A picture with many scenes on shipboard and that has, for its chief interest, a duel of wits between a crafty woman smuggler (Alice Hollister) and a detective. The man is deceived and suspects not the maid, but the mistress, who is entirely innocent and ignorant of the real character of her servant. To end the picture, after the smugglers have been brought to justice, with a love story is, of course, conventional; many people seem to like such an ending. It is not a convincing picture and, therefore, does not affect us deeply. The photography is only fair. - The Moving Picture World, August 2, 1913
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