Directed by
| Dan Zukovic | ||
Writing Credits
| Dan Zukovic | ... | (written by) |
Cast (in credits order)
Produced by
| David Barnett | ... | executive producer / producer |
| Ken Crosby | ... | line producer: Malibu |
| Jeremy Dyson | ... | producer |
| Brendan Keown | ... | producer |
| Mitch Mayer | ... | producer |
Music by
| Neil Burnett | ... | (as Neil Burnette) |
Cinematography by
| Geoffrey Denham | ... | director of photography (as Geoff Denham) |
Editing by
| Stephen Cammarano | ... | (as Steve Cammarano) |
| Patrick Carroll | ||
Production Design by
| John R. Taylor | ||
Set Decoration by
| Jenny Jupp | ||
Costume Design by
| Sheri Wenden | ... | (uncredited) |
Makeup Department
| Venus Baeza | ... | makeup artist |
Production Management
| Christian Ouelette | ... | post-production supervisor (as Christian Ouellette) |
| Brad Zukovic | ... | production supervisor: Malibu |
Second Unit Director or Assistant Director
| Dominic Forcier | ... | first assistant director |
Art Department
| Jamie Brinnen | ... | art department |
| Anne-Marie Brown | ... | artist: painting of Sarah Strange |
| Paul Draegebo | ... | art department |
| Paul Fishback | ... | art director: Malibu |
| John Fox | ... | art department |
| Bob Hume | ... | art department |
| Jenny Jupp | ... | art department |
| Tom Rosson | ... | art department |
| Virginia Young | ... | art department |
Sound Department
| Tricia Boer | ... | boom operator |
| Cole Coonce | ... | location sound mixer: Malibu |
| Calm Davidson | ... | boom operator |
| Murray Forward | ... | sound mixer |
| James Schoening | ... | boom operator |
| Shael Wrinch | ... | post-production sound |
| James Schoening | ... | additional sound mixer (uncredited) |
| Dave Stephens | ... | sound mixer (uncredited) / supervising sound editor (uncredited) |
Special Effects by
| Kevin Stadnyk | ... | effects coordinator (as Kevin Michael Stadnyk) |
Stunts
| Jon Funk | ... | stunt coordinator (as John Funk) |
Camera and Electrical Department
| Ed Araquel | ... | unit stills photographer |
| Chris Banting | ... | steadicam operator |
| Alastair Bird | ... | gallery photographer |
| Rob Cochrane | ... | lamp operator |
| Samuel Gyger | ... | first assistant camera |
| Derek Roald Hall | ... | grip |
| Patrick Hogue | ... | second assistant camera |
| Josephine Li | ... | grip |
| M. David Mullen | ... | additional photography: 35mm |
| Brad Oleksy | ... | key grip (as Brad Olesky) |
| Kevin Pearson | ... | lamp operator |
| Theo Pingarelli | ... | first assistant camera: Malibu |
| Dave Roman | ... | second unit photography |
| Julie Tanas | ... | best boy electric |
Costume and Wardrobe Department
| Sarah Louise Atkinson | ... | assistant costume designer |
| Ray Little | ... | designer: custom pink jacket, Enigma Arcana |
| Jayne Mabbott | ... | designer: custom pink jacket, Enigma Arcana |
| Margaret McKea | ... | assistant costume designer |
Editorial Department
| Patrick Carroll | ... | on-line editor |
| Kerry McDowall | ... | assistant editor |
| Tanya Mundy | ... | assistant editor |
| Paul Tourneur | ... | color correction |
| Brendan Woollard | ... | additional editing |
Music Department
| Mortiz Behm | ... | musician: violin, classical music score |
| Neil Burnett | ... | performer: classical music score (as Neil Burnette) |
| Dan Zukovic | ... | additional guitar scoring |
Additional Crew
| Brad McDonald | ... | snake wrangler |
| Frank Morant | ... | production associate |
Thanks
| Barb Barclay | ... | special thanks |
| Margaret Barnetson | ... | special thanks |
| David Berenbaum | ... | special thanks |
| Urs Breevoort | ... | acknowledgment: original painting, "The Duel" 1837 |
| Spencer Hoogbruin | ... | special thanks |
| Corey Lambert | ... | special thanks: P.S. Production Services |
| Jan Lowe | ... | special thanks |
| Chris Maybury | ... | special thanks: Plus 8 Digital |
| Egon Nielsen | ... | special thanks: Parrot Rescue |
| Kimberly Sahlstrom | ... | special thanks |
| Michael Shugrue | ... | special thanks: Plus 8 Digital |
| Aram Sorokin | ... | special thanks |
| Howard Wirsch | ... | special thanks |
