digital image, courtesy of The Museum of Modern Art
The Museum of Modern Art has unveiled its film exhibition line-up for the Summer, with key retrospectives planned for Kathryn Bigelow (June 1 – August 13) and Euzhan Palcy (May 18-30).
While Palcy isn’t quite the household name, her filmography focuses acutely on life and its big ticket issues through a feministic lens. Palcy’s major works include the Venice Film Festival award-winning “A Dry White Season” (1989) and the Attica prison uprising flick, “The Killing Yard” (2001).
Bigelow, of course, took home Best Director and Best Picture honors for “The Hurt Locker,” and has worked with leading talent throughout her career. While Palcy’s work sees life from a feminist perspective, there is no doubt that Bigelow’s work (“Point Break,” “Strange Days,” “K-19: The Widowmaker,” “Blue Steel”) balances the scale, often involving doses of testosterone to rival anyone in her explosive industry.
Adding...
The Museum of Modern Art has unveiled its film exhibition line-up for the Summer, with key retrospectives planned for Kathryn Bigelow (June 1 – August 13) and Euzhan Palcy (May 18-30).
While Palcy isn’t quite the household name, her filmography focuses acutely on life and its big ticket issues through a feministic lens. Palcy’s major works include the Venice Film Festival award-winning “A Dry White Season” (1989) and the Attica prison uprising flick, “The Killing Yard” (2001).
Bigelow, of course, took home Best Director and Best Picture honors for “The Hurt Locker,” and has worked with leading talent throughout her career. While Palcy’s work sees life from a feminist perspective, there is no doubt that Bigelow’s work (“Point Break,” “Strange Days,” “K-19: The Widowmaker,” “Blue Steel”) balances the scale, often involving doses of testosterone to rival anyone in her explosive industry.
Adding...
- 4/6/2011
- by admin
- Moving Pictures Network
digital image, courtesy of The Museum of Modern Art
The Museum of Modern Art has unveiled its film exhibition line-up for the Summer, with key retrospectives planned for Kathryn Bigelow (June 1 – August 13) and Euzhan Palcy (May 18-30).
While Palcy isn’t quite the household name, her filmography focuses acutely on life and its big ticket issues through a feministic lens. Palcy’s major works include the Venice Film Festival award-winning “A Dry White Season” (1989) and the Attica prison uprising flick, “The Killing Yard” (2001).
Bigelow, of course, took home Best Director and Best Picture honors for “The Hurt Locker,” and has worked with leading talent throughout her career. While Palcy’s work sees life from a feminist perspective, there is no doubt that Bigelow’s work (“Point Break,” “Strange Days,” “K-19: The Widowmaker,” “Blue Steel”) balances the scale, often involving doses of testosterone to rival anyone in her explosive industry.
Adding...
The Museum of Modern Art has unveiled its film exhibition line-up for the Summer, with key retrospectives planned for Kathryn Bigelow (June 1 – August 13) and Euzhan Palcy (May 18-30).
While Palcy isn’t quite the household name, her filmography focuses acutely on life and its big ticket issues through a feministic lens. Palcy’s major works include the Venice Film Festival award-winning “A Dry White Season” (1989) and the Attica prison uprising flick, “The Killing Yard” (2001).
Bigelow, of course, took home Best Director and Best Picture honors for “The Hurt Locker,” and has worked with leading talent throughout her career. While Palcy’s work sees life from a feminist perspective, there is no doubt that Bigelow’s work (“Point Break,” “Strange Days,” “K-19: The Widowmaker,” “Blue Steel”) balances the scale, often involving doses of testosterone to rival anyone in her explosive industry.
Adding...
- 4/6/2011
- by admin
- Moving Pictures Magazine
Boy MoMA (The Museum Of Modern Art) here in New York City is really tugging at this writer’s heartstrings…
It was about a month or so ago when I had a conversation with some acquaintances centered on what black filmmakers we’d love to see retrospectives of their work programmed locally. Two names that were mentioned, amongst several others, were Charles Burnett, and Euzhan Palcy.
Earlier this month, we alerted you (and continue to alert you) to MoMA’s recently announced Charles Burnett retrospective, which happens next month; this evening, I learned that Euzhan Palcy will also be fetted with the same honor, in what will be the first USA retrospective of Palcy’s work ever, which will run from May 18 – 30.
