A Panicky Picnic (1909) Poster

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5/10
A case where the special effects were of much, much greater importance than the story.
planktonrules14 February 2014
IMDb attributes this film to Camille de Morlhon, while the copy of the film I saw indicated that Segundo de Chomón was responsible. Judging by the special effects, I could understand the film being attributed to Chomón but think IMDb might be right here as the style doesn't seem to be exactly his. Normally, you'd have expected Chomón to have more natural outdoor sets, a bit more subtlety and a bit more artistry.

"A Fancy Picnic" starts off well enough. Four folks head out in a wagon (about circa 1830) on a picnic. However, their food is infested with mice, worms and bugs (all used by stopping the camera and making the food appear to become infested when the film was restarted). Then, they all return home and the narrative of the story gets completely lost. There is a lengthy animated section (one of the earliest known, actually) that really contributes nothing to the film and is more a distraction than anything else. In fact, the entire last 75% of the film is a non-stop demonstration of camera tricks, costumes and beautiful sets but none of this conveys a coherent story. All in all, there are a lot of neat tricks in a film that doesn't seem to say anything other than 'hey, look at my camera tricks!'.
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7/10
Coherence Would Come After This
boblipton4 July 2019
This late version of Melies' THE HAUNTED INN was the product of Segundo de Chomon and Camile de Morlhon -- with, I suspect, the stop-motion animation of Emile Cohl. A family tries to have a picnic, with distressing results; they retreat to a nearby house, where demons torment them, and they wind up doing acrobatic tumbles through windows.

It was a very popular type of movie in its time, but it had peaked some time a year or two earlier. Now films telling more traditional stories were coming strongly into favor, and if the camera magic that Melies and de Chomon had specialized in did not vanished, it changed. It became the techniques used to tell the details of a story, the grammar of film.
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Incomprehensible - and That's What Makes It Unique
Tornado_Sam26 April 2018
Warning: Spoilers
There is only one other reviewer for this (should-be recognized) film by Segundo de Chomón, and he made a good point about how, in the end, this 8-minute movie is strictly effects with no real story. I can understand his point as many of these trick films were normally plot-less and had no story whatsoever--no one had yet started using the effects to tell actual stories. Yet, while there might be some films out there that don't have enough effects to make up for this issue, I think "A Panicky Picnic" is funny and absurd enough to not need a plot. As the title of this review states, the incomprehensible plot is what, in the end, makes something like this a standout from the other trick films being made during the period. If anything, most people would have to agree it's an improvement over the many magician films still being made by Star Film.

The short begins rather slowly. Some people--a man and a woman, and two oddly identical twins--embark on a journey in a wagon to go and have a picnic. Arriving in the woods (which is a hand-painted set instead of an actual woods, curiously enough) they unpack and slice open the food, only to find it infested with vermin. Deciding to call off the picnic, they then pack up and go to stay the night in an abandoned house (which doesn't really make much sense). The rest is history, as the pots in the fireplace explode, apparitions appear, and the man has a disturbing (animated) nightmare.

Considering just how weird and surrealistic the film is, it's understandable why some say it influenced Luis Bunuel. Furthermore, there is plenty of cutting, which shows how Chomón was moving past the stagy scene-by-scene films of his competitor Méliès. (After all, long-shot story films would remain the standard style of story-telling for a few more years). The effects, in addition, are among the best seen in Chomón's large body of work, and the food infestation visuals are effective and well executed for 1909.

The ending, oddly enough, appears to be cut short. The movie concludes very quickly after the man is half drowned in the well, and pulled out onto the ground. The movie cuts to a closeup as he is laying there recovering--and it ends. It's possible there are a couple more minutes of film missing, since action is still occurring within frame when in concludes. In either case, "A Panicky Picnic" is one of the most bizarre Chomón films I've seen and is commendable to containing a more original story, despite the fact the main plot formula of the haunted house is highly reminiscent of Méliès's work years before.
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