Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Homer adopts a pig who's run away from Krusty Burger after Krusty tried to have him slaughtered, naming the pig "Spider Pig." At the same time, the lake is protected after the audience sink the barge Green Day are on with garbage after they mention the environment. Meanwhile, Spider Pig's waste has filled up a silo in just 2 days, apparently with Homer's help. Homer can't get to the dump quickly so dumps the silo in the lake, polluting it. Russ Cargill, the villainous boss of the EPA, gives Arnold Schwarzenegger, president of the USA, 5 options and forces him to choose 4 (which is, unfortunately, to destroy Springfield) and putting a dome over Springfield to prevent evacuation. Homer, however, has escaped, along with his family. Can he stop the evil Cargill from annihilating his home town, and his family, who have been forced to return to Springfield?Written by
The choral version of "Spider Pig" from the movie soundtrack, credited to Hans Zimmer, reached #24 on the British singles chart for the week ending 2007-08-05. At 64 seconds, it is the shortest track to ever reach the British top 40. See more »
When "Emperor" Moe appears in front of Marge, after she and the kids return, the two cartridge belts swung over Moe's shoulders switch from his left over the right, to his right over the left. See more »
[having just landed on the Moon]
We come in peace for cats and mice everywhere.
[Itchy impales and beats Scratchy with flag pole]
See more »
During the credits, there is a clip of Tom Hanks saying "if you see me in person, please leave me be". See more »
For network television, the image is modified to fit a 16:9 screen (the same aspect ratio as later, high-definition episodes of the television series). As such, the aspect ratio never widens to 2.35:1 after the opening Itchy & Scratchy segment, and certain shots in the film (notably when Bart, in his tree, speaks to Flanders, in his house) are compressed horizontally to fit everything within frame. See more »
I began watching this film (as I'm sure everyone who owns a television set did) with optimistically high expectations. The end product being what all fans' pessimistic side feared. This was a watered down version of the Simpsons, reliant on the steadfast fan base it has rightfully built up over the years. This film was a disappointment. Perhaps though, no more of a disappointment than the last couple of seasons of the television show, with a few notable exceptions.
What made The Simpsons great was the charade of face value humour, perfectly complimenting the blissfully bloated underbelly of well developed, meaningful and satirical jokes. This film was sorely lacking anything but the most basic of jokes. Non-stop visual and slapstick gags... although great, in moderation, after eighty-seven minutes of them - I was left wondering if the film's script would have had to have been modified in any way whatsoever if the characters were substituted for that of, say, 'Spongebob Squarepants'. The obvious exception of course being the underwater setting.
This film lacked all of the Simpsons' distinction that we have all come to love over the years. The Simpsons movie is not even worthy of a 'Krusty Brand Seal of Approval' for authenticity.
The Simpsons have left many fans conflicted over the past couple of years. Feeling a sense of loyalty and reliance to the show, yet always expecting it to sink further and further as far as well thought out story lines and dialogue go.
This movie is a further indication that with the Simpsons, from here until their cancellation or retirement, there will always be a sense of frustratingly oxymoronic anticipated disappointment.
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