A depressed woman learns that her husband was killed in a car accident the previous day, then awakens the next morning to find him alive and well at home; then awakens the day after that to find that he's dead.
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Siddalee, a famous New York playwright, is quoted in Time magazine and infuriates her dramatic, Southern mother. A long-distant fight wages until her mother's friends (and members of the Yaya Sisterhood) kidnap Siddalee and take her "home" to the South, where they hope to explain her mother's history and to patch up the rift between mother and daughter.Written by
Gina McKee, who played the mother of Jack and the younger Teensy Melissa Whitman (jacculine McKenzie and Matthew Settle) is only 3 years older than her on screen daughter and is only 5 years older than her on screen son
Several of the cast members (Fionnula Flanagan, Gina McKee, and Angus Macfadyen) were born outside of the US, although they were supposed to be portraying Americans from the American south. Macfadyen was not portraying a southerner. See more »
Near the beginning of the film, there is a shot of the Belasco Theatre in New York, where Sidalee's play is about to start performances. The Main marquee and windows on the theatre display the marquee for her play. However, one of the marquees over the entrance has a general marquee that reads "See a Broadway show just for the fun of it!". The Shubert Organization (which owns the theatre) only uses these generic marquees in a theatre that is currently empty and no upcoming show is booked into it. This marquee would never appear on a theatre that is in previews/has a show about to open. See more »
[Answering the phone]
Well, hello, Connor.
Did you call to talk to Sidda, or to hang up?
See more »
What a shame!!! This is the worst excuse for an adaptation of a novel I have ever seen. Nothing is explained about Siddalee, Shep, Vivi, the Ya-Yas, the younger siblings, Buggy, etc. No one will understand fully the anguish that the children went through as children or the anguish that Vivi went through in her own childhood. Shortcuts were taken left and right in this film, much to the detriment of the storyline. For instance, Shep is not a living saint, Vivi did not simply beat her children because of dexamyl, Teensy's mother is barely mentioned, Vivi's stay at the boarding school was left out, and where is Aunt Jezie, grownup Lulu, Little Shep, and Baylor? I realize that it was a two hour film, but an adaptation should never have been attempted if it wasn't going to be done faithfully. Everything in this film was explained away too easily. Sidda needed much more than a sob story about her mother's loss and use of dexamyl to explain her behavior. Too easy, too simple, too cheesy. No one could possibly come away with a clear understanding and resolution of the plot.
My recommendation: SKIP IT and read the fabulous books this was supposedly based on: Little Altars Everywhere and The Divine Secrets of the Ya-Ya sisterhood.
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