Monsters. Zombies. Chainsaws. Somebody Doesn't Love Lucy...Monsters. Zombies. Chainsaws. Somebody Doesn't Love Lucy...Monsters. Zombies. Chainsaws. Somebody Doesn't Love Lucy...
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Did you know
- TriviaAlan Ronald: a monster with a red demonic face.
- ConnectionsFeatured in Dirty Step Upstage (2009)
- SoundtracksAfraid
Written by Danny Lenihan, Penni Tovey (as Penni Tovi) & Glenn Brooks
Performed by Babywax
Remixed & produced by Danny Lenihan
Copyright 2002 Elemental/The Pearl Works
Featured review
Bloody good fun
By their very nature, you have to extend a lot of goodwill toward a low-budget film. Sets will creak, the acting may not always be of top quality and the special effects may well be questionable at best. If you watch a low-budget film with expectations of losing yourself in roller-coaster ride ala Kind Kong, you're probably going to be disappointed, but approached with the correct attitude there can be an awful lot to enjoy and admire, and even find inspirational.
TrashHouse is a lower than low budget film written, produced and directed by Pat Higgins, and this is his full length feature debut recently released on DVD by Screen Entertainment.
Simply put, five strangers, gathered together through the wonders of computer profiling are invited to a location to participate in the testing of a new implant that allows the user to live out and create their dreams within their environment. Each guinea pig takes to their role differently; one lives out his greatest sexual fantasies, another conjures a technological environment and sets about curing cancer, one can't think of anything more interesting to do than sit in a chair and have money flutter about around him, and so on. As events continue, one of the lab-rats is not who they initially appeared, and has murderous intentions...
There's no denying that there's zero budget going on here, and TrashHouse sometimes collapses under the weight of its own ambition, but ultimately this is to its credit and adds to the charm. Sure the CGI is laughably amateurish at times, the locations are sparser than sparse, the acting is at times questionable, but what carries the film is an originality that doesn't play out simply and predictably from A to B. Pat's script has flourishes in it that makes the 80-odd minutes breeze by with nary a finger hovering over fast forward button, as so often happens in micro-budget films that need to extend their running length to something respectable by adding terminally unnecessary scenes.
There's a sense of humour running through the film that frequently raises a smile, whether it be the two riffing security guys (sat in front of nothing more hi-tech than a single PC monitor), or Lucy's recreation of a 50s sitcom environment. In black and white. With a laughter track.
Approach TrashHouse in the right mood with the right level of expectation and there's a lot to enjoy here. Moreover, there's evident talent at work as well - Pat's direction is assured and you can't help but feel that if he had more money to play with and less need to concentrate on running the entire production then he'd be able to conjure up something special.
I, for one, look forward to the next productions from Jinx Media.
TrashHouse is a lower than low budget film written, produced and directed by Pat Higgins, and this is his full length feature debut recently released on DVD by Screen Entertainment.
Simply put, five strangers, gathered together through the wonders of computer profiling are invited to a location to participate in the testing of a new implant that allows the user to live out and create their dreams within their environment. Each guinea pig takes to their role differently; one lives out his greatest sexual fantasies, another conjures a technological environment and sets about curing cancer, one can't think of anything more interesting to do than sit in a chair and have money flutter about around him, and so on. As events continue, one of the lab-rats is not who they initially appeared, and has murderous intentions...
There's no denying that there's zero budget going on here, and TrashHouse sometimes collapses under the weight of its own ambition, but ultimately this is to its credit and adds to the charm. Sure the CGI is laughably amateurish at times, the locations are sparser than sparse, the acting is at times questionable, but what carries the film is an originality that doesn't play out simply and predictably from A to B. Pat's script has flourishes in it that makes the 80-odd minutes breeze by with nary a finger hovering over fast forward button, as so often happens in micro-budget films that need to extend their running length to something respectable by adding terminally unnecessary scenes.
There's a sense of humour running through the film that frequently raises a smile, whether it be the two riffing security guys (sat in front of nothing more hi-tech than a single PC monitor), or Lucy's recreation of a 50s sitcom environment. In black and white. With a laughter track.
Approach TrashHouse in the right mood with the right level of expectation and there's a lot to enjoy here. Moreover, there's evident talent at work as well - Pat's direction is assured and you can't help but feel that if he had more money to play with and less need to concentrate on running the entire production then he'd be able to conjure up something special.
I, for one, look forward to the next productions from Jinx Media.
helpful•99
- rikkiebags
- Sep 29, 2006
Details
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.85 : 1
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