User Reviews

I can't really say that I enjoyed this movie, considering the subject nature...but it did make me think, and most importantly, feel.

Alix and Digna seem like two totally different people. Alix is a drug addict. She lives on the streets of NYC and lives a daily life of finding money and a fix and a place to sleep - in that order, often doing shady things to accomplish them. Digna is a successful photographer who has a great boyfriend, a nice apartment and seems to be rapidly advancing through her career.

Digna lives next door to someone that Alix gets high with and they know each other on a first-name basis. Soon, they both end up entering each other's worlds, and finding out just how similar their lives really are.

I feel like many of the scenes in this film are very realistic, especially the scenes of Alix on the street and how she lives her daily life. I think Ana Reeder did a great job in those scenes, and must have done quite a bit of research before playing this role.

I felt a little different regarding Michael Hyatt (Digna). Some of the scenes seemed a little shallow as far as acting - not enough depth into the character. I don't think this was mostly her fault though, I think the script could have been better in some places, such as the scenes with Digna and her boyfriend, Anthony (Nestor Rodriquez). I didn't feel like they were much of a loving couple, just kind of bland and blah.

All in all though, this film is a very refreshing change from the over-acted, over-produced, high budget dramas that are out there. The movement of the camera and angles made this film seem like you were watching a documentary at times - which to me, is a good thing. I applaud the director, Rosemary Rodriquez, for taking a step to make this film. She mentions in the featurette on the DVD that she didn't want to glamorize drug addiction but show it for what it really is. She did a great job.

I felt like there was so much beauty in the scenes of the film - I love watching the streets of NYC, however, what goes on isn't always beautiful. Very tragic. Rosemary Rodriquez has helped us to see humanity on the streets.

This is the autobiographical story of a young girl who gets hooked on crack and worse. At times this is an incredibly painful film to watch as we go through what it takes to live on the street and to get enough money to get that days fix. The performances are more often than not right on and the film can carry you along in rather unpleasant ways. The trouble is that as good as the film is it can, at times, come off clichéd. This is not the first film to depict life of an addict and so some of it seems like we've seen it all before. The film making is at times too polished and it grinds against the grittiness of the story.

My rating of 6 out of 10 might be a bit low. Intitally I was more up with the film, however in reading on the film I cam across a few negative reviews and my thoughts of the film have been undergoing a revision due to valid points that were made. Still I recommend the film to anyone who likes real life stories, or independent film making.

I recently rent the DVD and I think it's one of the best films I've ever seen. It's about a young druggie in Lower Manhattan and her friendship with a photographer, who happens to be a former junkie as well. The film is really well written and the lead actress, Ana Reeder is a revelation (well maybe not for me, I had the chance to see her last year in a Broadway play with Laura Linney). What I liked about the film is that while it's almost documentary-like it doesn't exploit the actors (something that has happened in other movies with similar topics), the use of music is very good and there is a monologue at the end of the film that made me cry.

The storyline is the type of thing you find on a Lifetime Network Special or a straight-to-television movie trying to warn about the dangers of drug addiction, but this movie goes so far beyond that. It's not like it adds zany warped realities like Requiem for a Dream or it has some sort of narration keeping the audience completely informed that "this is what you should fear to be", it does everything so much simpler than that: It sits back and lets the actors eat the audience's collective heart out.

The drama in this film is SO UTTERLY CONVINCING. The performances get first prize for portrayals that, even when you want to try and find something wrong with it (I'm guessing this film might be considered too sentimental by some), keep the drama serious and prominent, not allowing the audience to let go of their suspension of disbelief. If it wasn't for the production quality, it would seem like this was a documentary and these were real people. And it's not just Ana and Michael, the two main characters, it's everyone, from the boyfriends to the crack addicts that have two seconds of screen time to everyone.

Secondly, the cinematography and editing are very well tuned to excellence. This movie definitely has the feel of an independent film, but more than that it doesn't have that "Look at me, I'm independent!" feel. Skewed angles and purposeful jump cuts exist stylistically in the film, but they come at the right times and are completely necessary, versus what tends to happen in a lot of independent cinema where the camera becomes relatively self-conscious and goes places it needn't. For example, the hand-held quality of this film is almost invisible, while some independent films tend to show off their independence via hand-held in a wannabe cinema-verite sort of conceit.

