"The Alfred Hitchcock Hour" Beyond the Sea of Death (TV Episode 1964) Poster

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7/10
Good drama with a fine performance from Diana Hayden
coltras3515 May 2022
An heiress (Diana Hayden) finally finds a young man( Jeremy Slate who resembles Steve McQueen) who loves her for herself instead of her money. After he dies in a Bolivian mine explosion, she tries to regain contact with him through an Indian mystic, which you know is not a good idea, well not in a Hitchcock presentation. This episode is less of a thriller, and more of a drama. Of course, soon as Diana meets Jeremy, you know where the story is going. The set-up is good, but the finale is even better, and came as a surprise, making Diana's dreams and illusions quite apparent. Sometimes you're in a dream state bubble and you just don't want to come out of it. That's what the ending represents.
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6/10
You Just Want to Shake Some Sense Into Her
Hitchcoc20 May 2023
Diana Hyland is a beautiful, super rich heiress, living in total luxury. She is fixated on the fact that if she were to be involved with a man, he would only care about her money. Well, that comes true, but she doesn't realize it. She hooks up with a guy she meets on a spirituality magazine in the correspondence section. She becomes his next victim. But her friend, who knows what is going on, does everything she can to dissuade her. She begins talking to this guy through a phony psychic after it is revealed he was killed in a mining accident. This woman is so frustrating because even after the scam is revealed she still loves the guy. It is frustrating to watch. And the ending is sad. She is obviously mentally unbalanced and has no sense of reality, living in a cloud.
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7/10
"What seems is not always as it seems."
classicsoncall18 November 2022
Warning: Spoilers
You know when I realized it was a scam? When Grace Renford (Diana Hyland) went to see the schlock psychic Dr. Shankara (Abraham Sofaer). The guy was a bug-eyed hoot! Did you get a load of the way he collapsed when he spun out his tale for Miss Renford? I get how the vulnerable woman nearly fell apart when news of her husband's death arrived, but instead of dealing with her grief in a rational manner, she turned to the phony seer. The tipoff there was when he quoted from the same poems that Keith Holloway (Jeremy Slate) did when setting up his latest victim. Unfortunately, the good hearted Aunt Minnie Briggs (Mildred Dunnock) didn't get what she deserved when the truth finally came to light. It's sad to think that someone could actually react that way when faced with a shattering reality. As for the serial gold digging Holloway, wouldn't it have been a good idea to change his story and tactics even the slightest little bit? Granted, it would have seemed impossible to make a connection between any two of his victims, except for the fact that Lucy Barrington (Ann Ayars) and Miss Renford must have lived in the same town, or at least within some proximity of each other for them to seek out the same bogus con-man in league with Holloway. But it was a good story waiting to see how it all played out, with more than its share of victims, both intended and unintended.
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10/10
"Beyond the Sea of Death" is one of Hitchcock's best
chuck-reilly11 April 2008
Warning: Spoilers
Diana Hyland stars as a lonely young and very wealthy woman searching desperately for love in 1964's "Beyond the Sea of Death." She finds just what's she looking for in handsome adventurous Jeremy Slate. He's working his way up through the ranks as a coal mining engineer, and the two fall madly in love. He even recites poems to her about how their love will last forever and "beyond the sea of death." Mildred Dunnock, Ms. Hyland's suspicious aunt, senses that slick Jeremy may be a con-man after her niece's money and is wary of the relationship. She becomes even more distressed when she finds out that the two have married in secret. When the poor fellow is killed in a Bolivian mining accident, however, she sympathizes with the totally bereaved Ms. Hyland. But that's only half of the story.

