A young voyeur follows a woman through a neo-noir metropolis.A young voyeur follows a woman through a neo-noir metropolis.A young voyeur follows a woman through a neo-noir metropolis.
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Storyline
Did you know
- TriviaFilmed entirely in two days.
- Crazy creditsCredits were drawn in chalk on a staircase, filmed and then edited together as if traveling down the stairs.
Featured review
Enjoyable flick, good music, beautiful black and white
The angsty subject matter of this short has just enough irony to transcend the festival short cliche -- and some catchy 60s post-pop music for layering. The use of The Kinks underscores lighter elements in the flick, with some nice black and white photography to suggest period and emotion. Many knock silents, but the lack of sync sound only enhances enjoyment for this music major. Music seems an often overlooked aspect of filmmaking, with considerable emphasis on top 40 chart hits and soundtrack sales, Scorsese seems to be the last of a dying breed that stresses musical selections.
The Kinks are an underappreciated, influential group, and this track (also used in Wes Anderson's Rushmore) is one of their best -- a mix of smooth acoustic strumming, angsty lyrics, and bitter irony that matches the period.
The Kinks are an underappreciated, influential group, and this track (also used in Wes Anderson's Rushmore) is one of their best -- a mix of smooth acoustic strumming, angsty lyrics, and bitter irony that matches the period.
- scorsese1231
- Feb 24, 2004
- Permalink
Details
- Runtime1 minute
- Color
- Aspect ratio
- 1.33 : 1
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