A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago. Cocaine Cowboys is the true story of how Miami ... See full summary »
Since 1978, Anvil has become one of heavy metal's most influential yet commercially unsuccessful acts. In 2006, after a fledging European tour Anvil sets out to record their thirteenth album and continue to follow their dreams.
Steve 'Lips' Kudlow,
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
A documentary about Tom Dowd, who was an innovative recording engineer and producer of noted albums with John Coltrane, Ornette Coleman, Otis Redding, Eric Clapton, the Allman Brothers and many others.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.Written by
by Smokey Robinson (as William Robinson Jr.) and Berry Gordy
Performed by The Miracles
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
Courtesy of Motown Record Company, L.P.
under license from Universal Music Enterprises See more »
I have reviewed this movie and I am appalled @ Berry Gordy and the Music Industry for keeping this a secret all these years. It is apparent these musicians, "who were worth their weight in Gold" has been overlooked for the artists they were all these years. I was born in 1958, and one of my first songs when coming to the "city" was "Jimmy Mack" and "ShotGun". During my childhood years while I was listening to the "Motown Sound" and thinking that "Jimmy Walker and the AllStars" - the Allstars being the ones to produce such a lovely set of musical instrumental sounds, but now to my surprise I learn it is a group of experienced talented men kept in the dark by Berry Gordy who led the Motown Industry into fame by these "Musician's" unprecedented experience and abilities. I feel a lot of sympathy for those musicians who were obviously overlooked by society - because noone thought enough to "hip" us to what was really going on @ Motown (Berry Gordy). I feel that the Musicians should have gotten the credit and monetary awards which was due, which I now feel was obviously focused on by the industry to be the singer versus the real talent (musicians) which was the underlying key element in the success of the singers that came to Motown. It became obvious to me during the movie that these Musicians did not enjoy the monetary rewards nor the fame that they deserved in life for the services they provided to Motown. There is no doubt that the singers - for instance my idols - Marvin Gaye and Smokey Robinson were great no matter what band they had behind them. But it was the chemistry of the band and singers at Motown that made the same hit after hit situation that repeatedly occurred over the course of time. They complimented one another, and in a situation in which this thrives there can be nothing but a win - win situation. However, it appears that the real winners in this situation was Berry Gordy and the Artists - moreover Berry, who seemed to screw you all ! Nevertheless, my hats off to the Musicians - you are the foundation and the ultimate "Sound of Motown"! Thank you for supplying my child and adulthood with so much beautiful music!!! I love you guys!
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