A Western drama representing a wife about to leave her home to go with a former lover whom she had supposed dead. The husband, too, had agreed to the separation. But, as she is about to leave, a little girl three or four years old toddles into the room. The character of the picture at once changes and what the title means is immediately apparent. It shows clearly that mother love is the strongest tie and that former lovers count for little when set over against the little one. The picture is homely, reproducing a scene which might have occurred in the life of almost anyone, and its emphasis upon the strength of mother love is to be heartily commended. One is disposed to accord it a higher rank than the usual work of this company. - The Moving Picture World, November 5, 1910
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