User Reviews

I follow the J-ustine in this flick... you can see at once that it's a Celeste movie: large focus, slow, bright color, lesbian action above all... This one is not really interesting as the backroung is really dark, deep orange brown so it's hard to see anything, all the more it happens in a mansion in which rooms are lighted by candles! So maybe visually artistic but for the juice barometer, it's down... By the way, i learn that this Celeste was a pseudo for more known adult model, Bunny Luv!

I enjoyed watching Bunny Luv's ambitious Silent Movie pantomime adaptation of the classic "Story of O" BDSM drama. It's titled "The Story of J" with gimmick casting of six beautiful actresses with names starting with the letter J, of which Jesse Jane is the title star, looking fabulous. (Note: 'Jaqueline' in the cast is actually a pseudonym for an actress better known as Betty Sue -just a borderline 'J' girl. She is easily identifiable by sight yet IMDb editors refuse to correct the database's misidentification.) Bunny Luv, using her alternate (stolen from the '90s superstar Celeste) name "Celeste", directed artistically but a bit sloppily, with several glaring continuity errors. It consists of a dozen separate sequences, each announced by a young Jelena Jensen, dressed in topless maid fetish costume, performing like a boxing ring card girl. Not to be too artistic, she displays the final "The End" card next to her posterior pointed at the camera -the dumbest and so often used "joke" at the finish of many a porn feature or short.

Mick Blue portrays Jesse's dominant boy friend, who turns her over to Sir Michael, played by Eric Masterson. Confusingly, a third actor, Ben English, is shown right after a scene of "Sir Michael" displayed in lipstick printed on a mirror, which maid Jelena erases with her panties (how handy!) to leave just the letters "S M" -not very subtle. And while Sir Michael greets Jesse but has sex with a slim young girl instead, one assumes he must be Sir Michael, but no, it's Eric who is introduced later in the film. Very dumb scripting by Bunny, as English is perfect as a Sir Michael type.

Robby's visuals are sharp and highly erotic, with the femme cast mainly posing. Bunny takes wardrobe credit and rather foolishly has the female cast constantly wearing either "hooker" transparent high heels or fetish high heels, and in one scene Justine Joli as Jesse's mean-looking persecutor (with flogging or a long tongue) the continuity error of her hooker heels suddenly replaced by slippers, then back again to high-heels in the editing of shots.

The 3 JJs (Jesse Jane, Justine Joli and Jelena Jensen) are all impressive, and the languorous pacing fits the sort of dreamy non-story. There are pretentious moments, especially near the end. A varied musical score ranges from classical music, opera arias, solo piano to a vigorous electronic music scene imitating Iron Butterfly's "In-A-Gadda-Da-Vida", part of the pretentious Artcore format for a silent movie.