In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
Martha Fiennes screenplay "Mata Hari" represents the factual story not the mythological version of many inadequate and fabled stories about her life. Mata Hari, the ultimate femme fatal, was shot and killed by a firing squad October 1917.
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
On July 23 of 1802, the Duchess of Alba, the richest and most liberated woman of her time, offers a gala to inaugurate her new palace. Attendance is extraordinary: the Prime Minister Manuel... See full summary »
In this 2003 remake of the classic 1952 French film, Fanfan la Tulipe is a swashbuckling lover who is tricked into joining the army of King Louis XV by Adeline La Franchise, who tells Fanfan that by doing so, he will eventually marry one of the king's daughters.
Every family has its secrets and tries to hold them hidden within domestic walls. However, those of the family of Marcus Aylesbury are about to become public because of the family's long-time friend Trent, a journalist faithful to his ideals who, put under pressure by his editor, is looking for a "sexy-scoop".Written by
That many reputable actors cannot have fallen for a bad script. Well... I'm not sure what it proves about those actor's judgment. They did attract the financiers and the distributors. I'm not sure what this proves about these people either. The result is quite mesmerizing: a lousy star-studded student film. A new sub-genre of its own. The director tried very hard to be profound and disturbing etc. achieving absolutely nothing except boredom (the film's not even pompous, it does not have enough style), a sad and depressing absence of inspiration which you eventually find revolting because of all the talented film makers out there who do not have access to A list cast and funding. Nepotism rules in the movie industry. Chromophobia is another proof.
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