Directed by
| Jonathan Weissler | ||
Writing Credits (in alphabetical order)
| Jonathan Weissler | ||
Cast (in credits order)
| Dexter Fletcher | ... | The Walker | |
 |
Martin Laughton | ... | Harker |
Produced by
| Jonathan Weissler | ... | producer |
Music by
| François Evans | ||
Cinematography by
| Paul Swift | ||
Editing by
| Andrew C. Evans | ||
Costume Design by
| Astrid Schulz | ||
Makeup Department
| Nathaniel De'Lineadeus | ... | special makeup effects |
| Jonathan Joslin | ... | special makeup effects artist |
Production Management
| Huw Jenkins | ... | production supervisor |
Second Unit Director or Assistant Director
| Daniel Burt | ... | first assistant director |
| Cara Speller | ... | second assistant director |
Sound Department
| Martin Kelly | ... | sound mixer |
| John Pinsky | ... | re-recording mixer |
Special Effects by
| Steve Miller | ... | special effects supervisor |
Visual Effects by
| Jonathan Joslin | ... | visual effects coordinator |
Camera and Electrical Department
| Amar Barn | ... | assistant camera / focus puller |
| Damian Paul Daniel | ... | clapper loader (as Damian Daniel) |
| Les Dash | ... | crane operator |
| Stuart Denman | ... | video playback operator |
| Harry Eckford | ... | additional camera grip |
| Paula Rowe | ... | director of photography: additional photography |
| Steve Savage | ... | gaffer |
| Nanu Segal | ... | camera trainee |
| Bill Slaymaker | ... | key grip |
| Peter Storey | ... | best boy |
Script and Continuity Department
| Anne Edwards | ... | script supervisor: additional photography (as Ann Edwards) |
| Lilian Havlícková | ... | script supervisor: additional photography (as Lilian Havlickova) |
| Steve Lunnon | ... | script supervisor |
Additional Crew
| Alex Perdios | ... | runner |
| Naomi Weissler | ... | floor runner / production assistant |
Thanks
| Luke Smith | ... | special thanks |