Inconsolable from her loss, the distraught Ms. Hyland turns to a swami called Doctor Shankara (Abraham Sofaer) who convinces her that he can communicate with her dead husband. Soon he's reading her poems from the beyond, and wouldn't you know it, they're the same exact ones that Jeremy was reciting when he was alive and well. In no time at all, Doctor Shankara has another message for her from Jeremy; he wants her to give huge chunks of money to the good doctor's "foundation." After finding out her niece is signing some gigantic checks over to this charlatan, Ms. Dunnock decides to do some investigating. She discovers that there are a slew of widows who are similarly signing over cash and property to Dr. Shankara at the behest of their late husbands. Likewise, these "beyond the sea of death" husbands were all killed in Bolivian mining accidents. Yes, it's all been a big con job and Ms. Dunnock now has to tell her niece to save what's left of her rapidly dwindling fortune. Mr. Slate isn't even dead, but instead he's in seclusion counting his money and courting new potential "widows." He and the phony doctor have been partners-in-crime from the beginning. When finally confronted with the truth about the whole conniving scenario from her aunt, Ms. Hyland just can't accept it---and displays her displeasure with reality.

"Beyond the Sea of Death" is well-acted by the entire cast and the story serves as a warning to all viewers regarding scam artists and their ilk. Of particular note is the performance of Diana Hyland. As always, she's excellent in this episode and watching her here makes one acutely aware of how tragic her early death was.
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Sneaky Screenplay
dougdoepke28 August 2015
It's a clever screenplay that results in superior Hitchcock. Except for the opening hook, the first half proceeds rather tamely, but don't be fooled. The story evolves into a big payoff. Grace (Hyland) is a vulnerable young heiress to a family fortune. Having been fleeced by one fortune-hunter, she's now wary of romance; that is, until she answers an ad in a spiritualist magazine and meets Keith (Slate). Shrewdly, she hides her status until she's sure of his honorable intentions. Then she falls hard. Trouble is he works in Bolivia, and one day she gets a telegram. After that it's a consolation that she's come to believe in a spirit world. But this being Hitchcock, we know things aren't always as they seem.

Interest builds as the story progresses. There's not much suspense since we can't be sure where the tale is headed, but there's more than enough curiosity to keep eyes glued. Most noticeably, the climax is a shattering one, and I'm really glad the producers didn't compromise on the final shot, which also has a moral concerning dreams and reality. The star-crossed Hyland is excellent in a difficult role, while veteran actress Dunnock scores as the well-grounded Minnie. Good seeing Jeremy Slate again, and isn't there a resemblance to Steve McQueen. All in all, it's a sneakily well- done episode in a superior series.
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9/10
Diana Hyland's God-given beauty carries the whole show
smithbea22 December 2021
Warning: Spoilers
She is supposed to be, for the record, a Tippi Hedron lookalike not one of Princess Grace. Her male co-star is just another fella who like all men is unworthy of name and note (to the misguided poster on here who very wrongly made a comment on him). Back to Hyland. She is amazing in this part. She is sexy, amazing, vulnerable, beautiful, sophisticated and human all at the same time. This was like her second time on AHH and she should have been on even more. As for predictability of storyline. Because the story is told in flashback it is a safe bet to presume that it will be a scam rather than the real thing (also this is AHH not TZ and mostly AHH was more straight-forward). Nonetheless, Hyland personally makes this ep so very worth your time. Watch multiple viewings of it just to catch her. (Hyland also vastly outranks her usually good co-star Mildred Dunnock in interest, beauty, and sex-appeal by far. Hyland is the best!)
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5/10
Follow Me into the Spirit World
sneedsnood4 July 2015
You don't have to be psychic to foresee events in this episode. The minute it steps off into the metaphysical, you're pretty sure where it's going. Beautiful rich heiress Grace Renford has been corresponding with Keith, whom she met through a spiritual magazine, and they are about to meet. She has been hurt before by men who were only after her money, so this time she'll pretend to be a mere secretary who lives on $80 a week in a "dime store apartment" that she has rented. Her dime store apartment is pretty large and luxurious for San Francisco, but we digress. For reasons never explained, actress Diana Hyland as Grace has been coiffed and made up to look like Grace Kelly herself, right down to the oversized glasses she occasionally wears to prove she's not vain. For their very first meeting, our Grace has invited Keith to a home-cooked dinner in her dime store apartment, even though she confesses she can't cook. He arrives at her door, strikingly handsome and well dressed. They share a love of poetry; he reads her a maudlin poem about "beyond the sea of death." She is awkward, burns the steak and mismanages the coffee. Her character is poorly written here, as she proves to be a charmless, graceless hostess, not at all the poised, adroit heiress who presumably glides through society. In fact, poor Grace becomes an immediate drip, overcome with guilt and self-doubt at pretending not to be her rich-heiress self. Once Grace and Keith have blurted out their unlikely passions for one another, however, she spills the beans, and fortunately he is not the least bit upset to discover that she is wealthy. He will stand on his own, he asserts, eschewing her riches. Alas, however, they must now part for a while before they are reunited in marriage. He must fly to Bolivia, and will send for her. Meanwhile, skeptical Aunt Minnie, well-played by Mildred Dunnock, has been watching from the sidelines and is not convinced that all is well. Events turn tragic as the paint-by-number plot continues to unfold. Aunt Minnie does a little sleuthing. Everything is predictable except for a sudden, ugly ending. The biggest surprise of all is for busybody Aunt Minnie, who meant well, but probably should not have meddled so. No good deed goes unpunished, Aunt Minnie.
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4/10
a very unsatisfying finale.
planktonrules20 May 2021
The basic story idea for "Beyond the Sea of Death" isn't bad at all. The resolution, however, is confusing and incredibly unsatisfying.

