonists' lives. For the first, an idealistic woman he used a handheld camera. For the second woman, the camera is mounted on a constantly moving dolly. The third woman's story is told at night in darker outside, and the camera is static with pans and tight close ups. For the last, least optimistic woman both the camera and the woman are completely immobile and very little sound is used.
- ConnectionsFeatured in Cinema Iran (2005)
Featured review
Not much I can say that hasn't been said before, but I wanted to say it anyway.
While reading the various interviews with Jafar Panahi concerning his latest film "The Circle", I noticed that he always stresses the fact that his film is not a feminist film, but a humanist film. I'm reminded of the times I've been in a political conversation with someone and they've said "I'm no feminist but..." and then said something in defense of women's rights. Well, whether he intended it or not, Panahi has made a feminist film, because after all, feminism in its most basic form has nothing to do with hating men, but is merely a desire for the fair and equal treatment of women, and equal human rights is of course a cornerstone of humanism. I'm no scholar (and that I can say in all honesty) but yes, I would say I'm a feminist. I've never been on a march, and I've never read the works of any great feminist theorists, but to the core of my soul I believe in the equal and fair treatment of women, and if that doesn't make me a feminist I don't know what does.
Of course, all this discussion about feminism wouldn't matter if "The Circle" wasn't such a strong film. Panahi's film, almost universally praised, will receive no negative criticism here either. His use of narrative (most reviews compare the narrative style to "La Ronde" [1950], but I suppose comparisons could be made with "The Phantom of Liberty" [1974] and "Slacker" [1990], for that matter) might be perceived by some rob the characters of their individuality, but of course that is part of the point. In Iran today women are all grouped together, Panahi is saying, and they are seen as no more that a collective problem for men to deal with. Ultimately, there is nothing I can say about this film that hasn't been said before, but I wanted a chance to express my appreciation for this extraordinary myself.
Of course, all this discussion about feminism wouldn't matter if "The Circle" wasn't such a strong film. Panahi's film, almost universally praised, will receive no negative criticism here either. His use of narrative (most reviews compare the narrative style to "La Ronde" [1950], but I suppose comparisons could be made with "The Phantom of Liberty" [1974] and "Slacker" [1990], for that matter) might be perceived by some rob the characters of their individuality, but of course that is part of the point. In Iran today women are all grouped together, Panahi is saying, and they are seen as no more that a collective problem for men to deal with. Ultimately, there is nothing I can say about this film that hasn't been said before, but I wanted a chance to express my appreciation for this extraordinary myself.
helpful•275
- kamerad
- Jan 16, 2003
- How long is The Circle?Powered by Alexa
Details
Box office
- Budget
- $10,000 (estimated)
- Gross US & Canada
- $440,554
- Gross worldwide
- $756,035
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