Included in this retro will be a newly restored print of her 1983 Venice Film Festival Silver Lion award-winner, Rue Cases-Nègres (Sugar Cane Alley). And that, ladies and gents,...
It was about a month or so ago when I had a conversation with some acquaintances centered on what black filmmakers we’d love to see retrospectives of their work programmed locally. Two names that were mentioned, amongst several others, were Charles Burnett, and Euzhan Palcy.
Earlier this month, we alerted you (and continue to alert you) to MoMA’s recently announced Charles Burnett retrospective, which happens next month; this evening, I learned that Euzhan Palcy will also be fetted with the same honor, in what will be the first USA retrospective of Palcy’s work ever, which will run from May 18 – 30.
Included in this retro will be a newly restored print of her 1983 Venice Film Festival Silver Lion award-winner, Rue Cases-Nègres (Sugar Cane Alley). And that, ladies and gents,...
- 3/23/2011
- by Tambay
- ShadowAndAct
Voltage Pictures is supporting director Victor Salva's (Jeepers Creepers) next production, titled Redwood Lane. This title is currently at the Berlin Film Market and Rose McGowan (The Killing Yard) will star. Details are just coming in, but the plotline signals that this film will be in the thriller genre. Read the available details on Redwood Lane below.
The synopsis for the film is here:
"The story follows Doctor Sonny Blake, a radio talk show psychiatrist, when she moves back to her childhood home after her alcoholic father dies. Once back in her old neighborhood she discovers the local paperboy is a frightening and cunning young sociopath that targeted her father and now targets her. When the boy starts calling her show and recites eerie nursery rhymes, an unnerving game of cat-and-mouse begins. When the game escalates, she suddenly finds herself in a terrifying all out war, one that forces...
The synopsis for the film is here:
"The story follows Doctor Sonny Blake, a radio talk show psychiatrist, when she moves back to her childhood home after her alcoholic father dies. Once back in her old neighborhood she discovers the local paperboy is a frightening and cunning young sociopath that targeted her father and now targets her. When the boy starts calling her show and recites eerie nursery rhymes, an unnerving game of cat-and-mouse begins. When the game escalates, she suddenly finds herself in a terrifying all out war, one that forces...
- 2/10/2011
- by Remove28DaysLaterAnalysisThis@gmail.com (Michael Allen)
- 28 Days Later Analysis
Garvin to tell Allam's story
Producer-writer Bonnie Garvin has acquired the rights to the real-life story of journalist Hannah Allam's experience covering the Iraq War.
The story centers on Allam's quest to save the life of her interpreter, Ban Sarhan, and Sarhan's newborn son. Sarhan accompanied Allam while on assignment in the war-torn country in 2003. When Iraqi insurgents discovered that Sarhan was working for a U.S. media company, they murdered her husband, 4-year-old daughter and mother-in-law.
Allam, unable to get assistance from the U.S. government to protect Sarhan and her infant son, set out on her own to smuggle the two out of the country, an endeavor that proved successful.
Garvin, who learned of the story from an article in Glamour magazine, will produce.
"These young women went through one of the most horrific experiences anybody could go through, and yet out of that came this incredibly positive outcome," Garvin said.
Garvin's credits include The Killing Yard. She also served as a writer on The Ernie Goodman Story distributed by Warner Bros....
The story centers on Allam's quest to save the life of her interpreter, Ban Sarhan, and Sarhan's newborn son. Sarhan accompanied Allam while on assignment in the war-torn country in 2003. When Iraqi insurgents discovered that Sarhan was working for a U.S. media company, they murdered her husband, 4-year-old daughter and mother-in-law.
Allam, unable to get assistance from the U.S. government to protect Sarhan and her infant son, set out on her own to smuggle the two out of the country, an endeavor that proved successful.
Garvin, who learned of the story from an article in Glamour magazine, will produce.
"These young women went through one of the most horrific experiences anybody could go through, and yet out of that came this incredibly positive outcome," Garvin said.
Garvin's credits include The Killing Yard. She also served as a writer on The Ernie Goodman Story distributed by Warner Bros....
- 10/9/2007
- The Hollywood Reporter - Movie News
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