natural history
Dissent was brewing in De Doelen this year. For reasons unbeknownst to the vast majority of attendees at this 44th edition of the International Film Festival Rotterdam, the powers that be decided to make all the bars in the fest’s headquarters cashless. Instead of creating some pseudo Marxist utopia, however, this "innovation" resulted in frustration, as night after night, critics, filmmakers and producers waved their fest passes preloaded with Euros at bartenders in hopes of getting a poorly poured beer.
What does this have to do with Iffr as a whole? Well, it all felt suggestive of things to come. According to the ever-reliable internet, there are now more tickets sold during Rotterdam than at Cannes or Venice. (Indeed, there were several screenings during the festival that sold out faster than I expected, leaving me scrambling to re-jig my schedule and sprinting from the Pathé theatre to the Cinerama.
Dissent was brewing in De Doelen this year. For reasons unbeknownst to the vast majority of attendees at this 44th edition of the International Film Festival Rotterdam, the powers that be decided to make all the bars in the fest’s headquarters cashless. Instead of creating some pseudo Marxist utopia, however, this "innovation" resulted in frustration, as night after night, critics, filmmakers and producers waved their fest passes preloaded with Euros at bartenders in hopes of getting a poorly poured beer.
What does this have to do with Iffr as a whole? Well, it all felt suggestive of things to come. According to the ever-reliable internet, there are now more tickets sold during Rotterdam than at Cannes or Venice. (Indeed, there were several screenings during the festival that sold out faster than I expected, leaving me scrambling to re-jig my schedule and sprinting from the Pathé theatre to the Cinerama.
- 1/30/2015
- by Kiva Reardon
- MUBI
Here's the latest Austin and Texas film news.
Texas-shot We Gotta Get Out Of This Place (Mike's review) took home an audience award in the American Independents category at this year's AFI Fest, IndieWire reports. The drama, about three Texas teens who unintentionally become involved in an organized crime ring, also screened at Fantastic Fest 2013. The German drama Nothing Bad Can Happen, which has U.S. distribution through Drafthouse Films, took home the New Auteurs critics award.Ut lecturer Kat Candler's upcoming feature Hellion received $70,000 for post-production costs from the San Francisco Film Society, according to IndieWire. The indie drama, starring Breaking Bad's Aaron Paul and Juliette Lewis, stems from Candler's award-winning short film of the same name, about a seven-year-old who falls prey to his older brother's mischievous ways in a small Texas refinery town. Fellow Austinite Jonny Mars, who appeared in the SXSW 2012 short, is returning for the feature,...
Texas-shot We Gotta Get Out Of This Place (Mike's review) took home an audience award in the American Independents category at this year's AFI Fest, IndieWire reports. The drama, about three Texas teens who unintentionally become involved in an organized crime ring, also screened at Fantastic Fest 2013. The German drama Nothing Bad Can Happen, which has U.S. distribution through Drafthouse Films, took home the New Auteurs critics award.Ut lecturer Kat Candler's upcoming feature Hellion received $70,000 for post-production costs from the San Francisco Film Society, according to IndieWire. The indie drama, starring Breaking Bad's Aaron Paul and Juliette Lewis, stems from Candler's award-winning short film of the same name, about a seven-year-old who falls prey to his older brother's mischievous ways in a small Texas refinery town. Fellow Austinite Jonny Mars, who appeared in the SXSW 2012 short, is returning for the feature,...
- 11/18/2013
- by Jordan Gass-Poore'
- Slackerwood
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