Przemiany (2003) Poster

(2003)

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5/10
Monogamy .. Bye Bye!
vicky-movies20 August 2020
Warning: Spoilers
Three sisters; first one is a single mother, the second one is about to get married and the third is married but childless. The child belonging to the single mother sister is a result of an affair between her and the husband of the childless sister. The whole family keeps it a secret from the betrayed sister/wife but she somehow finds out the truth. The betrayed sister/wife starts an affair with the boyfriend of the the sister who is about to get married and becomes pregnant in the process. The boyfriend dumps the sister he was supposed to get married to. In the end the betrayed sister/wife and the boyfriend of the sister that was supposed to get married becomes a couple.

What a story!
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5/10
wonder why divorce rate high in russia?..see this.
afterdarkpak27 September 2020
I dont know, its a weird polish or russian movie. the direction is also weird, many scenes are full focuses on faces. the performance seems decent somehow.

a girl brought her fiance to family home where her 2 sister lives with mother. and then story goes weird from there , seems like everyone has a problem with relationship in that family with men.

Its broken , no loyality , no honesty , no faith in it. just family disputes between each other. But anyhow, the movie has one damn good sex n nude scene.
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4/10
An overambitious Bergman-wannabe attempt from Barczyk
roughski30 December 2003
Throughout the film one has the feeling that "Przemiany" wants to be Bergman's "Cries and Whispers" but fails miserably. The further it goes the greater the disappointment. Barczyk's interesting debut `Patrze na Ciebie Marysiu ` (I'm Looking at You, Mary) raised hopes for a new talent in Polish cinema. In `Przemiany' Barczyk presents an over-ambitious script which he fails to execute. The characters are never properly developed to create any emotional link for the viewer. Their behaviour is very Scandinavian - sharp, straight to the point, in my view completely unnatural for Poles. This adds to the overall artificiality of the film, which simply becomes grotesque by the end and looses all of its emotional weight. It takes a Bergman to create a true Bergman film.
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