It's disappointing that I haven't heard anything about this film before. I literally picked it up because it was the first movie on the first row of the first aisle to rent because I wanted to surprise myself, and whadyaknow but it happened to be a real gem! I hope it builds a bigger audience because it deserves to be recognized.

--PolarisDiB

I was very glad to have other plans turned upside down so I could be graced to see this film at the 2001 High Falls Film Festival in Rochester, NY, USA. I found that the dry, honest directing coupled with the documentary-style cinematography tended to galvanize the film into my mind. It's been about a week now, and I still crisply recall scenes as if I had lived them myself.

To elaborate, there are three things I think are key to making this film as good as it is:

First, the entire feel of the picture is documentary-like. You're presented with a chronology of events about a young woman living with heroin addiction on the streets--I found it particularly remarkable that it does not beg for pity ... it really doesn't force any emotions at all, but simply offers the subject matter honestly for the observation and judgment of the viewer. Unlike most directors of this and other charged subjects, Rosemary Rodriguez chose to present the subject in an almost matter-of-fact manner.

Second ... wait: for these last two points let me just say that I have no experience whatsoever with heroin or any other drug, so my opinion is tainted with copious ignorance. ... Second, I was stunned at the realism of the drug use in the film. I really believed the people in the film were using heroin and that each of them responded in a manner consistent with how I thought they should. There wasn't even a hint of the fantasy world of drug use propagated by movies like Reefer Madness.

Finally, Ana Reeder was amazing. There was not a frame of footage when I thought I was watching an actress. I swear this girl was hooked on heroin and actually was living the life of her character. I am generally fascinated by the craft of acting, but once in a while I am confronted with a scene like the climactic breakdown of Alix where it is beyond my comprehension altogether how someone can possibly act that true to life but really be acting.

This felt like MORE than a movie... it felt as if we had some sort of porthole into the lives of REAL people living the life of real addicts in a real city. The acting in this movie was impeccable. The characters were more than believable, they were so authentic that is was like watching a reality show. The human emotions that would trail across the faces and through the eyes of the characters followed by the desperation for the next fix... the slow sinking to new lows... each scene depicted the underworld that's out there and the selfish but pathetic lifestyle and thought processes of the addict, played out to their inevitable consequences. This movie was so real it hurt to watch it and various scenes have come back to haunt both my husband and myself for several days after having watched it. An amazing portrayal that maybe asks some questions but definitely has no answers only looks to us with empty eyes and open, shaky hands.

I believe this was a marvelous accomplishment which brought out the truth of living on the streets. Rosemary Rodriguez experienced it so, no one can say that this is cliché. Not even in relating it to other films in this genre. Alix's character is a drug addict right? but we believe her to have a grasp over it. that she is more than the addiction. this is partly true. like the director said, "there's humanity in everyone one of them". our belief at this point is predetermined but vanishes with change. with her willingness to stay clean being severed by the acts of her conscious temptations and every junkie around her. we believe her to live two lives. a straight life and a drugged up life. as in when she's playing with louie. kinda carefree, laughing. she, for the most part, separates herself from it, from the addiction, but she still has that guilt like when digna takes her picture with louie. even when she runs away from dignas place and pretends that she's clean around her friends, shooting them off and swearing at them. then, a day later she's back into her fix. that doesn't happen a whole lot in other films. Wonderful cinematography and great performances that make this film very believable. This film is very vivid and blunt with the characters addictions. It makes you cringe just seeing it. surely surreal. i like the directors use of narration from the main character's point of view or the non-verbal narration through what the character may be experiencing in their mind. What's the difference between reality and fallibility. But there's a good plot structure so it's not just random. not predictable. sure as heck not. One event stirs off the next. there's a sense of serenity that the characters meet up with and it's interesting how you seem slip out of it once again. some of it real serenity, some of it false. real heart wrenching. makes you feel for people who get involved with drugs and alcohol. how you're not only responsible for yourself but others. makes you investigate your own crutches. makes you examine your own life. yup. so anyways. Go out and rent it today!

