As can be glimpsed from his study bookcase, Patrick Glover's bibliography includes "The Swizzlestick Murders", "Solo Fiddle", "Matricide in Macao", "Hot Line", "Rod of Anger", "The Corpse", "Mopery in Memphis" and "The Naked Fandango".
Studio scenes were shot using the "Multivista" multi-camera set-up, one of several shoot-and-edit systems of the period, designed for quicker and more economical production and post-production. 35mm film cameras with large reels and electronic viewfinders were cut "live" by a vision mixer in the manner of a TV show. The footage was then assembled by an editor with the shot selection and cut points having effectively been predefined.
In full, the crime writer's name is Patrick Goldsworthy Sitwell Glover.
Final film of Lola Morice.