"The Alfred Hitchcock Hour" The Trap (TV Episode 1965) Poster

(TV Series)

(1965)

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7/10
Triangle with a nasty twist
henri sauvage16 December 2008
The setup is familiar: An oafish but good-natured slob of a toy magnate (Robert Strauss), married to beautiful and bored young Anne Francis, hires handsome Donelly Rhodes as his new confidential secretary.

Not only does Rhodes soon prove himself indispensable, he earns Strauss' gratitude by saving him from making a costly mistake with a proposed new toy line. Although initially cool (if not outright hostile) to Rhodes, Francis soon warms up to him, too. Really warms up. The feeling is mutual, and the results will be deadly.

What makes this somewhat conventional story work are some finely-drawn characters and excellent ensemble acting, especially by the three principal leads. Plus there's an appropriately brooding score from Bernard Herrmann. And of course, the final twist.

Well worth watching, even if you think you've heard this one before.
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7/10
Good acting with a common plot with a few twists
mchenrykrm4 July 2020
Warning: Spoilers
As with many of the Alfred Hitchcock presents episodes the quality of acting is high. Robert Strauss does a credible job as the wealthy and bombstic toy magnate(Ted Beale) and Anne Frances is excellent as his younger, sultry and bored trophy wife(Peg Beale).

While easy to miss, I believe there is an underlying reason why Ted Beale would hire a hunky male(Donnelly Rhodes as John Cochran) as his personal assistant . It appears to be a trap to catch his beautiful wife Peg's unfaithfulness by putting a younger attractive man in her presence.

Before his interview for the personal assistant job Cochran accidentally catches Peg Beale in an uncompromising situation with a another man. When Ted later introduces her to her to John as his wife there is a great deal of tension.

Initially Peg implores Ted not to hire John as he has might tell of her exploits with another man. Ted ignores her pleas and hires John, eventually inviting him to live in their home which is where he runs the toy business from.

Peg is cold and dismissive towards John until he prevents a drunken Ted from catching her in a liason with another man during Ted's birthday party. After this she softens towards him, sparks fly and the two become intimate.

An often repeated plot line emerges with John and Peg falling in love and deciding that Ted has to go in a way that leaves his wealth to Peg. I initially assumed that Peg was trying to coax John into killing Ted and be blamed for it but that premis(another often repeated plot line) does not take hold.

We learn that the elevator can get stuck and the reason is a particular fuse. Peg and John get stuck on it(perhaps pre-planned by Ted), allowing for their first kiss. A allegedly hungover Ted, unconcerned that the two were on it together explains why it stops sometime and how to fix it. In doing so he also makes clear a way someone could make it stop, hint hint..

Before leaving on a long vacation planned by Ted, Peg, aware that no one will be in the house for several weeks pulls the elevator fuse thinking Ted is on it, thus dooming him to a slow horrible death.

Unable to contact John, who was supposed to be n Europe hawking Ted's business and assuming Ted is now dead, Peg returns home to find the elevator still stuck where is was when she left. After she replaces the fuse and prepares the bring the elevator down, Ted appears. His demeanor is creepy and after some banter he suggests they go upstairs on the elevator. When it opens Johns body is on it and Ted's expression show relish in Peg's horror.

My conclusion is that I think the trap was set by Ted from the beginning. He was aware of Peg's philandering and wanted to make her pay for it. He hires John as bait and everything plays out as planned right down to the elevator fuse. A jealous older man with a young beautiful wife who married him only for money gets his revenge in gruesome fashion. Both are guilty as Peg caused John's death by rigging the elevator and Ted could have saved him. A common plot with some twists.

A bit contrived and there are some technical flaws the most notable that I would expect the smell in the house to be putrid enough to cause a grimace from Peg given a dead human body was in it. Overall for a 1 hour TV show made in 1965 this is watchable and the acting, especially that of Robert Strauss, is excellent.
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7/10
A jovial boss has the last laugh.
planktonrules19 June 2021
John (Donelly Rhodes) is a new secretary for an odd toy manufacturer, Ted Beale (Robert Strauss). I say odd because Ted is a very jovial and almost childlike guy and it's easy to like him. As for Ted's wife, Peg (Anne Francis) is obviously bored with him and has been cheating on him. Eventually, she and John begin cheating....and plotting Ted's demise. But since Ted is a real joker, he ends up having the last laugh.