A lonely heiress (Diana Hyland) answers an lonely hearts ad in a magazine. Soon she meets a man and she thinks he's practically perfect in every way. They then plan to marry...but he has to finish up business in Bolivia. A short time pater, she receives word he was killed in an accident. In her grief, she seeks help from an Indian mystic. However, her friend (Mildred Dunnock) thinks it's all a scam an investigates what really is going on...and finds that it IS a scam. But the lonely woman's reaction to this is simply bizarre and confusing to say the least.

I really thought the set-up for this one was good....but the resolution left me frustrated since the lonely woman's reaction to learning the truth is turly baffling...leaving me frustrated that I'd spent an hour watching. Very unsatisfying.
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1/10
A Complete Waste Of Time And Acting Talent
film_poster_fan17 January 2022
When one sees the name of William D Gordon on the writing credits, the assumption often can be made that this will be a bad episode of television. Such is the case with this one. None of the actors appearing here can save this show due to the terrible script. The finale is in extremely poor taste.
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4/10
predictable but well enough done to watch
HEFILM22 June 2013
The story is heavy on what could really be soap opera, but the reused Bernhard Herrmann music--not from Vertigo but close enough--and some nice profile shots by the director help. The acting is also good the camera direction features a fair amount of nice moving camera shots, framing and re-framing single shots into two shots of the two lovers, along with a nice use of these kind of romantic guy faces girl in matching profile shots to make it seem like drama rather than soap opera. But even if this were a 30 minute rather than 60 minute show it'd be pretty easy to know what's going on way ahead of the ending. It's poor material done well enough to make it acceptable at best. Another of producer Joan Harrison's not so great episodes.
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2/10
Foolish
kellielulu9 June 2023
Warning: Spoilers
A sucker is born every minute but that can be overcome. Sadly Grace(Diana Hyland) would rather pine and mourn for a man(Keith) who actually conned her and several other women for their money. He isn't actually dead but he and his partner play on the rich,lonely and guliable and rely on the supernatural to guide them. Her wiley aunt is the one who exposes the plot and what does Grace do ? Murders her aunt ?????!!!! Grace could have gone on and had a good life she doesn't lose her money but she has lost her marbles. She would rather think he loved her and thrown her money away to supposedly be close to him. She doesn't even seem to realize there was nothing there no important work to be a part of. She would have just lost money while Keith goes on scamming .

The ending with Grace and her poor aunt who was only trying to help is absurd .I kept waitng for someone to stop Grace. It's also rather oddly acted by Hyland . Overall not one of the better hour long Hitchcock episodes.
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