This well made and worthy first film by Rosemary Rodriguez is a must see film for anyone with a loved one, friend or interest in drug addiction. It is moving, informative and interesting and obviously a labor of love and hard-won knowledge. Ana Reeder and Nestor Rodriguez shine brightly in a cast of great convincing actors that bring you along into their story of pain, loss, redemption, and tragedy and hope as believably and naturally as I've seen. And the story is honest, raw and strong. Rosemary Rodrigez really can handle the typewriter and an indie film crew. I started to watch this little masterpiece 3 months ago on a houseboat with a beat up 17" TV and several noisy friends. The beautiful opening and music immediately cried out to me for a better and more respectful viewing and I packed the DVD away in a Manhattan bound bag. Last night I finally had a good movie friend over and decent screen and sound system and broke out Acts Of Worship. Both of us know the Lower Side of the the early 90's and love great movies. This is a winner. Great Story. Great Visuals. Great Locations. Great Sound. Great Acting. Great Lean and Raw Directing.

Rent or buy a copy ASAP. Love your friends and family and share it with them. Don't let go of hope, don't give up on truth. Be useful, act kindly and bravely, and see Acts of Worship.

Though I saw the movie not too far from the location of the action, I am not one to judge on the realism of a drug movie. All the same, it had a documentary feel to it as the other comment said, especially the background characters and locations. The lead was excellent. My only problem with it was that the script and some of the acting (the woman who helps her might be based on a real person, but did a real actress play the role? not to be mean, but her performance was a bit amateurish) at times was a bit simplistic and forced.

The lead actress, however, made me stay throughout ... a breakout role.

Although I was raised a Baptist, I no longer consider myself to be religious. Not that I have a problem with religion; saying I am not religious has about the same value for me as saying I am not blond. I do not imply I have a problems with blonds. That said, I HATE being proselytized to. I had heard that this was a great movie, but I was a bit nervous about the title. Many movies justify their glamorized portrayal of the drug world by trying to counter-balance with some well-meaning but tiresome preaching of the evils of drugs. It's like the director wants to have his/her cake and eat it too, showing "the good stuff" that sells movies while saving face with the parents of the movie's viewers. BOY, was I wrong to ever suspect any kind of phony, preachy B.S. in this movie. The closest thing I have to a religion is my honesty, which I cling to as dearly as a family jewel. Therefore, when I say this is the most honest film I have ever seen, I mean it. I cannot reveal the real reason the movie is called "Acts of Worship" without spoiling the ending. But I can say without reservation that this is the most remarkable, believable and honest film about the drug world I have ever seen. I have seen many of the genre: "Requiem for a Dream", "Trainspotting", "Traffic", "Drugstore Cowboy", and countless others. Watching this movie was in and of itself like an "act of worship", because my reverence for honesty in film-making was so profoundly embraced. Thank you Rosemary, Ana and Michael, for giving me this gift.

P.S. Michael, I thought it totally sucked when The West Wing did not keep the Angela character. I was glad to finally see a believable character on my favorite show. Please come back!

I don't remember too much about this film, so my review is going to be vague, but this was an excellent film, and portrayed extremely realistically what its like for an addict out there. Nothing about this film is over the top or ignorant. You as the viewer are pulled in by the main character and her environment. You see what its like for someone who struggles with drugs. As someone who has never done drugs, this film impacted me more than I thought it would. Its a big wake-up call to those who don't know what its like. A big recommendation from me. Truly a insightful film. My rating-8/10 Rated R-Strong Drug Content, pervasive language and some sexuality

This is a very realistic program that shows the serious risks to a recovering alcoholic/addict (even one who has had a long period of sobriety), of not honestly dealing with all her true feelings during her recovery, not going to regular AA/NA meetings, or not being able to call a Sponsor during high-risk situations. It dramatically shows that if that person doesn't have a tight Relapse Prevention Plan, she has NO contingency plan in place to help her maintain her sobriety. In addition, b/c she failed to have her RPP, she seriously risked her recovery when she decided to help a person still in active addiction to stop her addictive behaviors. By having that person live with her, she failed to take seriously the impact that it could have on her own life and recovery.

one of the best movies i've ever seen that deals with addiction- its painful and heartbreaking, but real... it is truth and doesn't glamorize 'using' like many movies do... i thank Ms. Rodriguez for bringing such an amazing movie to the screens and letting her own experiences and visions be seen. i thought the story was well done- she has an amazing way of portraying the main characters, and the way they tend to mesh together towards the end and take on different roles is hard but truth..our vulnerabilities .. it is so great to finally experience hope and success one day but it can be lost in an instant.. fear is powerful.. I feel this director just really captured the truth of addiction and the struggles of being in it and the struggles that occur once sober and the fear s that can arise and bring you right back there... i thank her for writing this and i HIghly recommend!