This is a decent episode with a nice (though not too unexpected) twist. However, like way too many episodes, in his epilogue, once again, Hitchcock tacks on a crime doesn't pay comment that really is NOT appropriate for the show...especially since it's debatable what sort of crime actually occurred. It also suffers from being over-long, as a half hour's worth of story is in the show....a common problem with hour-long anthology episodes. Overall, decent watching but flawed.
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Slack Until the Climax
dougdoepke21 May 2015
A boisterous toy manufacturer hires a handsome male secretary who proceeds to carry on with the rich man's philandering wife.

This is another hour-entry that would have worked better as a half-hour. It's a neat climax, but getting there takes a lot of filler. For example, the illicit love affair between Rhodes and Francis is dragged out unnecessarily, and as reviewer sneedsnood points out, the business with the fuse is over-emphasized and too revealing. Nonetheless, there are two highlights. The paddle-ball contest between Rhodes and Strauss reaches a rare level of intensity and also reveals a covert side of the toy manufacturer. I expect this departure was inserted to pep up the dawdling narrative. The other is the very last shot, which sneakily puts a very different slant on what's gone before—don't let it slip by. Anyhow, despite Rhodes' dull blandness, Strauss' over-compensating bravado, plus an oddly detached Francis, the entry does have its positives. Still, a half-hour format I think would have provided more punch.
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10/10
I AGREE THEY'RE ALL KOOKS, BUT FUN TO WATCH 'EM
tcchelsey21 July 2023
There are also people like this in real life, so it's best not to be too, too critical, right? Hitchcock decided to have a little fun with everybody, and it's worth a look. Wait and see...

One of the best gangsters, Robert Strauss (and a bit on the comedic side) plays a fabulously wealthy toy manufacturer with lots of toys, who hires on a young and handsome college grad (Donelly Rhodes) to be his executive assistant. Strauss also has a beautiful wife (so well played by Anne Francis)... and take a wild guess what happens? OR does it happen the way you think?

That's Hitch, with all his surprises.

Outstanding acting on all parts, particularly Oscar nominee Robert Strauss. He also holds the distinction of being the "first" mortal who discovered Samantha was a witch on the BEWITCHED tv series and blackmailed her! He had to have been personal favorite of Hitchcock.

Anne Francis is a natural, as always, who that same year had her own brief tv adventure series, HONEY WEST. An actors actor all the way. She is missed.

Of course, Hitch has the LAST laugh. SEASON 3 EPISODE 18 CBS dvd restored box set.
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7/10
He Finally Figured It Out!
Hitchcoc30 May 2023
Pretty typical Hitchcock TV episode. We know from the start that things are not going to work out for the conspirators. Anne Francis is a beautiful woman who appeared in several of these offerings. Here she married this creep for his money and his toy empire. But she got bored with him big time. So along comes the handsome male secretary and they are off to the races. He is caught between his feelings for her and the love of his job and his future. Hubby is aware of this but doesn't show it. So things don't go so well for the promiscuous twosome. I do appreciate the ending which allowed people to cook their own gooses. Geese? It's a really well executed "Hitchcock Ending," which we called these when I was young.
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7/10
"My peach, you lose. He's hired."
classicsoncall15 January 2023
Warning: Spoilers
The story here is a reworking of one I've seen before, but darn if I can recall what series it appeared in. Might have been a British anthology program. Oh, well. The set up here gives away the twist ending pretty well in advance for those paying attention. The faulty elevator blowing a fuse hints at the way the philandering wife of toy manufacturer Ted Beale (Robert Strauss) might find a way to get rid of him. It's somewhat questionable whether 'Teddy Bear' suspects wife Peg (Anne Francis) is carrying on with his male secretary Johnny Cochran (Donnelly Rhodes), although the very closing scene suggests he knew more than he let on with that sly grin of his. As was customary, Alfred Hitchcock discloses that the Beale's were both put away for the death of Cochran, but I'd have to wonder why they couldn't have found a competent attorney to plead an accidental death. Even though Peg did have murder on her mind, the circumstances being what they were, it certainly could have been considered an accident, especially since the victim was the wrong one!
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4/10
Three Dopes In A Big House
sneedsnood9 April 2015
A rich, unappealing husband and a young, attractive wife live in a big, luxurious house. Hm. Where will this go? When the husband hires an attractive young male assistant played by too-perfectly-1960's handsome Donnelly Rhodes, we think we know. She flirts with other men. He is stern and disapproving until she flirts with him and the expected passion flares. The house features an unusual device, and the minute its function and faults are overly explained -- really, really overly explained -- we know exactly how this is going to end. Surprise ending? Hardly. Robert Strauss is too goofy and unappealing to make a likely husband for lovely Anne Francis. Their marriage never seems remotely plausible to begin with, and everyone behaves like a dimwit in the interests of furthering the unlikely plot.
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